1
00:00:02,002 --> 00:00:06,038
[ SILENCE ]

2
00:00:06,040 --> 00:01:49,808
[ FOOTSTEPS APPROACH ]
>> YOU MAY BEGIN.

3
00:01:49,810 --> 00:02:14,466
REMEMBER, GIVE THESE STRAIGHT TO
YOUR PARENTS WHEN YOU GET HOME.
DO NOT OPEN THEM YOURSELVES.

4
00:02:14,468 --> 00:02:18,670
YOUR PARENTS WHEN YOU GET HOME.
DO NOT OPEN THEM YOURSELVES.
ALBERT-EINSTEIN COLE.

5
00:02:18,672 --> 00:02:23,142
DO NOT OPEN THEM YOURSELVES.
ALBERT-EINSTEIN COLE.
NICOLA-TESLA HERTZ.

6
00:02:23,144 --> 00:02:25,611
ALBERT-EINSTEIN COLE.
NICOLA-TESLA HERTZ.
MARIE-CURIE FORTUNE.

7
00:02:25,613 --> 00:02:27,246
NICOLA-TESLA HERTZ.
MARIE-CURIE FORTUNE.
>> THANK YOU.

8
00:02:27,248 --> 00:02:44,329
>> THEODOR-ADORNO STRAUSS.
>> WHAT DID YOU GET?
>> 127.

9
00:02:44,331 --> 00:02:46,565
>> WHAT DID YOU GET?
>> 127.
>> DON'T GO HIGHER THAN 100.

10
00:02:46,567 --> 00:02:48,300
>> 127.
>> DON'T GO HIGHER THAN 100.
>> HEY!

11
00:02:48,302 --> 00:02:59,411
I ONLY GOT A 67, BUT I'M SO
RELIEVED, REALLY.
IT COULD HAVE BEEN SO MUCH

12
00:02:59,413 --> 00:03:00,646
RELIEVED, REALLY.
IT COULD HAVE BEEN SO MUCH
LOWER.

13
00:03:00,648 --> 00:03:02,181
IT COULD HAVE BEEN SO MUCH
LOWER.
>> MEET MY FRIEND.

14
00:03:02,183 --> 00:03:04,983
LOWER.
>> MEET MY FRIEND.
>> YOU DON'T HAVE ANY FRIENDS.

15
00:03:04,985 --> 00:03:06,351
>> MEET MY FRIEND.
>> YOU DON'T HAVE ANY FRIENDS.
>> THIS IS ISAAC-NEWTON

16
00:03:06,353 --> 00:03:07,186
>> YOU DON'T HAVE ANY FRIENDS.
>> THIS IS ISAAC-NEWTON
MIDGELEY.

17
00:03:07,188 --> 00:03:09,121
>> THIS IS ISAAC-NEWTON
MIDGELEY.
>> ZAK. HELLO.

18
00:03:09,123 --> 00:03:10,255
MIDGELEY.
>> ZAK. HELLO.
>> HELLO.

19
00:03:10,257 --> 00:03:12,858
>> ZAK. HELLO.
>> HELLO.
>> HE'S, UH...MINUS SEVEN.

20
00:03:12,860 --> 00:03:14,259
>> HELLO.
>> HE'S, UH...MINUS SEVEN.
ALWAYS KNEW I DIDN'T LIKE YOU.

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00:03:14,261 --> 00:03:15,727
>> HE'S, UH...MINUS SEVEN.
ALWAYS KNEW I DIDN'T LIKE YOU.
>> THOUGHT HE WAS YOUR FRIEND.

22
00:03:15,729 --> 00:03:17,863
ALWAYS KNEW I DIDN'T LIKE YOU.
>> THOUGHT HE WAS YOUR FRIEND.
>> SHUT UP AND WAIT.

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00:03:17,865 --> 00:03:19,398
>> THOUGHT HE WAS YOUR FRIEND.
>> SHUT UP AND WAIT.
>> WHAT FOR?

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00:03:19,400 --> 00:03:21,033
>> SHUT UP AND WAIT.
>> WHAT FOR?
[ TICKING ]

25
00:03:21,035 --> 00:03:22,968
>> WHAT FOR?
[ TICKING ]
>> SUPER-HIGH FREQUENCY MEETS

26
00:03:22,970 --> 00:03:25,237
[ TICKING ]
>> SUPER-HIGH FREQUENCY MEETS
SUPER-LOW FREQUENCY.

27
00:03:25,239 --> 00:03:27,072
>> SUPER-HIGH FREQUENCY MEETS
SUPER-LOW FREQUENCY.
SOMETHING SHOULD BE HAPPENING,

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00:03:27,074 --> 00:03:29,641
SUPER-LOW FREQUENCY.
SOMETHING SHOULD BE HAPPENING,
SOME...REACTION.

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[ THUNDER RUMBLES ]

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[ RAIN PATTERS ]

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[ THUNDER CRASHES ]
>> INTERESTING.

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00:04:02,176 --> 00:04:10,616
>> COME ON IN, ZAK.
YOUR MOTHER'S HERE.
NOW, ZAK!

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00:04:10,618 --> 00:04:13,952
YOUR MOTHER'S HERE.
NOW, ZAK!
>> COMING, MRS. COOK.

34
00:04:13,954 --> 00:04:15,153
NOW, ZAK!
>> COMING, MRS. COOK.
>> HOW LONG?

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00:04:15,155 --> 00:04:19,024
>> COMING, MRS. COOK.
>> HOW LONG?
[ TICKING ]

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00:04:19,026 --> 00:04:21,326
>> HOW LONG?
[ TICKING ]
>> EXACTLY ONE MINUTE.

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00:04:21,328 --> 00:04:32,004
>> [ INHALES DEEPLY ]

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00:04:32,006 --> 00:04:40,812
DAUGHTER.
>> FATHER.
[ ENVELOPE RUSTLES ]

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00:04:40,814 --> 00:04:59,131
>> SO...
YOU KNOW WHAT THIS MEANS, HMM?
HOW IT WILL CHANGE YOUR LIFE?

40
00:04:59,133 --> 00:05:02,067
YOU KNOW WHAT THIS MEANS, HMM?
HOW IT WILL CHANGE YOUR LIFE?
>> YES.

41
00:05:02,069 --> 00:05:04,336
HOW IT WILL CHANGE YOUR LIFE?
>> YES.
>> HOW DO YOU FEEL ABOUT IT, HM?

42
00:05:04,338 --> 00:05:16,348
>> I'M SO RELIEVED, REALLY.
IT COULD HAVE BEEN SO MUCH
LOWER.

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00:05:16,350 --> 00:05:18,150
IT COULD HAVE BEEN SO MUCH
LOWER.
>> [ SIGHS ]

44
00:05:18,152 --> 00:05:29,261
>> OBVIOUSLY, THIS IS GREAT
NEWS, AND WE'RE VERY KEEN TO
MAKE SURE THAT MARIE FULFILLS

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00:05:29,263 --> 00:05:30,162
NEWS, AND WE'RE VERY KEEN TO
MAKE SURE THAT MARIE FULFILLS
HER POTENTIAL.

46
00:05:30,164 --> 00:05:31,063
MAKE SURE THAT MARIE FULFILLS
HER POTENTIAL.
>> [ CHUCKLES ]

47
00:05:31,065 --> 00:05:34,399
HER POTENTIAL.
>> [ CHUCKLES ]
IS THAT NOT GUARANTEED, NOW?

48
00:05:34,401 --> 00:05:35,767
>> [ CHUCKLES ]
IS THAT NOT GUARANTEED, NOW?
>> IS THERE ANYTHING WE CAN DO

49
00:05:35,769 --> 00:05:38,036
IS THAT NOT GUARANTEED, NOW?
>> IS THERE ANYTHING WE CAN DO
ABOUT HER EMOTIONAL --

50
00:05:38,038 --> 00:05:41,973
>> IS THERE ANYTHING WE CAN DO
ABOUT HER EMOTIONAL --
HER EMOTIONS?

51
00:05:41,975 --> 00:05:44,009
ABOUT HER EMOTIONAL --
HER EMOTIONS?
>> IT'S A COMMON SIDE EFFECT.

52
00:05:44,011 --> 00:05:46,044
HER EMOTIONS?
>> IT'S A COMMON SIDE EFFECT.
THE HIGHER THE FREQUENCY, THE

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00:05:46,046 --> 00:05:47,412
>> IT'S A COMMON SIDE EFFECT.
THE HIGHER THE FREQUENCY, THE
LOWER THE EMPATHY.

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00:05:47,414 --> 00:05:49,281
THE HIGHER THE FREQUENCY, THE
LOWER THE EMPATHY.
ONE TENDS TO DRIVE OUT THE

55
00:05:49,283 --> 00:05:50,349
LOWER THE EMPATHY.
ONE TENDS TO DRIVE OUT THE
OTHER.

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00:05:50,351 --> 00:05:51,783
ONE TENDS TO DRIVE OUT THE
OTHER.
THE LUCKIER WE ARE, THE LESS WE

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OTHER.
THE LUCKIER WE ARE, THE LESS WE
CARE ABOUT IT.

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00:05:52,586 --> 00:05:53,852
THE LUCKIER WE ARE, THE LESS WE
CARE ABOUT IT.
>> AND NO ONE'S GOING TO BE

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CARE ABOUT IT.
>> AND NO ONE'S GOING TO BE
LUCKIER THAN MARIE.

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00:05:55,222 --> 00:05:57,055
>> AND NO ONE'S GOING TO BE
LUCKIER THAN MARIE.
>> NO, IT DOESN'T APPEAR SO.

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00:05:57,057 --> 00:05:58,824
LUCKIER THAN MARIE.
>> NO, IT DOESN'T APPEAR SO.
THERE ARE CERTAIN THINGS WE CAN

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>> NO, IT DOESN'T APPEAR SO.
THERE ARE CERTAIN THINGS WE CAN
TRY -- KNOWLEDGE DOES DETERMINE

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THERE ARE CERTAIN THINGS WE CAN
TRY -- KNOWLEDGE DOES DETERMINE
DESTINY, AFTER ALL.

64
00:06:01,628 --> 00:06:02,994
TRY -- KNOWLEDGE DOES DETERMINE
DESTINY, AFTER ALL.
>> I DON'T WANT HER TO BE AN

65
00:06:02,996 --> 00:06:04,796
DESTINY, AFTER ALL.
>> I DON'T WANT HER TO BE AN
EXPERIMENT.

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00:06:04,798 --> 00:06:08,734
>> I DON'T WANT HER TO BE AN
EXPERIMENT.
WE WANT HER TO...MAKE FRIENDS,

67
00:06:08,736 --> 00:06:13,171
EXPERIMENT.
WE WANT HER TO...MAKE FRIENDS,
HAVE FUN, FALL IN LOVE, HAVE A

68
00:06:13,173 --> 00:06:15,474
WE WANT HER TO...MAKE FRIENDS,
HAVE FUN, FALL IN LOVE, HAVE A
NORMAL LIFE.

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00:06:15,476 --> 00:06:16,675
HAVE FUN, FALL IN LOVE, HAVE A
NORMAL LIFE.
>> OH.

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00:06:16,677 --> 00:06:18,176
NORMAL LIFE.
>> OH.
I'M SORRY, BUT YOU MUST

71
00:06:18,178 --> 00:06:20,178
>> OH.
I'M SORRY, BUT YOU MUST
UNDERSTAND THAT WON'T BE AT ALL

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00:06:20,180 --> 00:06:21,747
I'M SORRY, BUT YOU MUST
UNDERSTAND THAT WON'T BE AT ALL
POSSIBLE.

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00:06:21,749 --> 00:06:23,181
UNDERSTAND THAT WON'T BE AT ALL
POSSIBLE.
>>   <i>IF YOU WANT TO FIND TRUE</i>

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00:06:23,183 --> 00:06:25,617
POSSIBLE.
>>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE, STOP HERE.</i>

75
00:06:25,619 --> 00:06:27,519
>>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE, STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE LOVE,</i>

76
00:06:27,521 --> 00:06:28,653
<i>LOVE, STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE LOVE,</i>
<i>STOP HERE.</i>

77
00:06:28,655 --> 00:06:30,756
<i>IF YOU WANT TO FIND TRUE LOVE,</i>
<i>STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE LOVE,</i>

78
00:06:30,758 --> 00:06:32,157
<i>STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE LOVE,</i>
<i>STOP HERE.</i>

79
00:06:32,159 --> 00:06:34,092
<i>IF YOU WANT TO FIND TRUE LOVE,</i>
<i>STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE LOVE,</i>

80
00:06:34,094 --> 00:06:35,527
<i>STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE LOVE,</i>
<i>STOP HERE.</i>

81
00:06:35,529 --> 00:06:36,728
<i>IF YOU WANT TO FIND TRUE LOVE,</i>
<i>STOP HERE.</i>
<i>>> HELLO, MS. ANDERSON.</i>

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00:06:36,730 --> 00:06:37,763
<i>STOP HERE.</i>
<i>>> HELLO, MS. ANDERSON.</i>
<i>>> HELLO, MARIE.</i>

83
00:06:37,765 --> 00:06:38,830
<i>>> HELLO, MS. ANDERSON.</i>
<i>>> HELLO, MARIE.</i>
<i>>></i>   <i>...STOP HERE.</i>

84
00:06:38,832 --> 00:06:39,898
<i>>> HELLO, MARIE.</i>
<i>>></i>   <i>...STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE</i>

85
00:06:39,900 --> 00:06:40,365
<i>>></i>   <i>...STOP HERE.</i>
<i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE...</i>

86
00:06:40,367 --> 00:06:41,600
<i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE...</i>
<i>>> WELL, I'VE STOPPED.</i>

87
00:06:41,602 --> 00:06:43,101
<i>LOVE...</i>
<i>>> WELL, I'VE STOPPED.</i>
<i>>></i>   <i>IF YOU WANT TO FIND TRUE</i>

88
00:06:43,103 --> 00:06:44,603
<i>>> WELL, I'VE STOPPED.</i>
<i>>></i>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE --</i>

89
00:06:44,605 --> 00:06:46,037
<i>>></i>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE --</i>
<i>>> THIS ANALYZES YOUR PRECISE</i>

90
00:06:46,039 --> 00:06:46,705
<i>LOVE --</i>
<i>>> THIS ANALYZES YOUR PRECISE</i>
<i>FREQUENCY.</i>

91
00:06:46,707 --> 00:06:48,140
<i>>> THIS ANALYZES YOUR PRECISE</i>
<i>FREQUENCY.</i>
<i>I DEVELOPED A WAY TO DIRECTLY</i>

92
00:06:48,142 --> 00:06:49,641
<i>FREQUENCY.</i>
<i>I DEVELOPED A WAY TO DIRECTLY</i>
<i>READ THE WAVEFORM -- MUCH MORE</i>

93
00:06:49,643 --> 00:06:51,109
<i>I DEVELOPED A WAY TO DIRECTLY</i>
<i>READ THE WAVEFORM -- MUCH MORE</i>
<i>EFFICIENT THAN THE OLD SCHOOL</i>

94
00:06:51,111 --> 00:06:51,810
<i>READ THE WAVEFORM -- MUCH MORE</i>
<i>EFFICIENT THAN THE OLD SCHOOL</i>
<i>TEST.</i>

95
00:06:51,812 --> 00:06:53,178
<i>EFFICIENT THAN THE OLD SCHOOL</i>
<i>TEST.</i>
<i>>> YOU HAVE THE PATENT FOR THAT?</i>

96
00:06:53,180 --> 00:06:53,845
<i>TEST.</i>
<i>>> YOU HAVE THE PATENT FOR THAT?</i>
<i>>> OF COURSE.</i>

97
00:06:53,847 --> 00:06:54,713
<i>>> YOU HAVE THE PATENT FOR THAT?</i>
<i>>> OF COURSE.</i>
<i>[ DEVICE WARBLES ]</i>

98
00:06:54,715 --> 00:06:56,148
<i>>> OF COURSE.</i>
<i>[ DEVICE WARBLES ]</i>
<i>IT'S NOW CROSS-REFERENCING MEN</i>

99
00:06:56,150 --> 00:06:57,382
<i>[ DEVICE WARBLES ]</i>
<i>IT'S NOW CROSS-REFERENCING MEN</i>
<i>AND WOMEN WITH COMPATIBLE</i>

100
00:06:57,384 --> 00:06:58,517
<i>IT'S NOW CROSS-REFERENCING MEN</i>
<i>AND WOMEN WITH COMPATIBLE</i>
<i>RESONANCE.</i>

101
00:06:58,519 --> 00:07:00,018
<i>AND WOMEN WITH COMPATIBLE</i>
<i>RESONANCE.</i>
<i>ONLY A SMALL SAMPLE -- JUST THE</i>

102
00:07:00,020 --> 00:07:01,553
<i>RESONANCE.</i>
<i>ONLY A SMALL SAMPLE -- JUST THE</i>
<i>TEACHERS THAT WOULD LET ME TAKE</i>

103
00:07:01,555 --> 00:07:02,921
<i>ONLY A SMALL SAMPLE -- JUST THE</i>
<i>TEACHERS THAT WOULD LET ME TAKE</i>
<i>THEIR READING THIS MORNING.</i>

104
00:07:02,923 --> 00:07:04,389
<i>TEACHERS THAT WOULD LET ME TAKE</i>
<i>THEIR READING THIS MORNING.</i>
<i>>> THAT'S HOW YOU DEFINE TRUE</i>

105
00:07:04,391 --> 00:07:05,257
<i>THEIR READING THIS MORNING.</i>
<i>>> THAT'S HOW YOU DEFINE TRUE</i>
<i>LOVE?</i>

106
00:07:05,259 --> 00:07:06,992
<i>>> THAT'S HOW YOU DEFINE TRUE</i>
<i>LOVE?</i>
<i>>> THAT'S NOW NATURE DEFINES IT.</i>

107
00:07:06,994 --> 00:07:08,593
<i>LOVE?</i>
<i>>> THAT'S NOW NATURE DEFINES IT.</i>
<i>THOSE WITH THE LOWER FREQUENCIES</i>

108
00:07:08,595 --> 00:07:09,628
<i>>> THAT'S NOW NATURE DEFINES IT.</i>
<i>THOSE WITH THE LOWER FREQUENCIES</i>
<i>NEED A MINIMUM OF 700</i>

109
00:07:09,630 --> 00:07:10,328
<i>THOSE WITH THE LOWER FREQUENCIES</i>
<i>NEED A MINIMUM OF 700</i>
<i>SIGNIFIERS.</i>

110
00:07:10,330 --> 00:07:11,696
<i>NEED A MINIMUM OF 700</i>
<i>SIGNIFIERS.</i>
<i>>> OF COURSE, THERE ARE NATURAL</i>

111
00:07:11,698 --> 00:07:14,132
<i>SIGNIFIERS.</i>
<i>>> OF COURSE, THERE ARE NATURAL</i>
<i>FORCES TO REPEL, NOT ATTRACT.</i>

112
00:07:14,134 --> 00:07:15,434
<i>>> OF COURSE, THERE ARE NATURAL</i>
<i>FORCES TO REPEL, NOT ATTRACT.</i>
<i>WHAT ARE YOUR PLANS FOR THIS</i>

113
00:07:15,436 --> 00:07:15,967
<i>FORCES TO REPEL, NOT ATTRACT.</i>
<i>WHAT ARE YOUR PLANS FOR THIS</i>
<i>PROJECT?</i>

114
00:07:15,969 --> 00:07:17,436
<i>WHAT ARE YOUR PLANS FOR THIS</i>
<i>PROJECT?</i>
<i>>> FATHER WANTS TO PUT IT ON THE</i>

115
00:07:17,438 --> 00:07:18,603
<i>PROJECT?</i>
<i>>> FATHER WANTS TO PUT IT ON THE</i>
<i>MARKET.</i>

116
00:07:18,605 --> 00:07:20,205
<i>>> FATHER WANTS TO PUT IT ON THE</i>
<i>MARKET.</i>
<i>APPARENTLY, PEOPLE ARE OBSESSED</i>

117
00:07:20,207 --> 00:07:23,341
<i>MARKET.</i>
<i>APPARENTLY, PEOPLE ARE OBSESSED</i>
<i>ABOUT FINDING TRUE LOVE.</i>

118
00:07:23,343 --> 00:07:26,645
<i>APPARENTLY, PEOPLE ARE OBSESSED</i>
<i>ABOUT FINDING TRUE LOVE.</i>
<i>>> AND YOU?</i>

119
00:07:26,647 --> 00:07:29,014
<i>ABOUT FINDING TRUE LOVE.</i>
<i>>> AND YOU?</i>
<i>[ DEVICE WARBLES ]</i>

120
00:07:29,016 --> 00:07:33,585
<i>>> AND YOU?</i>
<i>[ DEVICE WARBLES ]</i>
<i>>> NO 100%s, BUT THERE IS A 95%.</i>

121
00:07:33,587 --> 00:07:35,320
<i>[ DEVICE WARBLES ]</i>
<i>>> NO 100%s, BUT THERE IS A 95%.</i>
<i>>> AND WHO IS THAT?</i>

122
00:07:35,322 --> 00:07:38,557
<i>>> MR. THALES.</i>

123
00:07:38,559 --> 00:07:44,930
<i>>> REALLY?</i>
<i>>> MAYBE YOU SHOULD GO AND SAY</i>
<i>HELLO.</i>

124
00:07:44,932 --> 00:07:49,167
<i>>> MAYBE YOU SHOULD GO AND SAY</i>
<i>HELLO.</i>
<i>ALL EXTRA DATA IS USEFUL.</i>

125
00:07:49,169 --> 00:07:51,303
<i>HELLO.</i>
<i>ALL EXTRA DATA IS USEFUL.</i>
<i>>> THIS...DEVICE HAS MANY</i>

126
00:07:51,305 --> 00:07:53,738
<i>ALL EXTRA DATA IS USEFUL.</i>
<i>>> THIS...DEVICE HAS MANY</i>
<i>POSSIBLE APPLICATIONS, SUCH AS</i>

127
00:07:53,740 --> 00:07:55,240
<i>>> THIS...DEVICE HAS MANY</i>
<i>POSSIBLE APPLICATIONS, SUCH AS</i>
<i>THE ABILITY TO FIND FRIENDS.</i>

128
00:07:55,242 --> 00:07:56,608
<i>POSSIBLE APPLICATIONS, SUCH AS</i>
<i>THE ABILITY TO FIND FRIENDS.</i>
<i>>> OF COURSE -- JUST A DIFFERENT</i>

129
00:07:56,610 --> 00:07:57,442
<i>THE ABILITY TO FIND FRIENDS.</i>
<i>>> OF COURSE -- JUST A DIFFERENT</i>
<i>SET OF SIGNIFIERS.</i>

130
00:07:57,444 --> 00:07:58,610
<i>>> OF COURSE -- JUST A DIFFERENT</i>
<i>SET OF SIGNIFIERS.</i>
<i>>> AND HAVE YOU TESTED THIS</i>

131
00:07:58,612 --> 00:08:00,278
<i>SET OF SIGNIFIERS.</i>
<i>>> AND HAVE YOU TESTED THIS</i>
<i>ASPECT YOURSELF?</i>

132
00:08:00,280 --> 00:08:09,821
<i>>> NO.</i>
<i>EVERYBODY WANTS TO BE MY FRIEND.</i>
<i>>> BUT HOW MANY ACTUALLY</i> <i>ARE</i>

133
00:08:09,823 --> 00:08:13,258
<i>EVERYBODY WANTS TO BE MY FRIEND.</i>
<i>>> BUT HOW MANY ACTUALLY</i> <i>ARE</i>
<i>YOUR FRIENDS?</i>

134
00:08:13,260 --> 00:08:13,792
<i>>> BUT HOW MANY ACTUALLY</i> <i>ARE</i>
<i>YOUR FRIENDS?</i>
<i>>> NONE.</i>

135
00:08:13,794 --> 00:08:14,926
<i>YOUR FRIENDS?</i>
<i>>> NONE.</i>
<i>>> THEN I BELIEVE IT IS</i>

136
00:08:14,928 --> 00:08:16,328
<i>>> NONE.</i>
<i>>> THEN I BELIEVE IT IS</i>
<i>NECESSARY FOR YOU TO GIVE IT A</i>

137
00:08:16,330 --> 00:08:17,162
<i>>> THEN I BELIEVE IT IS</i>
<i>NECESSARY FOR YOU TO GIVE IT A</i>
<i>TRY.</i>

138
00:08:17,164 --> 00:08:19,898
<i>NECESSARY FOR YOU TO GIVE IT A</i>
<i>TRY.</i>
<i>ALL EXTRA DATA IS USEFUL.</i>

139
00:08:19,900 --> 00:08:21,700
<i>TRY.</i>
<i>ALL EXTRA DATA IS USEFUL.</i>
<i>[ CLATTER ]</i>

140
00:08:21,702 --> 00:08:39,751
<i>>> SORRY I'M LATE.</i>
<i>GOT LOCKED IN A CORRIDOR.</i>
<i>>> INTERESTING.</i>

141
00:08:39,753 --> 00:08:49,394
<i>>> HELLO.</i>
<i>>> HELLO.</i>
<i>>> DID YOU SEE THE --</i>

142
00:08:49,396 --> 00:08:50,529
<i>>> HELLO.</i>
<i>>> DID YOU SEE THE --</i>
<i>>> I WAS GOING TO SAY...</i>

143
00:08:50,531 --> 00:08:50,996
<i>>> DID YOU SEE THE --</i>
<i>>> I WAS GOING TO SAY...</i>
<i>>> YES.</i>

144
00:08:50,998 --> 00:08:53,198
<i>>> I WAS GOING TO SAY...</i>
<i>>> YES.</i>
<i>>> ...WE DON'T HAVE TO SPEAK.</i>

145
00:08:53,200 --> 00:09:01,473
<i>>> IT'S JUST THAT I-I WANT TO.</i>
<i>I MEAN, WE'RE PROBABLY NOT GONNA</i>
<i>GET MORE THAN A MINUTE.</i>

146
00:09:01,475 --> 00:09:03,808
<i>I MEAN, WE'RE PROBABLY NOT GONNA</i>
<i>GET MORE THAN A MINUTE.</i>
<i>SORRY, UM...HOW ARE YOU?</i>

147
00:09:03,810 --> 00:09:05,076
<i>GET MORE THAN A MINUTE.</i>
<i>SORRY, UM...HOW ARE YOU?</i>
<i>>> GREETING OR SERIOUS QUESTION?</i>

148
00:09:05,078 --> 00:09:06,177
<i>SORRY, UM...HOW ARE YOU?</i>
<i>>> GREETING OR SERIOUS QUESTION?</i>
<i>>> UH, GREETING.</i>

149
00:09:06,179 --> 00:09:08,146
<i>>> GREETING OR SERIOUS QUESTION?</i>
<i>>> UH, GREETING.</i>
<i>>> FINE. HOW ARE YOU?</i>

150
00:09:08,148 --> 00:09:09,080
<i>>> UH, GREETING.</i>
<i>>> FINE. HOW ARE YOU?</i>
<i>>> BIT WORRIED ABOUT WHAT'S</i>

151
00:09:09,082 --> 00:09:09,748
<i>>> FINE. HOW ARE YOU?</i>
<i>>> BIT WORRIED ABOUT WHAT'S</i>
<i>GOING TO HAPPEN.</i>

152
00:09:09,750 --> 00:09:10,749
<i>>> BIT WORRIED ABOUT WHAT'S</i>
<i>GOING TO HAPPEN.</i>
<i>>> MAYBE NOTHING WILL HAPPEN.</i>

153
00:09:10,751 --> 00:09:12,183
<i>GOING TO HAPPEN.</i>
<i>>> MAYBE NOTHING WILL HAPPEN.</i>
<i>>> IF THAT'S TRUE, THEN...WHY</i>

154
00:09:12,185 --> 00:09:16,021
<i>>> MAYBE NOTHING WILL HAPPEN.</i>
<i>>> IF THAT'S TRUE, THEN...WHY</i>
<i>ARE THEY HERE?</i>

155
00:09:16,023 --> 00:09:18,857
<i>>> IF THAT'S TRUE, THEN...WHY</i>
<i>ARE THEY HERE?</i>
<i>>> WHY DON'T YOU ASK THEM?</i>

156
00:09:18,859 --> 00:09:19,424
<i>ARE THEY HERE?</i>
<i>>> WHY DON'T YOU ASK THEM?</i>
<i>>> WHY ME?</i>

157
00:09:19,426 --> 00:09:20,492
<i>>> WHY DON'T YOU ASK THEM?</i>
<i>>> WHY ME?</i>
<i>>> BECAUSE YOU AND I ARE</i>

158
00:09:20,494 --> 00:09:21,626
<i>>> WHY ME?</i>
<i>>> BECAUSE YOU AND I ARE</i>
<i>SUPPOSED TO HAVE THE MOST</i>

159
00:09:21,628 --> 00:09:23,061
<i>>> BECAUSE YOU AND I ARE</i>
<i>SUPPOSED TO HAVE THE MOST</i>
<i>INTERESTING REACTION.</i>

160
00:09:23,063 --> 00:09:25,597
<i>SUPPOSED TO HAVE THE MOST</i>
<i>INTERESTING REACTION.</i>
<i>[ AIRPLANE APPROACHES ]</i>

161
00:09:25,599 --> 00:09:28,967
<i>INTERESTING REACTION.</i>
<i>[ AIRPLANE APPROACHES ]</i>
<i>>> HOW LONG?</i>

162
00:09:28,969 --> 00:09:29,868
<i>[ AIRPLANE APPROACHES ]</i>
<i>>> HOW LONG?</i>
<i>>> 50 SECONDS.</i>

163
00:09:29,870 --> 00:09:31,202
<i>>> HOW LONG?</i>
<i>>> 50 SECONDS.</i>
<i>>> WHAT HAPPENS IF IT GOES PAST</i>

164
00:09:31,204 --> 00:09:32,804
<i>>> 50 SECONDS.</i>
<i>>> WHAT HAPPENS IF IT GOES PAST</i>
<i>A MINUTE?</i>

165
00:09:32,806 --> 00:09:57,262
<i>>> DETENTION, BOTH OF YOU.</i>
<i>SEPARATELY.</i>
<i>>> IT'S OKAY.</i>

166
00:09:57,264 --> 00:09:58,563
<i>SEPARATELY.</i>
<i>>> IT'S OKAY.</i>
<i>THEY'VE USED UP THEIR MINUTE FOR</i>

167
00:09:58,565 --> 00:09:59,364
<i>>> IT'S OKAY.</i>
<i>THEY'VE USED UP THEIR MINUTE FOR</i>
<i>THIS YEAR ALREADY.</i>

168
00:09:59,366 --> 00:10:00,465
<i>THEY'VE USED UP THEIR MINUTE FOR</i>
<i>THIS YEAR ALREADY.</i>
<i>WE COULDN'T GET THEM TOGETHER</i>

169
00:10:00,467 --> 00:10:01,766
<i>THIS YEAR ALREADY.</i>
<i>WE COULDN'T GET THEM TOGETHER</i>
<i>NOW IF WE TRIED.</i>

170
00:10:01,768 --> 00:10:02,434
<i>WE COULDN'T GET THEM TOGETHER</i>
<i>NOW IF WE TRIED.</i>
<i>>> WHY DO IT?</i>

171
00:10:02,436 --> 00:10:03,768
<i>NOW IF WE TRIED.</i>
<i>>> WHY DO IT?</i>
<i>YOU KNOW WHAT HAPPENS WHEN YOU</i>

172
00:10:03,770 --> 00:10:04,970
<i>>> WHY DO IT?</i>
<i>YOU KNOW WHAT HAPPENS WHEN YOU</i>
<i>TWO GET TOGETHER.</i>

173
00:10:04,972 --> 00:10:06,838
<i>YOU KNOW WHAT HAPPENS WHEN YOU</i>
<i>TWO GET TOGETHER.</i>
<i>YOU WANT TO PUT ZAK IN DANGER?</i>

174
00:10:06,840 --> 00:10:07,973
<i>TWO GET TOGETHER.</i>
<i>YOU WANT TO PUT ZAK IN DANGER?</i>
<i>THIS IS A HEALTH-AND-SAFETY</i>

175
00:10:07,975 --> 00:10:10,041
<i>YOU WANT TO PUT ZAK IN DANGER?</i>
<i>THIS IS A HEALTH-AND-SAFETY</i>
<i>ISSUE FOR THE WHOLE SCHOOL.</i>

176
00:10:10,043 --> 00:10:15,680
<i>THIS IS A HEALTH-AND-SAFETY</i>
<i>ISSUE FOR THE WHOLE SCHOOL.</i>
<i>COME ON.</i>

177
00:10:15,682 --> 00:10:16,581
<i>ISSUE FOR THE WHOLE SCHOOL.</i>
<i>COME ON.</i>
<i>>> DO YOU LIKE HIM?</i>

178
00:10:16,583 --> 00:10:17,849
<i>COME ON.</i>
<i>>> DO YOU LIKE HIM?</i>
<i>>> IT'S JUST AN EXPERIMENT.</i>

179
00:10:17,851 --> 00:10:19,150
<i>>> DO YOU LIKE HIM?</i>
<i>>> IT'S JUST AN EXPERIMENT.</i>
<i>>> IT'S A FALSE EXPERIMENT.</i>

180
00:10:19,152 --> 00:10:21,319
<i>>> IT'S JUST AN EXPERIMENT.</i>
<i>>> IT'S A FALSE EXPERIMENT.</i>
<i>FREQUENCY DOES NOT CHANGE.</i>

181
00:10:21,321 --> 00:10:30,161
<i>DON'T WASTE YOUR...FEELINGS ON</i>
<i>THIS BOY.</i>
<i>THE TWO OF YOU ARE JUST NOT</i>

182
00:10:30,163 --> 00:10:33,098
<i>THIS BOY.</i>
<i>THE TWO OF YOU ARE JUST NOT</i>
<i>DESTINED TO BE TOGETHER.</i>

183
00:10:33,100 --> 00:10:34,666
<i>THE TWO OF YOU ARE JUST NOT</i>
<i>DESTINED TO BE TOGETHER.</i>
<i>>> KNOWLEDGE DETERMINES DESTINY,</i>

184
00:10:34,668 --> 00:10:36,501
<i>DESTINED TO BE TOGETHER.</i>
<i>>> KNOWLEDGE DETERMINES DESTINY,</i>
<i>MS. ANDERSON.</i>

185
00:10:36,503 --> 00:11:01,960
<i>>> HELLO.</i>
<i>>> HELLO.</i>
<i>IF IT GOES PAST A MINUTE, MAYBE</i>

186
00:11:01,962 --> 00:11:03,294
<i>>> HELLO.</i>
<i>IF IT GOES PAST A MINUTE, MAYBE</i>
<i>FREQUENCY ISN'T FIXED.</i>

187
00:11:03,296 --> 00:11:04,095
<i>IF IT GOES PAST A MINUTE, MAYBE</i>
<i>FREQUENCY ISN'T FIXED.</i>
<i>>> I'M SORRY?</i>

188
00:11:04,097 --> 00:11:05,664
<i>FREQUENCY ISN'T FIXED.</i>
<i>>> I'M SORRY?</i>
<i>>> YOU ASKED WHAT WOULD HAPPEN</i>

189
00:11:05,666 --> 00:11:07,365
<i>>> I'M SORRY?</i>
<i>>> YOU ASKED WHAT WOULD HAPPEN</i>
<i>IF IT GOES PAST A MINUTE.</i>

190
00:11:07,367 --> 00:11:08,099
<i>>> YOU ASKED WHAT WOULD HAPPEN</i>
<i>IF IT GOES PAST A MINUTE.</i>
<i>>> OH.</i>

191
00:11:08,101 --> 00:11:10,535
<i>IF IT GOES PAST A MINUTE.</i>
<i>>> OH.</i>
<i>>> I'VE DECIDED WE</i> <i>SHOULD</i> TALK.

192
00:11:10,537 --> 00:11:11,603
<i>>> OH.</i>
<i>>> I'VE DECIDED WE</i> <i>SHOULD</i> TALK.
DID ANYONE SEE YOU?

193
00:11:11,605 --> 00:11:13,705
<i>>> I'VE DECIDED WE</i> <i>SHOULD</i> TALK.
DID ANYONE SEE YOU?
>> NO, I DON'T THINK SO.

194
00:11:13,707 --> 00:11:24,449
>> GOOD. WE'RE ALONE.
LESS CHANCE OF SOMETHING
HAPPENING.

195
00:11:24,451 --> 00:11:25,784
LESS CHANCE OF SOMETHING
HAPPENING.
HOW ARE YOU?

196
00:11:25,786 --> 00:11:27,185
HAPPENING.
HOW ARE YOU?
>> [ SIGHS ]

197
00:11:27,187 --> 00:11:29,087
HOW ARE YOU?
>> [ SIGHS ]
NOT SO GOOD, ACTUALLY.

198
00:11:29,089 --> 00:11:30,822
>> [ SIGHS ]
NOT SO GOOD, ACTUALLY.
I THINK I'VE GOT THE FLU.

199
00:11:30,824 --> 00:11:31,790
NOT SO GOOD, ACTUALLY.
I THINK I'VE GOT THE FLU.
>> [ SIGHS ]

200
00:11:31,792 --> 00:11:33,825
I THINK I'VE GOT THE FLU.
>> [ SIGHS ]
I-I NEED A MORE SPECIFIC ANSWER.

201
00:11:33,827 --> 00:11:35,360
>> [ SIGHS ]
I-I NEED A MORE SPECIFIC ANSWER.
I'M ADDING YOUR PHYSICAL STATE

202
00:11:35,362 --> 00:11:36,761
I-I NEED A MORE SPECIFIC ANSWER.
I'M ADDING YOUR PHYSICAL STATE
AND EMOTIONS TO MY RESEARCH.

203
00:11:36,763 --> 00:11:38,096
I'M ADDING YOUR PHYSICAL STATE
AND EMOTIONS TO MY RESEARCH.
>> I THOUGHT YOU MIGHT BE.

204
00:11:38,098 --> 00:11:42,734
AND EMOTIONS TO MY RESEARCH.
>> I THOUGHT YOU MIGHT BE.
WELL, I-I'M FEELING...TENSE...

205
00:11:42,736 --> 00:11:47,639
>> I THOUGHT YOU MIGHT BE.
WELL, I-I'M FEELING...TENSE...
NERVOUS, BREATHLESS...SWEATY.

206
00:11:47,641 --> 00:11:48,773
WELL, I-I'M FEELING...TENSE...
NERVOUS, BREATHLESS...SWEATY.
>> BECAUSE YOU'RE WORRIED ABOUT

207
00:11:48,775 --> 00:11:49,474
NERVOUS, BREATHLESS...SWEATY.
>> BECAUSE YOU'RE WORRIED ABOUT
WHAT MIGHT HAPPEN?

208
00:11:49,476 --> 00:11:51,743
>> BECAUSE YOU'RE WORRIED ABOUT
WHAT MIGHT HAPPEN?
>> T-THAT'S PART OF IT.

209
00:11:51,745 --> 00:11:53,411
WHAT MIGHT HAPPEN?
>> T-THAT'S PART OF IT.
>> ARE YOU OKAY?

210
00:11:53,413 --> 00:11:55,980
>> T-THAT'S PART OF IT.
>> ARE YOU OKAY?
>> FINE.

211
00:11:55,982 --> 00:11:57,382
>> ARE YOU OKAY?
>> FINE.
I'VE GOT AN IDEA.

212
00:11:57,384 --> 00:12:40,592
HELLO.
>> HELLO.

213
00:12:40,594 --> 00:12:50,835
WHAT WAS YOUR IDEA?
>> I THINK WE SHOULD...TOUCH.
YOU KNOW, AS PART OF THE DATA

214
00:12:50,837 --> 00:12:51,436
>> I THINK WE SHOULD...TOUCH.
YOU KNOW, AS PART OF THE DATA
COLLECTION.

215
00:12:51,438 --> 00:12:55,840
YOU KNOW, AS PART OF THE DATA
COLLECTION.
I-I-I THINK WE SHOULD TOUCH.

216
00:12:55,842 --> 00:12:57,142
COLLECTION.
I-I-I THINK WE SHOULD TOUCH.
>> I CAN'T.

217
00:12:57,144 --> 00:12:57,876
I-I-I THINK WE SHOULD TOUCH.
>> I CAN'T.
>> W-WHY NOT?

218
00:12:57,878 --> 00:12:59,077
>> I CAN'T.
>> W-WHY NOT?
>> BECAUSE IT CHANGES THE

219
00:12:59,079 --> 00:13:00,044
>> W-WHY NOT?
>> BECAUSE IT CHANGES THE
VARIABLES.

220
00:13:00,046 --> 00:13:01,846
>> BECAUSE IT CHANGES THE
VARIABLES.
WE HAVEN'T TOUCHED, SO...

221
00:13:01,848 --> 00:13:04,249
VARIABLES.
WE HAVEN'T TOUCHED, SO...
>> WE SHOULD NEVER TOUCH?

222
00:13:04,251 --> 00:13:04,816
WE HAVEN'T TOUCHED, SO...
>> WE SHOULD NEVER TOUCH?
>> YES.

223
00:13:04,818 --> 00:13:06,484
>> WE SHOULD NEVER TOUCH?
>> YES.
>> IT COULD BE A NEW EXPERIMENT,

224
00:13:06,486 --> 00:13:07,886
>> YES.
>> IT COULD BE A NEW EXPERIMENT,
A-A BETTER EXPERIMENT.

225
00:13:07,888 --> 00:13:10,688
>> IT COULD BE A NEW EXPERIMENT,
A-A BETTER EXPERIMENT.
>> WHAT ARE YOU TALKING ABOUT?

226
00:13:10,690 --> 00:13:11,556
A-A BETTER EXPERIMENT.
>> WHAT ARE YOU TALKING ABOUT?
>> W-WOULD YOU --

227
00:13:11,558 --> 00:13:12,891
>> WHAT ARE YOU TALKING ABOUT?
>> W-WOULD YOU --
>> IT'S NOT THAT I DON'T WANT TO

228
00:13:12,893 --> 00:13:14,392
>> W-WOULD YOU --
>> IT'S NOT THAT I DON'T WANT TO
TOUCH.

229
00:13:14,394 --> 00:13:22,967
>> WHAT IF IT WASN'T JUST FOR
DATA COLLECTION?
>> WHAT DO YOU MEAN?

230
00:13:22,969 --> 00:13:32,177
[ DOGS BARKING IN DISTANCE ]
[ BARKING INTENSIFIES ]

231
00:13:32,179 --> 00:13:38,983
>> I'VE GOT TO ASK YOU
SOMETHING.
>> YES?

232
00:13:38,985 --> 00:13:45,523
[ DOOR OPENS ]

233
00:13:45,525 --> 00:13:55,600
>> HELLO.
>> HELLO.

234
00:13:55,602 --> 00:14:00,839
>> W-WILL YOU GO TO GRADUATION
WITH ME?
>> [ CHUCKLES ]

235
00:14:00,841 --> 00:14:02,240
WITH ME?
>> [ CHUCKLES ]
GRADUATION'S NOT TILL NEXT YEAR.

236
00:14:02,242 --> 00:14:03,174
>> [ CHUCKLES ]
GRADUATION'S NOT TILL NEXT YEAR.
>> I DON'T GET MANY

237
00:14:03,176 --> 00:14:06,044
GRADUATION'S NOT TILL NEXT YEAR.
>> I DON'T GET MANY
OPPORTUNITIES TO ASK.

238
00:14:06,046 --> 00:14:07,245
>> I DON'T GET MANY
OPPORTUNITIES TO ASK.
>> WE'RE SUPPOSED TO BE KEEPING

239
00:14:07,247 --> 00:14:07,946
OPPORTUNITIES TO ASK.
>> WE'RE SUPPOSED TO BE KEEPING
THIS QUIET.

240
00:14:07,948 --> 00:14:09,614
>> WE'RE SUPPOSED TO BE KEEPING
THIS QUIET.
>> BUT T-THIS ISN'T DATA

241
00:14:09,616 --> 00:14:10,949
THIS QUIET.
>> BUT T-THIS ISN'T DATA
COLLECTION.

242
00:14:10,951 --> 00:14:12,750
>> BUT T-THIS ISN'T DATA
COLLECTION.
THIS IS A DATE.

243
00:14:12,752 --> 00:14:13,618
COLLECTION.
THIS IS A DATE.
>> A ONE-MINUTE DATE?

244
00:14:13,620 --> 00:14:14,752
THIS IS A DATE.
>> A ONE-MINUTE DATE?
>> I'VE BEEN ON SHORTER ONES

245
00:14:14,754 --> 00:14:15,753
>> A ONE-MINUTE DATE?
>> I'VE BEEN ON SHORTER ONES
BEFORE.

246
00:14:15,755 --> 00:14:17,255
>> I'VE BEEN ON SHORTER ONES
BEFORE.
LOW FREQUENCY, REMEMBER?

247
00:14:17,257 --> 00:14:26,130
>> YES.
>> YES?

248
00:14:26,132 --> 00:14:31,769
[ ALARM RINGS IN DISTANCE ]

249
00:14:31,771 --> 00:14:39,143
I THINK WE SHOULD TOUCH THEN, AS
WELL.
THINK ABOUT IT.

250
00:14:39,145 --> 00:14:40,612
WELL.
THINK ABOUT IT.
[ RINGING CONTINUES ]

251
00:14:40,614 --> 00:14:53,658
[ FOOTSTEPS APPROACH ]

252
00:14:53,660 --> 00:15:02,267
>> HELLO.
>> HELLO.
>> WHERE DO YOU WANT TO TOUCH

253
00:15:02,269 --> 00:15:03,268
>> HELLO.
>> WHERE DO YOU WANT TO TOUCH
ME?

254
00:15:03,270 --> 00:15:04,002
>> WHERE DO YOU WANT TO TOUCH
ME?
>> EVERYWHERE.

255
00:15:04,004 --> 00:15:04,702
ME?
>> EVERYWHERE.
>> [ LAUGHS ]

256
00:15:04,704 --> 00:15:05,904
>> EVERYWHERE.
>> [ LAUGHS ]
>> SORRY, THAT SOUNDS A BIT

257
00:15:05,906 --> 00:15:07,205
>> [ LAUGHS ]
>> SORRY, THAT SOUNDS A BIT
WRONG.

258
00:15:07,207 --> 00:15:09,340
>> SORRY, THAT SOUNDS A BIT
WRONG.
I KNOW WE CAN'T BE TOGETHER, BUT

259
00:15:09,342 --> 00:15:12,143
WRONG.
I KNOW WE CAN'T BE TOGETHER, BUT
I-I NEED TO TELL YOU...

260
00:15:12,145 --> 00:15:13,611
I KNOW WE CAN'T BE TOGETHER, BUT
I-I NEED TO TELL YOU...
I LOVE YOU.

261
00:15:13,613 --> 00:15:21,853
I-I KNOW YOU PROBABLY DON'T LOVE
ME, BUT I JUST HOPE THAT YOU
LIKE ME, YOU KNOW?

262
00:15:21,855 --> 00:15:23,988
ME, BUT I JUST HOPE THAT YOU
LIKE ME, YOU KNOW?
>> SERIOUS QUESTION?

263
00:15:23,990 --> 00:15:24,889
LIKE ME, YOU KNOW?
>> SERIOUS QUESTION?
>> YES.

264
00:15:24,891 --> 00:15:27,492
>> SERIOUS QUESTION?
>> YES.
>> NO.

265
00:15:27,494 --> 00:15:29,227
>> YES.
>> NO.
>> W-WHAT ABOUT OUR MEETINGS?

266
00:15:29,229 --> 00:15:30,428
>> NO.
>> W-WHAT ABOUT OUR MEETINGS?
>> DATA COLLECTION.

267
00:15:30,430 --> 00:15:31,829
>> W-WHAT ABOUT OUR MEETINGS?
>> DATA COLLECTION.
>> JUST DATA COLLECTION?

268
00:15:31,831 --> 00:15:33,298
>> DATA COLLECTION.
>> JUST DATA COLLECTION?
>> NO, I'VE ALSO BEEN

269
00:15:33,300 --> 00:15:35,900
>> JUST DATA COLLECTION?
>> NO, I'VE ALSO BEEN
EXPERIMENTING WITH FLIRTING.

270
00:15:35,902 --> 00:15:36,968
>> NO, I'VE ALSO BEEN
EXPERIMENTING WITH FLIRTING.
AND NOW I'VE STOPPED.

271
00:15:36,970 --> 00:15:38,169
EXPERIMENTING WITH FLIRTING.
AND NOW I'VE STOPPED.
>> YOU REALLY DON'T FEEL

272
00:15:38,171 --> 00:15:39,037
AND NOW I'VE STOPPED.
>> YOU REALLY DON'T FEEL
ANYTHING FOR ME?

273
00:15:39,039 --> 00:15:40,571
>> YOU REALLY DON'T FEEL
ANYTHING FOR ME?
>> I DON'T THINK YOU UNDERSTAND,

274
00:15:40,573 --> 00:15:41,973
ANYTHING FOR ME?
>> I DON'T THINK YOU UNDERSTAND,
ZAK.

275
00:15:41,975 --> 00:15:44,442
>> I DON'T THINK YOU UNDERSTAND,
ZAK.
I DON'T FEEL.

276
00:15:44,444 --> 00:15:47,345
ZAK.
I DON'T FEEL.
NO ONE WANTS TO UNDERSTAND.

277
00:15:47,347 --> 00:15:49,013
I DON'T FEEL.
NO ONE WANTS TO UNDERSTAND.
I KNOW WHAT THEY CALL ME --

278
00:15:49,015 --> 00:15:51,449
NO ONE WANTS TO UNDERSTAND.
I KNOW WHAT THEY CALL ME --
THE MACHINE -- AND THEY'RE

279
00:15:51,451 --> 00:15:53,017
I KNOW WHAT THEY CALL ME --
THE MACHINE -- AND THEY'RE
RIGHT.

280
00:15:53,019 --> 00:15:55,620
THE MACHINE -- AND THEY'RE
RIGHT.
I DO NOT LOVE MY FAMILY.

281
00:15:55,622 --> 00:15:58,389
RIGHT.
I DO NOT LOVE MY FAMILY.
I EXPERIENCE NO JOY.

282
00:15:58,391 --> 00:16:00,158
I DO NOT LOVE MY FAMILY.
I EXPERIENCE NO JOY.
IF YOU EVER SEE ME SMILE, FROWN,

283
00:16:00,160 --> 00:16:04,228
I EXPERIENCE NO JOY.
IF YOU EVER SEE ME SMILE, FROWN,
LAUGH OR CRY, I'M PRETENDING...

284
00:16:04,230 --> 00:16:07,699
IF YOU EVER SEE ME SMILE, FROWN,
LAUGH OR CRY, I'M PRETENDING...
WAITING FOR IT TO BECOME REAL.

285
00:16:07,701 --> 00:16:10,001
LAUGH OR CRY, I'M PRETENDING...
WAITING FOR IT TO BECOME REAL.
BUT IT NEVER WILL.

286
00:16:10,003 --> 00:16:11,669
WAITING FOR IT TO BECOME REAL.
BUT IT NEVER WILL.
IT'S THE SIDE EFFECT.

287
00:16:11,671 --> 00:16:15,039
BUT IT NEVER WILL.
IT'S THE SIDE EFFECT.
>> THE SIDE EFFECT. OF COURSE.

288
00:16:15,041 --> 00:16:16,641
IT'S THE SIDE EFFECT.
>> THE SIDE EFFECT. OF COURSE.
>> THE TWO OF US ARE JUST NOT

289
00:16:16,643 --> 00:16:18,443
>> THE SIDE EFFECT. OF COURSE.
>> THE TWO OF US ARE JUST NOT
DESTINED TO BE TOGETHER.

290
00:16:18,445 --> 00:16:27,885
>> WELL, LOOK AT THAT.
ONE MINUTE.
LOOKS LIKE I'M LEAVING RIGHT ON

291
00:16:27,887 --> 00:16:29,420
ONE MINUTE.
LOOKS LIKE I'M LEAVING RIGHT ON
TIME.

292
00:16:29,422 --> 00:18:00,144
>> HELLO.

293
00:18:00,146 --> 00:18:06,250
IT'S NOT DUE IN FOR ANOTHER
WEEK, BUT I'LL JUST GO CHECK FOR
YOU, OKAY?

294
00:18:06,252 --> 00:18:12,757
WOULD YOU LOOK AT THAT -- IT'S
JUST ARRIVED.
THAT'LL BE 20 POUNDS EXACTLY,

295
00:18:12,759 --> 00:18:15,359
JUST ARRIVED.
THAT'LL BE 20 POUNDS EXACTLY,
PLEASE.

296
00:18:15,361 --> 00:18:16,561
THAT'LL BE 20 POUNDS EXACTLY,
PLEASE.
ISN'T THAT LUCKY?

297
00:18:16,563 --> 00:18:18,796
PLEASE.
ISN'T THAT LUCKY?
>> ISN'T IT?

298
00:18:18,798 --> 00:18:52,029
[ DOORBELL RINGS ]

299
00:18:52,031 --> 00:19:05,643
>> Together: SURPRISE!
>> HAPPY BIRTHDAY, MARIE.
[ CHUCKLES ]

300
00:19:05,645 --> 00:19:18,322
>> HELLO.

301
00:19:18,324 --> 00:19:27,632
>> HELLO.
ZAK.
>> IT'S BEEN A LONG TIME.

302
00:19:27,634 --> 00:19:29,367
ZAK.
>> IT'S BEEN A LONG TIME.
>> WHERE DID YOU GET TO?

303
00:19:29,369 --> 00:19:31,369
>> IT'S BEEN A LONG TIME.
>> WHERE DID YOU GET TO?
>> EVERYWHERE -- SAO PAULO,

304
00:19:31,371 --> 00:19:34,238
>> WHERE DID YOU GET TO?
>> EVERYWHERE -- SAO PAULO,
BUENOS AIRES, KAICHI, KINSHASA,

305
00:19:34,240 --> 00:19:36,040
>> EVERYWHERE -- SAO PAULO,
BUENOS AIRES, KAICHI, KINSHASA,
BUT MOST RECENTLY, VILNIUS.

306
00:19:36,042 --> 00:19:37,475
BUENOS AIRES, KAICHI, KINSHASA,
BUT MOST RECENTLY, VILNIUS.
I CAN NOW CURSE CONVINCINGLY IN

307
00:19:37,477 --> 00:19:38,809
BUT MOST RECENTLY, VILNIUS.
I CAN NOW CURSE CONVINCINGLY IN
18 LANGUAGES.

308
00:19:38,811 --> 00:19:39,744
I CAN NOW CURSE CONVINCINGLY IN
18 LANGUAGES.
>> WHERE'S KAICHI?

309
00:19:39,746 --> 00:19:41,646
18 LANGUAGES.
>> WHERE'S KAICHI?
I'VE NOT HEARD OF IT.

310
00:19:41,648 --> 00:19:42,580
>> WHERE'S KAICHI?
I'VE NOT HEARD OF IT.
>> RELAX.

311
00:19:42,582 --> 00:19:43,648
I'VE NOT HEARD OF IT.
>> RELAX.
YOU DON'T HAVE TO PRETEND TO

312
00:19:43,650 --> 00:19:45,616
>> RELAX.
YOU DON'T HAVE TO PRETEND TO
CARE.

313
00:19:45,618 --> 00:19:52,957
HOW ARE YOU?
>> GREETING OR SERIOUS QUESTION?
>> SERIOUS QUESTION.

314
00:19:52,959 --> 00:19:54,559
>> GREETING OR SERIOUS QUESTION?
>> SERIOUS QUESTION.
>> STILL THE MACHINE.

315
00:19:54,561 --> 00:19:55,760
>> SERIOUS QUESTION.
>> STILL THE MACHINE.
STILL BROKEN.

316
00:19:55,762 --> 00:19:56,794
>> STILL THE MACHINE.
STILL BROKEN.
>> STILL WAITING?

317
00:19:56,796 --> 00:19:59,430
STILL BROKEN.
>> STILL WAITING?
>> WAITING, PRETENDING, BUT NOW,

318
00:19:59,432 --> 00:20:01,232
>> STILL WAITING?
>> WAITING, PRETENDING, BUT NOW,
I THINK, SO IS EVERYONE ELSE.

319
00:20:01,234 --> 00:20:03,634
>> WAITING, PRETENDING, BUT NOW,
I THINK, SO IS EVERYONE ELSE.
[ INDISTINCT CONVERSATIONS ]

320
00:20:03,636 --> 00:20:10,775
WHY ARE YOU HERE?
>> TO CONTINUE THE EXPERIMENT,
OF COURSE.

321
00:20:10,777 --> 00:20:11,943
>> TO CONTINUE THE EXPERIMENT,
OF COURSE.
>> NOTHING'S CHANGED.

322
00:20:11,945 --> 00:20:12,810
OF COURSE.
>> NOTHING'S CHANGED.
>> NOT FOR YOU.

323
00:20:12,812 --> 00:20:14,545
>> NOTHING'S CHANGED.
>> NOT FOR YOU.
>> WHAT'S CHANGED FOR YOU, ZAK?

324
00:20:14,547 --> 00:20:16,781
>> NOT FOR YOU.
>> WHAT'S CHANGED FOR YOU, ZAK?
>> LOOK AT YOUR WATCH.

325
00:20:16,783 --> 00:20:20,952
>> OVER A MINUTE.

326
00:20:20,954 --> 00:20:28,125
>> I CAN'T STAY.
BUT MEET ME IN THE TRAIN SHOP
TOMORROW AT 7:00.

327
00:20:28,127 --> 00:20:30,161
BUT MEET ME IN THE TRAIN SHOP
TOMORROW AT 7:00.
I THINK I CAN HELP YOU.

328
00:20:30,163 --> 00:20:51,249
[ THUNDER RUMBLES ]

329
00:20:51,251 --> 00:20:59,223
GLAD YOU COULD MAKE IT.

330
00:20:59,225 --> 00:21:07,665
>> EXPECTING A CALL?
>> [ CHUCKLES ]
YES.

331
00:21:07,667 --> 00:21:08,799
>> [ CHUCKLES ]
YES.
>> HOW DID YOU LAST MORE THAN A

332
00:21:08,801 --> 00:21:10,801
YES.
>> HOW DID YOU LAST MORE THAN A
MINUTE?

333
00:21:10,803 --> 00:21:13,571
>> HOW DID YOU LAST MORE THAN A
MINUTE?
>> I CHANGED MY FREQUENCY.

334
00:21:13,573 --> 00:21:14,939
MINUTE?
>> I CHANGED MY FREQUENCY.
>> YOU KNOW THAT'S NOT POSSIBLE.

335
00:21:14,941 --> 00:21:16,274
>> I CHANGED MY FREQUENCY.
>> YOU KNOW THAT'S NOT POSSIBLE.
>> KNOWLEDGE DETERMINES DESTINY.

336
00:21:16,276 --> 00:21:16,607
>> YOU KNOW THAT'S NOT POSSIBLE.
>> KNOWLEDGE DETERMINES DESTINY.
I --

337
00:21:16,609 --> 00:21:19,076
>> KNOWLEDGE DETERMINES DESTINY.
I --
>>   <i>YO</i>DID THIS?

338
00:21:19,078 --> 00:21:20,344
I --
>>   <i>YO</i>DID THIS?
YOU FOUND THE SOLUTION?

339
00:21:20,346 --> 00:21:21,979
>>   <i>YO</i>DID THIS?
YOU FOUND THE SOLUTION?
>> YES.

340
00:21:21,981 --> 00:21:23,247
YOU FOUND THE SOLUTION?
>> YES.
DOES THAT SURPRISE YOU?

341
00:21:23,249 --> 00:21:24,782
>> YES.
DOES THAT SURPRISE YOU?
>> YES.

342
00:21:24,784 --> 00:21:26,417
DOES THAT SURPRISE YOU?
>> YES.
YOU ARE LOW-FREQUENCY.

343
00:21:26,419 --> 00:21:29,353
>> YES.
YOU ARE LOW-FREQUENCY.
>> NOT ANYMORE.

344
00:21:29,355 --> 00:21:31,155
YOU ARE LOW-FREQUENCY.
>> NOT ANYMORE.
WHAT WE KNOW ABOUT FREQUENCY IS

345
00:21:31,157 --> 00:21:31,589
>> NOT ANYMORE.
WHAT WE KNOW ABOUT FREQUENCY IS
WRONG.

346
00:21:31,591 --> 00:21:33,124
WHAT WE KNOW ABOUT FREQUENCY IS
WRONG.
OTHERWISE, YOU AND I WOULD NEVER

347
00:21:33,126 --> 00:21:35,393
WRONG.
OTHERWISE, YOU AND I WOULD NEVER
HAVE MET.

348
00:21:35,395 --> 00:21:38,029
OTHERWISE, YOU AND I WOULD NEVER
HAVE MET.
>> YOU SAID YOU COULD HELP ME.

349
00:21:38,031 --> 00:21:39,597
HAVE MET.
>> YOU SAID YOU COULD HELP ME.
>> I CAN CHANGE YOUR FREQUENCY.

350
00:21:39,599 --> 00:21:40,164
>> YOU SAID YOU COULD HELP ME.
>> I CAN CHANGE YOUR FREQUENCY.
>> LOWER IT?

351
00:21:40,166 --> 00:21:41,332
>> I CAN CHANGE YOUR FREQUENCY.
>> LOWER IT?
>> I DON'T THINK IT GETS MUCH

352
00:21:41,334 --> 00:21:41,732
>> LOWER IT?
>> I DON'T THINK IT GETS MUCH
HIGHER.

353
00:21:41,734 --> 00:21:43,000
>> I DON'T THINK IT GETS MUCH
HIGHER.
>> BUT NATURE WORKS HARD TO GIVE

354
00:21:43,002 --> 00:21:43,634
HIGHER.
>> BUT NATURE WORKS HARD TO GIVE
ME EVERYTHING.

355
00:21:43,636 --> 00:21:47,171
>> BUT NATURE WORKS HARD TO GIVE
ME EVERYTHING.
>> ALMOST EVERYTHING.

356
00:21:47,173 --> 00:21:50,741
ME EVERYTHING.
>> ALMOST EVERYTHING.
>> TELL ME THE PROCESS.

357
00:21:50,743 --> 00:21:52,143
>> ALMOST EVERYTHING.
>> TELL ME THE PROCESS.
>> OKAY, I DON'T THINK YOU'RE

358
00:21:52,145 --> 00:21:55,012
>> TELL ME THE PROCESS.
>> OKAY, I DON'T THINK YOU'RE
GONNA LIKE IT.

359
00:21:55,014 --> 00:21:56,247
>> OKAY, I DON'T THINK YOU'RE
GONNA LIKE IT.
ESSENTIALLY, IT'S AN ENERGY

360
00:21:56,249 --> 00:21:56,814
GONNA LIKE IT.
ESSENTIALLY, IT'S AN ENERGY
EXCHANGE.

361
00:21:56,816 --> 00:21:58,215
ESSENTIALLY, IT'S AN ENERGY
EXCHANGE.
I'LL BE BRINGING YOU DOWN A LOT

362
00:21:58,217 --> 00:21:59,850
EXCHANGE.
I'LL BE BRINGING YOU DOWN A LOT
CLOSER TO MY LEVEL.

363
00:21:59,852 --> 00:22:01,185
I'LL BE BRINGING YOU DOWN A LOT
CLOSER TO MY LEVEL.
THERE ARE A LOT OF PROCESSES AT

364
00:22:01,187 --> 00:22:03,988
CLOSER TO MY LEVEL.
THERE ARE A LOT OF PROCESSES AT
WORK, BUT ONE OF THEM IS ME

365
00:22:03,990 --> 00:22:05,856
THERE ARE A LOT OF PROCESSES AT
WORK, BUT ONE OF THEM IS ME
TOUCHING YOU.

366
00:22:05,858 --> 00:22:06,991
WORK, BUT ONE OF THEM IS ME
TOUCHING YOU.
>> CLEVER.

367
00:22:06,993 --> 00:22:07,992
TOUCHING YOU.
>> CLEVER.
>> THE NEGATIVE FEEDBACK LOOP

368
00:22:07,994 --> 00:22:08,726
>> CLEVER.
>> THE NEGATIVE FEEDBACK LOOP
SHOULD EVENTUALLY BE

369
00:22:08,728 --> 00:22:11,062
>> THE NEGATIVE FEEDBACK LOOP
SHOULD EVENTUALLY BE
SELF-REINFORCING, BUT I WILL

370
00:22:11,064 --> 00:22:12,363
SHOULD EVENTUALLY BE
SELF-REINFORCING, BUT I WILL
NEED TO BE PHYSICALLY CLOSE TO

371
00:22:12,365 --> 00:22:13,564
SELF-REINFORCING, BUT I WILL
NEED TO BE PHYSICALLY CLOSE TO
YOU FOR A WHILE.

372
00:22:13,566 --> 00:22:15,566
NEED TO BE PHYSICALLY CLOSE TO
YOU FOR A WHILE.
>> VERY CLEVER.

373
00:22:15,568 --> 00:22:16,667
YOU FOR A WHILE.
>> VERY CLEVER.
HOW SOON WILL I SEE RESULTS?

374
00:22:16,669 --> 00:22:17,802
>> VERY CLEVER.
HOW SOON WILL I SEE RESULTS?
>> IF IT WORKS AS I HOPE IT

375
00:22:17,804 --> 00:22:20,838
HOW SOON WILL I SEE RESULTS?
>> IF IT WORKS AS I HOPE IT
SHOULD, INSTANTLY.

376
00:22:20,840 --> 00:22:22,273
>> IF IT WORKS AS I HOPE IT
SHOULD, INSTANTLY.
YOU WANT TO DO IT -- I CAN TELL.

377
00:22:22,275 --> 00:22:24,008
SHOULD, INSTANTLY.
YOU WANT TO DO IT -- I CAN TELL.
>> PLEASE DON'T LIE.

378
00:22:24,010 --> 00:22:25,242
YOU WANT TO DO IT -- I CAN TELL.
>> PLEASE DON'T LIE.
>> VUREN'S SAKE.

379
00:22:25,244 --> 00:22:26,544
>> PLEASE DON'T LIE.
>> VUREN'S SAKE.
YOU WILL HAVE FEELINGS FOR THE

380
00:22:26,546 --> 00:22:27,611
>> VUREN'S SAKE.
YOU WILL HAVE FEELINGS FOR THE
FIRST TIME IN YOUR LIFE.

381
00:22:27,613 --> 00:22:29,080
YOU WILL HAVE FEELINGS FOR THE
FIRST TIME IN YOUR LIFE.
>> THEORETICALLY.

382
00:22:29,082 --> 00:22:31,182
FIRST TIME IN YOUR LIFE.
>> THEORETICALLY.
IS IT REVERSIBLE?

383
00:22:31,184 --> 00:22:33,284
>> THEORETICALLY.
IS IT REVERSIBLE?
>> IT SHOULD BE.

384
00:22:33,286 --> 00:22:35,519
IS IT REVERSIBLE?
>> IT SHOULD BE.
BUT THERE ARE NO GUARANTEES.

385
00:22:35,521 --> 00:23:04,749
>> THAT'S IT?
>> UH, THE MAIN PART.
IT MIGHT NOT WORK.

386
00:23:04,751 --> 00:23:06,083
>> UH, THE MAIN PART.
IT MIGHT NOT WORK.
>> I'VE DECIDED YOU CAN TALK IF

387
00:23:06,085 --> 00:23:07,284
IT MIGHT NOT WORK.
>> I'VE DECIDED YOU CAN TALK IF
YOU WANT.

388
00:23:07,286 --> 00:23:09,520
>> I'VE DECIDED YOU CAN TALK IF
YOU WANT.
>> [ CHUCKLES ] THANKS.

389
00:23:09,522 --> 00:23:22,099
IT'S WEIRD, TALKING TO YOU
WITHOUT A DEADLINE.
OR...NOT TALKING.

390
00:23:22,101 --> 00:23:32,042
ARE YOU OKAY?
>> I DON'T THINK I'M FEELING
VERY WELL.

391
00:23:32,044 --> 00:23:34,011
>> I DON'T THINK I'M FEELING
VERY WELL.
>> FEELING?

392
00:23:34,013 --> 00:23:35,479
VERY WELL.
>> FEELING?
>> FEELING PHYSICALLY SICK IS

393
00:23:35,481 --> 00:23:38,416
>> FEELING?
>> FEELING PHYSICALLY SICK IS
NOT AN EMOTION.

394
00:23:38,418 --> 00:23:42,420
>> FEELING PHYSICALLY SICK IS
NOT AN EMOTION.
BUT THAT'S NOT THIS FEELING.

395
00:23:42,422 --> 00:24:29,467
THIS IS...
THIS IS IT.

396
00:24:29,469 --> 00:24:39,577
THIS IS...AWFUL.
[ GASPS ]
I FEEL A HUGE WEIGHT.

397
00:24:39,579 --> 00:24:41,245
[ GASPS ]
I FEEL A HUGE WEIGHT.
>> I THINK THAT'S JUST NERVES.

398
00:24:41,247 --> 00:24:42,079
I FEEL A HUGE WEIGHT.
>> I THINK THAT'S JUST NERVES.
OW!

399
00:24:42,081 --> 00:24:45,216
>> I THINK THAT'S JUST NERVES.
OW!
>> IT'S INTENSE.

400
00:24:45,218 --> 00:24:49,353
OW!
>> IT'S INTENSE.
I FEEL...CONNECTED TO MYSELF.

401
00:24:49,355 --> 00:25:04,702
>> HOW DOES <i>THAT</i> FEEL?
>> NOT SO GOOD.
IT DEFINITELY FEELS BETTER WHEN

402
00:25:04,704 --> 00:25:05,603
>> NOT SO GOOD.
IT DEFINITELY FEELS BETTER WHEN
WE'RE TOUCHING.

403
00:25:05,605 --> 00:25:07,872
IT DEFINITELY FEELS BETTER WHEN
WE'RE TOUCHING.
WHY IS THAT?

404
00:25:07,874 --> 00:25:11,075
WE'RE TOUCHING.
WHY IS THAT?
>> B-BECAUSE...

405
00:25:11,077 --> 00:25:15,679
WHY IS THAT?
>> B-BECAUSE...
UNITH.

406
00:25:15,681 --> 00:25:17,781
>> B-BECAUSE...
UNITH.
YOU LOVE ME.

407
00:25:17,783 --> 00:25:20,718
UNITH.
YOU LOVE ME.
MAYBE.

408
00:25:20,720 --> 00:25:21,919
YOU LOVE ME.
MAYBE.
[ GLASS SHATTERS ]

409
00:25:21,921 --> 00:25:22,920
MAYBE.
[ GLASS SHATTERS ]
WHERE?

410
00:25:22,922 --> 00:25:24,188
[ GLASS SHATTERS ]
WHERE?
I THINK NATURE'S REBELLING.

411
00:25:24,190 --> 00:25:25,289
WHERE?
I THINK NATURE'S REBELLING.
>> JUST LIKE OLD TIMES.

412
00:25:25,291 --> 00:25:26,357
I THINK NATURE'S REBELLING.
>> JUST LIKE OLD TIMES.
SHOULD WE DO ANYTHING?

413
00:25:26,359 --> 00:25:27,791
>> JUST LIKE OLD TIMES.
SHOULD WE DO ANYTHING?
>> NO, IT SHOULD SETTLE DOWN,

414
00:25:27,793 --> 00:25:28,859
SHOULD WE DO ANYTHING?
>> NO, IT SHOULD SETTLE DOWN,
THE LONGER WE SPEND TOGETHER.

415
00:25:28,861 --> 00:25:30,761
>> NO, IT SHOULD SETTLE DOWN,
THE LONGER WE SPEND TOGETHER.
[ ITEMS RATTLING ]

416
00:25:30,763 --> 00:25:35,866
EESA.

417
00:25:35,868 --> 00:25:43,507
>> I KNOW WHAT I WANT TO TRY.
>> WHAT?
>> KISS ME.

418
00:25:43,509 --> 00:25:44,074
>> WHAT?
>> KISS ME.
>> REALLY?

419
00:25:44,076 --> 00:25:45,276
>> KISS ME.
>> REALLY?
>> DON'T MAKE ME ASK AGAIN.

420
00:25:45,278 --> 00:25:46,677
>> REALLY?
>> DON'T MAKE ME ASK AGAIN.
I'M USED TO GETTING WHAT I WANT.

421
00:25:46,679 --> 00:25:47,978
>> DON'T MAKE ME ASK AGAIN.
I'M USED TO GETTING WHAT I WANT.
>> I'M NOT.

422
00:25:47,980 --> 00:26:29,086
>> I LIKE HER.
>> YOU LIKE EVERYBODY.
>> SHE SMILED AT ME.

423
00:26:29,088 --> 00:26:31,221
>> YOU LIKE EVERYBODY.
>> SHE SMILED AT ME.
>> SHE SMILES A LOT.

424
00:26:31,223 --> 00:26:36,226
>> I THINK MINE'S WRONG.

425
00:26:36,228 --> 00:26:45,669
>> MEET MY FRIEND.
THIS IS ISAAC-NEWTON MIDGELEY.
>> ZAK. HELLO.

426
00:26:45,671 --> 00:26:53,010
>> OBVIOUSLY, THIS IS NOT GREAT
NEWS, AND WE CANNOT FORCE THE
CHOICE UPON YOU, BUT WE ARE VERY

427
00:26:53,012 --> 00:26:55,846
NEWS, AND WE CANNOT FORCE THE
CHOICE UPON YOU, BUT WE ARE VERY
STRONGLY RECOMMENDING THAT ZAK

428
00:26:55,848 --> 00:26:57,414
CHOICE UPON YOU, BUT WE ARE VERY
STRONGLY RECOMMENDING THAT ZAK
BE PLACED IN A SCHOOL BETTER

429
00:26:57,416 --> 00:26:59,383
STRONGLY RECOMMENDING THAT ZAK
BE PLACED IN A SCHOOL BETTER
SUITED TO HELP HIM FULFILL HIS

430
00:26:59,385 --> 00:27:00,651
BE PLACED IN A SCHOOL BETTER
SUITED TO HELP HIM FULFILL HIS
POTENTIAL.

431
00:27:00,653 --> 00:27:02,519
SUITED TO HELP HIM FULFILL HIS
POTENTIAL.
>> BECAUSE, ACCORDING TO YOU, HE

432
00:27:02,521 --> 00:27:05,856
POTENTIAL.
>> BECAUSE, ACCORDING TO YOU, HE
HAS NO POTENTIAL.

433
00:27:05,858 --> 00:27:09,994
>> BECAUSE, ACCORDING TO YOU, HE
HAS NO POTENTIAL.
BUT A SPECIAL SCHOOL?

434
00:27:09,996 --> 00:27:12,262
HAS NO POTENTIAL.
BUT A SPECIAL SCHOOL?
CAN NOTHING BE DONE?

435
00:27:12,264 --> 00:27:14,598
BUT A SPECIAL SCHOOL?
CAN NOTHING BE DONE?
>> I KNOW THAT IT IS DIFFICULT,

436
00:27:14,600 --> 00:27:17,968
CAN NOTHING BE DONE?
>> I KNOW THAT IT IS DIFFICULT,
BUT YOU AND ZAK HAVE TO ACCEPT

437
00:27:17,970 --> 00:27:20,371
>> I KNOW THAT IT IS DIFFICULT,
BUT YOU AND ZAK HAVE TO ACCEPT
THE FACT THAT HE HAS ABNORMALLY

438
00:27:20,373 --> 00:27:22,106
BUT YOU AND ZAK HAVE TO ACCEPT
THE FACT THAT HE HAS ABNORMALLY
LOW FREQUENCY.

439
00:27:22,108 --> 00:27:22,706
THE FACT THAT HE HAS ABNORMALLY
LOW FREQUENCY.
>> SO?

440
00:27:22,708 --> 00:27:24,108
LOW FREQUENCY.
>> SO?
HE'LL BE A LITTLE UNLUCKY.

441
00:27:24,110 --> 00:27:25,776
>> SO?
HE'LL BE A LITTLE UNLUCKY.
>> MRS. MIDGELEY, WE NEED TO BE

442
00:27:25,778 --> 00:27:27,578
HE'LL BE A LITTLE UNLUCKY.
>> MRS. MIDGELEY, WE NEED TO BE
CLEAR ON THIS.

443
00:27:27,580 --> 00:27:30,180
>> MRS. MIDGELEY, WE NEED TO BE
CLEAR ON THIS.
ZAK IS A NEGATIVE.

444
00:27:30,182 --> 00:27:32,116
CLEAR ON THIS.
ZAK IS A NEGATIVE.
THIS IS VERY RARE, BUT IT MEANS

445
00:27:32,118 --> 00:27:35,085
ZAK IS A NEGATIVE.
THIS IS VERY RARE, BUT IT MEANS
THAT HE IS LITERALLY OUT OF SYNC

446
00:27:35,087 --> 00:27:37,454
THIS IS VERY RARE, BUT IT MEANS
THAT HE IS LITERALLY OUT OF SYNC
WITH THE NATURAL WORLD.

447
00:27:37,456 --> 00:27:39,289
THAT HE IS LITERALLY OUT OF SYNC
WITH THE NATURAL WORLD.
HE WILL BE BEYOND UNLUCKY.

448
00:27:39,291 --> 00:27:41,291
WITH THE NATURAL WORLD.
HE WILL BE BEYOND UNLUCKY.
HE WILL NEVER BE IN THE RIGHT

449
00:27:41,293 --> 00:27:42,993
HE WILL BE BEYOND UNLUCKY.
HE WILL NEVER BE IN THE RIGHT
PLACE AT THE RIGHT TIME.

450
00:27:42,995 --> 00:27:45,496
HE WILL NEVER BE IN THE RIGHT
PLACE AT THE RIGHT TIME.
HE WILL NEVER FIT IN, APART FROM

451
00:27:45,498 --> 00:27:48,065
PLACE AT THE RIGHT TIME.
HE WILL NEVER FIT IN, APART FROM
WITH THOSE OF HIS OWN KIND.

452
00:27:48,067 --> 00:27:49,633
HE WILL NEVER FIT IN, APART FROM
WITH THOSE OF HIS OWN KIND.
HE NO LONGER BELONGS HERE.

453
00:27:49,635 --> 00:27:51,068
WITH THOSE OF HIS OWN KIND.
HE NO LONGER BELONGS HERE.
THAT'S NOT OUR OPINION.

454
00:27:51,070 --> 00:27:52,469
HE NO LONGER BELONGS HERE.
THAT'S NOT OUR OPINION.
THAT'S SCIENTIFIC FACT.

455
00:27:52,471 --> 00:27:53,570
THAT'S NOT OUR OPINION.
THAT'S SCIENTIFIC FACT.
>> HE IS GIFTED.

456
00:27:53,572 --> 00:27:54,905
THAT'S SCIENTIFIC FACT.
>> HE IS GIFTED.
>> HE'S A GENIUS, BUT,

457
00:27:54,907 --> 00:27:56,240
>> HE IS GIFTED.
>> HE'S A GENIUS, BUT,
UNFORTUNATELY, SURROUNDED BY

458
00:27:56,242 --> 00:27:58,175
>> HE'S A GENIUS, BUT,
UNFORTUNATELY, SURROUNDED BY
PRODIGIES.

459
00:27:58,177 --> 00:27:59,910
UNFORTUNATELY, SURROUNDED BY
PRODIGIES.
PERHAPS WE SHOULD ASK ZAK WHAT

460
00:27:59,912 --> 00:28:03,447
PRODIGIES.
PERHAPS WE SHOULD ASK ZAK WHAT
HE WANTS.

461
00:28:03,449 --> 00:28:05,182
PERHAPS WE SHOULD ASK ZAK WHAT
HE WANTS.
IS THIS WHAT YOU WANT, ZAK?

462
00:28:05,184 --> 00:28:07,418
HE WANTS.
IS THIS WHAT YOU WANT, ZAK?
DO YOU REALLY WANT TO STAY HERE?

463
00:28:07,420 --> 00:28:23,000
>> YES.
>> GOOD. GOOD BOY.
NOW, YOU'RE GOING TO NEED HELP,

464
00:28:23,002 --> 00:28:24,601
>> GOOD. GOOD BOY.
NOW, YOU'RE GOING TO NEED HELP,
SO DON'T BE AFRAID TO ASK FOR

465
00:28:24,603 --> 00:28:26,236
NOW, YOU'RE GOING TO NEED HELP,
SO DON'T BE AFRAID TO ASK FOR
IT.

466
00:28:26,238 --> 00:28:28,605
SO DON'T BE AFRAID TO ASK FOR
IT.
OKAY?

467
00:28:28,607 --> 00:28:29,840
IT.
OKAY?
>> ALL KNOWLEDGE THAT EXISTS IS

468
00:28:29,842 --> 00:28:31,442
OKAY?
>> ALL KNOWLEDGE THAT EXISTS IS
KNOWN IN ONLY TWO WAYS --

469
00:28:31,444 --> 00:28:34,178
>> ALL KNOWLEDGE THAT EXISTS IS
KNOWN IN ONLY TWO WAYS --
INDUCTIVELY AND DEDUCTIVELY.

470
00:28:34,180 --> 00:28:35,879
KNOWN IN ONLY TWO WAYS --
INDUCTIVELY AND DEDUCTIVELY.
INDUCTIVE REASONING MOVES FROM

471
00:28:35,881 --> 00:28:37,181
INDUCTIVELY AND DEDUCTIVELY.
INDUCTIVE REASONING MOVES FROM
SPECIFIC DETAILS AND

472
00:28:37,183 --> 00:28:38,882
INDUCTIVE REASONING MOVES FROM
SPECIFIC DETAILS AND
OBSERVATIONS TO THE UNDERLYING

473
00:28:38,884 --> 00:28:40,818
SPECIFIC DETAILS AND
OBSERVATIONS TO THE UNDERLYING
PRINCIPLES THAT EXPLAIN THEM.

474
00:28:40,820 --> 00:28:42,252
OBSERVATIONS TO THE UNDERLYING
PRINCIPLES THAT EXPLAIN THEM.
OBSERVATION OF NATURE IS THE

475
00:28:42,254 --> 00:28:42,886
PRINCIPLES THAT EXPLAIN THEM.
OBSERVATION OF NATURE IS THE
AUTHORITY.

476
00:28:42,888 --> 00:28:44,655
OBSERVATION OF NATURE IS THE
AUTHORITY.
AND BY CONTRAST, DEDUCTIVE

477
00:28:44,657 --> 00:28:46,623
AUTHORITY.
AND BY CONTRAST, DEDUCTIVE
REASONING MOVES FROM GENERAL

478
00:28:46,625 --> 00:28:48,826
AND BY CONTRAST, DEDUCTIVE
REASONING MOVES FROM GENERAL
TRUTHS TO SPECIFIC CONCLUSIONS.

479
00:28:48,828 --> 00:28:52,563
[ MUSIC PLAYS ]

480
00:28:52,565 --> 00:29:02,272
[ MUSIC RESTARTS ]

481
00:29:02,274 --> 00:29:12,082
>> OH. HELLO. IS THEO IN?
>> YOU MUST BE ZAK, YES?
COME IN.

482
00:29:12,084 --> 00:29:13,984
>> YOU MUST BE ZAK, YES?
COME IN.
THEO, ZAK'S HERE!

483
00:29:13,986 --> 00:29:35,873
>> DON'T WORRY.
I ALWAYS COME AT A BAD TIME.
>> NONSENSE.

484
00:29:35,875 --> 00:29:37,674
I ALWAYS COME AT A BAD TIME.
>> NONSENSE.
I'M SORRY FOR THE DISCORD.

485
00:29:37,676 --> 00:29:39,510
>> NONSENSE.
I'M SORRY FOR THE DISCORD.
CONCERTOS CAN BE SUCH MESSY

486
00:29:39,512 --> 00:29:41,311
I'M SORRY FOR THE DISCORD.
CONCERTOS CAN BE SUCH MESSY
THINGS, CAN'T THEY?

487
00:29:41,313 --> 00:29:43,013
CONCERTOS CAN BE SUCH MESSY
THINGS, CAN'T THEY?
TAKE A SEAT.

488
00:29:43,015 --> 00:29:52,189
THEO HAS TOLD US ALL ABOUT YOU.

489
00:29:52,191 --> 00:30:01,098
TELL ME, ZAK, DO YOU PLAY?
>> UH, NO.
PEOPLE LIKE ME HAVE A PROBLEM

490
00:30:01,100 --> 00:30:01,832
>> UH, NO.
PEOPLE LIKE ME HAVE A PROBLEM
WITH RHYTHM.

491
00:30:01,834 --> 00:30:02,900
PEOPLE LIKE ME HAVE A PROBLEM
WITH RHYTHM.
>> [ CHUCKLES ] TOSH.

492
00:30:02,902 --> 00:30:04,701
WITH RHYTHM.
>> [ CHUCKLES ] TOSH.
EVERYBODY CAN PLAY SOMETHING --

493
00:30:04,703 --> 00:30:06,370
>> [ CHUCKLES ] TOSH.
EVERYBODY CAN PLAY SOMETHING --
EVERYBODY.

494
00:30:06,372 --> 00:30:08,105
EVERYBODY CAN PLAY SOMETHING --
EVERYBODY.
ALL YOU NEED IS HEART, SOUL, AND

495
00:30:08,107 --> 00:30:09,373
EVERYBODY.
ALL YOU NEED IS HEART, SOUL, AND
A LITTLE IMAGINATION.

496
00:30:09,375 --> 00:30:12,876
ALL YOU NEED IS HEART, SOUL, AND
A LITTLE IMAGINATION.
YOU HAVE THOSE?

497
00:30:12,878 --> 00:30:14,645
A LITTLE IMAGINATION.
YOU HAVE THOSE?
PLAY ANY THREE NOTES.

498
00:30:14,647 --> 00:30:16,313
YOU HAVE THOSE?
PLAY ANY THREE NOTES.
PLAY THEM AT ANY TIME, FOR ANY

499
00:30:16,315 --> 00:30:20,250
PLAY ANY THREE NOTES.
PLAY THEM AT ANY TIME, FOR ANY
LENGTH, IN ANY ORDER.

500
00:30:20,252 --> 00:30:22,586
PLAY THEM AT ANY TIME, FOR ANY
LENGTH, IN ANY ORDER.
[ NOTES PLAY ]

501
00:30:22,588 --> 00:30:28,792
[ CHORDS PLAY ]

502
00:30:28,794 --> 00:30:37,367
[ NOTES PLAY ]

503
00:30:37,369 --> 00:30:40,604
[ NOTE PLAYS ]

504
00:30:40,606 --> 00:30:47,077
[ CHORDS PLAY ]

505
00:30:47,079 --> 00:30:56,587
[ NOTES PLAY ]

506
00:30:56,589 --> 00:31:04,795
[ MUSIC PLAYS ]

507
00:31:04,797 --> 00:31:35,392
[ NOTES PLAY ]
[ MUSIC PLAYS ]

508
00:31:35,394 --> 00:32:21,605
[ LAUGHS ]
>> I LIKE THE PATTERNS.
>> PROGRESSIONS.

509
00:32:21,607 --> 00:32:22,572
>> I LIKE THE PATTERNS.
>> PROGRESSIONS.
>> I CAN SEE THEM.

510
00:32:22,574 --> 00:32:23,941
>> PROGRESSIONS.
>> I CAN SEE THEM.
>> THEN YOU JUST MIGHT BE A

511
00:32:23,943 --> 00:32:25,375
>> I CAN SEE THEM.
>> THEN YOU JUST MIGHT BE A
PLAYER.

512
00:32:25,377 --> 00:32:32,149
>> HELLO, THEO.
>> WHAT'S UP?
>> I'VE GOT AN EXTRA HOMEWORK

513
00:32:32,151 --> 00:32:32,616
>> WHAT'S UP?
>> I'VE GOT AN EXTRA HOMEWORK
PROJECT.

514
00:32:32,618 --> 00:32:34,351
>> I'VE GOT AN EXTRA HOMEWORK
PROJECT.
I NEED A LITTLE HELP.

515
00:32:34,353 --> 00:32:39,323
>> NOW, TO START, THIS IS YOU.

516
00:32:39,325 --> 00:32:45,996
AND THIS IS MARIE.

517
00:32:45,998 --> 00:32:53,437
YOU RESONATE ON AN ULTRA-LOW
FREQUENCY.

518
00:32:53,439 --> 00:33:01,011
SHE RESONATES ON AN ULTRA-HIGH.

519
00:33:01,013 --> 00:33:08,885
AND THIS IS WHAT HAPPENS WHEN
YOU GET TOGETHER.
YOU REPEL LIKE TWO HIGH-POWERED

520
00:33:08,887 --> 00:33:10,220
YOU GET TOGETHER.
YOU REPEL LIKE TWO HIGH-POWERED
MAGNETS.

521
00:33:10,222 --> 00:33:11,588
YOU REPEL LIKE TWO HIGH-POWERED
MAGNETS.
IF YOU WANT ANY CHANCE WITH

522
00:33:11,590 --> 00:33:13,390
MAGNETS.
IF YOU WANT ANY CHANCE WITH
MARIE, THAT'S THE PROBLEM WE

523
00:33:13,392 --> 00:33:15,993
IF YOU WANT ANY CHANCE WITH
MARIE, THAT'S THE PROBLEM WE
HAVE TO SOLVE.

524
00:33:15,995 --> 00:33:17,027
MARIE, THAT'S THE PROBLEM WE
HAVE TO SOLVE.
>> CAN I HAVE THE CHALK?

525
00:33:17,029 --> 00:33:17,995
HAVE TO SOLVE.
>> CAN I HAVE THE CHALK?
>> WHAT HAVE YOU SEEN?

526
00:33:17,997 --> 00:33:19,396
>> CAN I HAVE THE CHALK?
>> WHAT HAVE YOU SEEN?
>> I'VE SEEN A PATTERN.

527
00:33:19,398 --> 00:33:21,298
>> WHAT HAVE YOU SEEN?
>> I'VE SEEN A PATTERN.
"O"...

528
00:33:21,300 --> 00:33:23,700
>> I'VE SEEN A PATTERN.
"O"...
"X"...

529
00:33:23,702 --> 00:33:25,202
"O"...
"X"...
"V."

530
00:33:25,204 --> 00:33:41,284
>> WHAT IS IT, ZAK?
>> SORRY, MISS.
>> NOT READY, ZAK?

531
00:33:41,286 --> 00:33:42,352
>> SORRY, MISS.
>> NOT READY, ZAK?
>> I-I WAS, BUT THEN --

532
00:33:42,354 --> 00:33:44,554
>> NOT READY, ZAK?
>> I-I WAS, BUT THEN --
>> EVERY TIME, ZAK.

533
00:33:44,556 --> 00:33:46,089
>> I-I WAS, BUT THEN --
>> EVERY TIME, ZAK.
>> N-NOT EVERY TIME, MISS, JUST

534
00:33:46,091 --> 00:33:46,757
>> EVERY TIME, ZAK.
>> N-NOT EVERY TIME, MISS, JUST
MOST TIMES.

535
00:33:46,759 --> 00:33:48,158
>> N-NOT EVERY TIME, MISS, JUST
MOST TIMES.
>> CAN'T BLAME FREQUENCY FOR

536
00:33:48,160 --> 00:33:49,092
MOST TIMES.
>> CAN'T BLAME FREQUENCY FOR
EVERYTHING.

537
00:33:49,094 --> 00:33:51,261
>> CAN'T BLAME FREQUENCY FOR
EVERYTHING.
>> NO, MISS.

538
00:33:51,263 --> 00:33:52,796
EVERYTHING.
>> NO, MISS.
>> THEY SAY THAT INVENTIONS

539
00:33:52,798 --> 00:33:54,965
>> NO, MISS.
>> THEY SAY THAT INVENTIONS
MIRROR THEIR INVENTORS, AND

540
00:33:54,967 --> 00:33:58,268
>> THEY SAY THAT INVENTIONS
MIRROR THEIR INVENTORS, AND
YOURS IS A MESS, ZAK.

541
00:33:58,270 --> 00:34:00,570
MIRROR THEIR INVENTORS, AND
YOURS IS A MESS, ZAK.
SO, WHAT DO WE HAVE HERE, THEO?

542
00:34:00,572 --> 00:34:01,772
YOURS IS A MESS, ZAK.
SO, WHAT DO WE HAVE HERE, THEO?
A SIMULATION GAME?

543
00:34:01,774 --> 00:34:03,206
SO, WHAT DO WE HAVE HERE, THEO?
A SIMULATION GAME?
THAT'S MORE FUN.

544
00:34:03,208 --> 00:34:05,375
A SIMULATION GAME?
THAT'S MORE FUN.
>> A SIMULATION, BUT NOT A GAME.

545
00:34:05,377 --> 00:34:07,377
THAT'S MORE FUN.
>> A SIMULATION, BUT NOT A GAME.
A REFLECTION, A SIM OF LIFE.

546
00:34:07,379 --> 00:34:08,178
>> A SIMULATION, BUT NOT A GAME.
A REFLECTION, A SIM OF LIFE.
>> WHOSE?

547
00:34:08,180 --> 00:34:09,012
A REFLECTION, A SIM OF LIFE.
>> WHOSE?
>> EVERYONE'S.

548
00:34:09,014 --> 00:34:10,480
>> WHOSE?
>> EVERYONE'S.
>> YOU'VE MODELED IT ON THIS

549
00:34:10,482 --> 00:34:10,981
>> EVERYONE'S.
>> YOU'VE MODELED IT ON THIS
WORLD?

550
00:34:10,983 --> 00:34:12,582
>> YOU'VE MODELED IT ON THIS
WORLD?
>> WE KNOW IT IS MATHEMATICALLY

551
00:34:12,584 --> 00:34:13,950
WORLD?
>> WE KNOW IT IS MATHEMATICALLY
POSSIBLE FOR ONE RULE,

552
00:34:13,952 --> 00:34:15,685
>> WE KNOW IT IS MATHEMATICALLY
POSSIBLE FOR ONE RULE,
CONSTANTLY REPEATED, TO CREATE

553
00:34:15,687 --> 00:34:17,187
POSSIBLE FOR ONE RULE,
CONSTANTLY REPEATED, TO CREATE
SEEMINGLY RANDOM RESULTS.

554
00:34:17,189 --> 00:34:19,790
CONSTANTLY REPEATED, TO CREATE
SEEMINGLY RANDOM RESULTS.
MY HYPOTHESIS IS THAT ALL LIFE

555
00:34:19,792 --> 00:34:20,690
SEEMINGLY RANDOM RESULTS.
MY HYPOTHESIS IS THAT ALL LIFE
IS NOT RANDOM.

556
00:34:20,692 --> 00:34:22,292
MY HYPOTHESIS IS THAT ALL LIFE
IS NOT RANDOM.
I BELIEVE THAT ONE RULE IS AT

557
00:34:22,294 --> 00:34:23,827
IS NOT RANDOM.
I BELIEVE THAT ONE RULE IS AT
WORK -- ONE EQUATION, ONE SET OF

558
00:34:23,829 --> 00:34:25,295
I BELIEVE THAT ONE RULE IS AT
WORK -- ONE EQUATION, ONE SET OF
ACTIONS THAT ACTED ON THE FIRST

559
00:34:25,297 --> 00:34:26,630
WORK -- ONE EQUATION, ONE SET OF
ACTIONS THAT ACTED ON THE FIRST
ELEMENT OF MATTER AND KEEPS

560
00:34:26,632 --> 00:34:27,397
ACTIONS THAT ACTED ON THE FIRST
ELEMENT OF MATTER AND KEEPS
ACTING ON IT.

561
00:34:27,399 --> 00:34:28,231
ELEMENT OF MATTER AND KEEPS
ACTING ON IT.
>> FASCINATING.

562
00:34:28,233 --> 00:34:29,633
ACTING ON IT.
>> FASCINATING.
>> LIFE SEEMS CHAOTIC, BUT IN

563
00:34:29,635 --> 00:34:31,068
>> FASCINATING.
>> LIFE SEEMS CHAOTIC, BUT IN
FACT, IT'S JUST AN INFINITELY

564
00:34:31,070 --> 00:34:31,902
>> LIFE SEEMS CHAOTIC, BUT IN
FACT, IT'S JUST AN INFINITELY
COMPLEX PATTERN.

565
00:34:31,904 --> 00:34:33,470
FACT, IT'S JUST AN INFINITELY
COMPLEX PATTERN.
>> YOU REALIZE YOU ARE SEARCHING

566
00:34:33,472 --> 00:34:34,438
COMPLEX PATTERN.
>> YOU REALIZE YOU ARE SEARCHING
FOR THE CODE TO LIFE?

567
00:34:34,440 --> 00:34:35,605
>> YOU REALIZE YOU ARE SEARCHING
FOR THE CODE TO LIFE?
>> IT'S NOT PERFECTED YET,

568
00:34:35,607 --> 00:34:36,039
FOR THE CODE TO LIFE?
>> IT'S NOT PERFECTED YET,
BUT --

569
00:34:36,041 --> 00:34:37,240
>> IT'S NOT PERFECTED YET,
BUT --
>> IF WHAT YOU'RE SAYING IS

570
00:34:37,242 --> 00:34:38,975
BUT --
>> IF WHAT YOU'RE SAYING IS
RIGHT, THEN IT ASSUMES THAT WE

571
00:34:38,977 --> 00:34:40,577
>> IF WHAT YOU'RE SAYING IS
RIGHT, THEN IT ASSUMES THAT WE
ARE SIMPLY COMPLEX MACHINES,

572
00:34:40,579 --> 00:34:41,945
RIGHT, THEN IT ASSUMES THAT WE
ARE SIMPLY COMPLEX MACHINES,
THAT WE MAY NOT HAVE A SOUL --

573
00:34:41,947 --> 00:34:43,246
ARE SIMPLY COMPLEX MACHINES,
THAT WE MAY NOT HAVE A SOUL --
CERTAINLY NOT ANY FREE WILL.

574
00:34:43,248 --> 00:34:44,281
THAT WE MAY NOT HAVE A SOUL --
CERTAINLY NOT ANY FREE WILL.
>> I'M SORRY, ARE THEY

575
00:34:44,283 --> 00:34:45,782
CERTAINLY NOT ANY FREE WILL.
>> I'M SORRY, ARE THEY
IMPORTANT?

576
00:34:45,784 --> 00:34:47,084
>> I'M SORRY, ARE THEY
IMPORTANT?
>> OKAY.

577
00:34:47,086 --> 00:34:49,186
IMPORTANT?
>> OKAY.
I'LL GO ALONG WITH IT FOR NOW...

578
00:34:49,188 --> 00:34:50,353
>> OKAY.
I'LL GO ALONG WITH IT FOR NOW...
THOUGH IF THIS IS REAL, YOU'LL

579
00:34:50,355 --> 00:34:51,555
I'LL GO ALONG WITH IT FOR NOW...
THOUGH IF THIS IS REAL, YOU'LL
BE ABLE TO TELL ME WHAT'S GOING

580
00:34:51,557 --> 00:34:52,589
THOUGH IF THIS IS REAL, YOU'LL
BE ABLE TO TELL ME WHAT'S GOING
TO HAPPEN NEXT, WON'T YOU?

581
00:34:52,591 --> 00:34:55,425
BE ABLE TO TELL ME WHAT'S GOING
TO HAPPEN NEXT, WON'T YOU?
>> OF COURSE.

582
00:34:55,427 --> 00:34:58,595
TO HAPPEN NEXT, WON'T YOU?
>> OF COURSE.
>> JUST THE NEXT FIVE MINUTES.

583
00:34:58,597 --> 00:35:00,564
>> OF COURSE.
>> JUST THE NEXT FIVE MINUTES.
>> IN ABOUT SEVEN SECONDS,

584
00:35:00,566 --> 00:35:02,799
>> JUST THE NEXT FIVE MINUTES.
>> IN ABOUT SEVEN SECONDS,
NICOLA-TESLA'S GONNA COME OVER.

585
00:35:02,801 --> 00:35:05,602
>> IN ABOUT SEVEN SECONDS,
NICOLA-TESLA'S GONNA COME OVER.
IN ABOUT 31 SECONDS, ZAK IS

586
00:35:05,604 --> 00:35:06,803
NICOLA-TESLA'S GONNA COME OVER.
IN ABOUT 31 SECONDS, ZAK IS
GONNA CROSS THE ROOM.

587
00:35:06,805 --> 00:35:10,340
IN ABOUT 31 SECONDS, ZAK IS
GONNA CROSS THE ROOM.
AND IN PRECISELY TWO MINUTES,

588
00:35:10,342 --> 00:35:12,943
GONNA CROSS THE ROOM.
AND IN PRECISELY TWO MINUTES,
THE FIRE ALARMS ARE GONNA SOUND.

589
00:35:12,945 --> 00:35:14,945
AND IN PRECISELY TWO MINUTES,
THE FIRE ALARMS ARE GONNA SOUND.
>> MS. ANDERSON, I'VE JUST SEEN

590
00:35:14,947 --> 00:35:17,180
THE FIRE ALARMS ARE GONNA SOUND.
>> MS. ANDERSON, I'VE JUST SEEN
THOMAS-EDISON'S PROJECT, AND I

591
00:35:17,182 --> 00:35:19,850
>> MS. ANDERSON, I'VE JUST SEEN
THOMAS-EDISON'S PROJECT, AND I
THINK HE'S STOLEN MY IDEA.

592
00:35:19,852 --> 00:35:20,750
THOMAS-EDISON'S PROJECT, AND I
THINK HE'S STOLEN MY IDEA.
>> IMPRESSIVE.

593
00:35:20,752 --> 00:35:21,485
THINK HE'S STOLEN MY IDEA.
>> IMPRESSIVE.
>> THANK YOU.

594
00:35:21,487 --> 00:35:22,285
>> IMPRESSIVE.
>> THANK YOU.
>> MS. ANDERSON.

595
00:35:22,287 --> 00:35:23,620
>> THANK YOU.
>> MS. ANDERSON.
>> YOU TOLD HER TO DO THIS.

596
00:35:23,622 --> 00:35:24,488
>> MS. ANDERSON.
>> YOU TOLD HER TO DO THIS.
GO AWAY, NICOLA.

597
00:35:24,490 --> 00:35:25,388
>> YOU TOLD HER TO DO THIS.
GO AWAY, NICOLA.
>> MS. ANDERSON!

598
00:35:25,390 --> 00:35:26,723
GO AWAY, NICOLA.
>> MS. ANDERSON!
>> NOT NOW.

599
00:35:26,725 --> 00:35:36,032
GO ON, ZAK.
IT'S CLEARLY PART OF THE PLAN.

600
00:35:36,034 --> 00:35:56,052
>> WE LEAVE THE LOW-FREQUENCIES.
PASS THE MEDIUM-LOW.
THROUGH THE MEDIUMS.

601
00:35:56,054 --> 00:35:57,954
PASS THE MEDIUM-LOW.
THROUGH THE MEDIUMS.
'SCUSE ME. EXCUSE ME.

602
00:35:57,956 --> 00:36:03,860
NOW JUST THROUGH THE
HIGH-FREQUENCIES.

603
00:36:03,862 --> 00:36:09,432
>> ZAK!
>> HI, MOM.
>> WHY ARE YOU NOT AT YOUR

604
00:36:09,434 --> 00:36:09,866
>> HI, MOM.
>> WHY ARE YOU NOT AT YOUR
STAND?

605
00:36:09,868 --> 00:36:10,433
>> WHY ARE YOU NOT AT YOUR
STAND?
>> I-I --

606
00:36:10,435 --> 00:36:12,269
STAND?
>> I-I --
>> THIS IS IMPORTANT!

607
00:36:12,271 --> 00:36:15,805
>> I-I --
>> THIS IS IMPORTANT!
COME ON.

608
00:36:15,807 --> 00:36:17,140
>> THIS IS IMPORTANT!
COME ON.
>> YOU ALMOST HAD ME.

609
00:36:17,142 --> 00:36:18,441
COME ON.
>> YOU ALMOST HAD ME.
I HAVE A SENSE OF HUMOR LIKE

610
00:36:18,443 --> 00:36:19,543
>> YOU ALMOST HAD ME.
I HAVE A SENSE OF HUMOR LIKE
EVERYONE ELSE, BUT I'M

611
00:36:19,545 --> 00:36:20,977
I HAVE A SENSE OF HUMOR LIKE
EVERYONE ELSE, BUT I'M
DISAPPOINTED THAT YOU'VE DECIDED

612
00:36:20,979 --> 00:36:22,412
EVERYONE ELSE, BUT I'M
DISAPPOINTED THAT YOU'VE DECIDED
TO PLAY GAMES INSTEAD OF TAKING

613
00:36:22,414 --> 00:36:25,448
DISAPPOINTED THAT YOU'VE DECIDED
TO PLAY GAMES INSTEAD OF TAKING
THIS FAIR SERIOUSLY.

614
00:36:25,450 --> 00:36:26,883
TO PLAY GAMES INSTEAD OF TAKING
THIS FAIR SERIOUSLY.
>> IT'S NOT A GAME.

615
00:36:26,885 --> 00:36:30,086
THIS FAIR SERIOUSLY.
>> IT'S NOT A GAME.
>> HI.

616
00:36:30,088 --> 00:36:30,887
>> IT'S NOT A GAME.
>> HI.
>> HI.

617
00:36:30,889 --> 00:36:32,022
>> HI.
>> HI.
>> I WAS WONDERING...

618
00:36:32,024 --> 00:36:33,290
>> HI.
>> I WAS WONDERING...
WOULD YOU LIKE TO MEET ME AFTER

619
00:36:33,292 --> 00:36:35,492
>> I WAS WONDERING...
WOULD YOU LIKE TO MEET ME AFTER
SCHOOL?

620
00:36:35,494 --> 00:36:38,161
WOULD YOU LIKE TO MEET ME AFTER
SCHOOL?
[ ALARM BLARES ]

621
00:36:38,163 --> 00:36:43,200
>> SAY "THANK YOU."
>> THANK YOU.
>> BEST I COULD DO AT SHORT

622
00:36:43,202 --> 00:36:43,600
>> THANK YOU.
>> BEST I COULD DO AT SHORT
NOTICE.

623
00:36:43,602 --> 00:36:44,868
>> BEST I COULD DO AT SHORT
NOTICE.
IT'S GOT THE HIGHEST MEASURABLE

624
00:36:44,870 --> 00:36:45,435
NOTICE.
IT'S GOT THE HIGHEST MEASURABLE
REMANENCE.

625
00:36:45,437 --> 00:36:46,603
IT'S GOT THE HIGHEST MEASURABLE
REMANENCE.
IF ANYTHING CAN DISRUPT YOUR

626
00:36:46,605 --> 00:36:48,004
REMANENCE.
IF ANYTHING CAN DISRUPT YOUR
FREQUENCY, THIS CAN.

627
00:36:48,006 --> 00:36:49,573
IF ANYTHING CAN DISRUPT YOUR
FREQUENCY, THIS CAN.
>> AT LAST, I'M ATTRACTIVE.

628
00:36:49,575 --> 00:36:51,174
FREQUENCY, THIS CAN.
>> AT LAST, I'M ATTRACTIVE.
>> WELL, ONLY TO METAL -- AN

629
00:36:51,176 --> 00:36:52,609
>> AT LAST, I'M ATTRACTIVE.
>> WELL, ONLY TO METAL -- AN
UNFORTUNATE SIDE EFFECT.

630
00:36:52,611 --> 00:36:54,544
>> WELL, ONLY TO METAL -- AN
UNFORTUNATE SIDE EFFECT.
>> EVERYTHING HAS A SIDE EFFECT.

631
00:36:54,546 --> 00:36:57,047
UNFORTUNATE SIDE EFFECT.
>> EVERYTHING HAS A SIDE EFFECT.
MY WHOLE LIFE'S A SIDE EFFECT.

632
00:36:57,049 --> 00:36:58,448
>> EVERYTHING HAS A SIDE EFFECT.
MY WHOLE LIFE'S A SIDE EFFECT.
YOU THINK IT'LL WORK?

633
00:36:58,450 --> 00:36:59,683
MY WHOLE LIFE'S A SIDE EFFECT.
YOU THINK IT'LL WORK?
>> NO.

634
00:36:59,685 --> 00:37:15,565
>> ARE YOU WEARING ANYTHING
METAL?
>> WE JUST WANTED TO SEE THE

635
00:37:15,567 --> 00:37:17,434
METAL?
>> WE JUST WANTED TO SEE THE
EXPERIMENT.

636
00:37:17,436 --> 00:37:18,668
>> WE JUST WANTED TO SEE THE
EXPERIMENT.
[ DOOR CLOSES ]

637
00:37:18,670 --> 00:37:19,869
EXPERIMENT.
[ DOOR CLOSES ]
>> [ GROANS ]

638
00:37:19,871 --> 00:37:21,171
[ DOOR CLOSES ]
>> [ GROANS ]
SORRY I'M LATE.

639
00:37:21,173 --> 00:37:24,107
>> [ GROANS ]
SORRY I'M LATE.
GOT LOCKED IN A CORRIDOR.

640
00:37:24,109 --> 00:37:26,810
SORRY I'M LATE.
GOT LOCKED IN A CORRIDOR.
>> HELLO.

641
00:37:26,812 --> 00:37:29,379
GOT LOCKED IN A CORRIDOR.
>> HELLO.
>> THE LATEST RECIPE.

642
00:37:29,381 --> 00:37:30,247
>> HELLO.
>> THE LATEST RECIPE.
SAY "THANK YOU."

643
00:37:30,249 --> 00:37:31,081
>> THE LATEST RECIPE.
SAY "THANK YOU."
>> THANK YOU.

644
00:37:31,083 --> 00:37:32,782
SAY "THANK YOU."
>> THANK YOU.
>> OH, AND, UM, REMEMBER TO TRY

645
00:37:32,784 --> 00:37:33,984
>> THANK YOU.
>> OH, AND, UM, REMEMBER TO TRY
NOT TO THROW UP.

646
00:37:33,986 --> 00:37:36,553
>> OH, AND, UM, REMEMBER TO TRY
NOT TO THROW UP.
>> GOOD. WE'RE ALONE.

647
00:37:36,555 --> 00:37:37,721
NOT TO THROW UP.
>> GOOD. WE'RE ALONE.
HOW ARE YOU?

648
00:37:37,723 --> 00:37:44,160
IT'S NOT THAT I DON'T WANT TO
TOUCH.

649
00:37:44,162 --> 00:37:50,166
A ONE-MINUTE DATE?
YES.

650
00:37:50,168 --> 00:37:58,975
I DO NOT LOVE MY FAMILY.
I EXPERIENCE NO JOY.
IF YOU EVER SEE ME SMILE, FROWN,

651
00:37:58,977 --> 00:38:03,713
I EXPERIENCE NO JOY.
IF YOU EVER SEE ME SMILE, FROWN,
LAUGH OR CRY, I'M PRETENDING...

652
00:38:03,715 --> 00:38:06,583
IF YOU EVER SEE ME SMILE, FROWN,
LAUGH OR CRY, I'M PRETENDING...
WAITING FOR IT TO BECOME REAL.

653
00:38:06,585 --> 00:38:08,451
LAUGH OR CRY, I'M PRETENDING...
WAITING FOR IT TO BECOME REAL.
AND IT NEVER WILL.

654
00:38:08,453 --> 00:38:10,253
WAITING FOR IT TO BECOME REAL.
AND IT NEVER WILL.
IT'S THE SIDE EFFECT.

655
00:38:10,255 --> 00:38:14,924
AND IT NEVER WILL.
IT'S THE SIDE EFFECT.
>> THE SIDE EFFECT. OF COURSE.

656
00:38:14,926 --> 00:38:15,992
IT'S THE SIDE EFFECT.
>> THE SIDE EFFECT. OF COURSE.
LOOK AT THAT.

657
00:38:15,994 --> 00:38:16,926
>> THE SIDE EFFECT. OF COURSE.
LOOK AT THAT.
ONE MINUTE.

658
00:38:16,928 --> 00:38:18,261
LOOK AT THAT.
ONE MINUTE.
LOOKS LIKE I'M LEAVING RIGHT ON

659
00:38:18,263 --> 00:38:19,062
ONE MINUTE.
LOOKS LIKE I'M LEAVING RIGHT ON
TIME.

660
00:38:19,064 --> 00:38:20,630
LOOKS LIKE I'M LEAVING RIGHT ON
TIME.
>> THE TWO OF US ARE JUST NOT

661
00:38:20,632 --> 00:38:22,599
TIME.
>> THE TWO OF US ARE JUST NOT
DESTINED TO BE TOGETHER.

662
00:38:22,601 --> 00:38:36,813
>> IRONY -- THE INDIRECT
PRESENTATION OF A CONTRADICTION
BETWEEN AN ACTION OR EXPRESSION

663
00:38:36,815 --> 00:38:38,114
PRESENTATION OF A CONTRADICTION
BETWEEN AN ACTION OR EXPRESSION
AND THE CONTEXT IN WHICH IT

664
00:38:38,116 --> 00:38:41,217
BETWEEN AN ACTION OR EXPRESSION
AND THE CONTEXT IN WHICH IT
OCCURS.

665
00:38:41,219 --> 00:38:43,920
AND THE CONTEXT IN WHICH IT
OCCURS.
IRONIC PARTICLE -- THE

666
00:38:43,922 --> 00:38:46,456
OCCURS.
IRONIC PARTICLE -- THE
PHYSICAL MANIFESTATION OF IRONY,

667
00:38:46,458 --> 00:38:48,124
IRONIC PARTICLE -- THE
PHYSICAL MANIFESTATION OF IRONY,
EXISTING LATENT IN EVERY ATOM IN

668
00:38:48,126 --> 00:38:49,626
PHYSICAL MANIFESTATION OF IRONY,
EXISTING LATENT IN EVERY ATOM IN
THE UNIVERSE.

669
00:38:49,628 --> 00:38:51,294
EXISTING LATENT IN EVERY ATOM IN
THE UNIVERSE.
BUT MY PRELIMINARY RESEARCH

670
00:38:51,296 --> 00:38:52,796
THE UNIVERSE.
BUT MY PRELIMINARY RESEARCH
SUGGESTS THAT THE IRONIC

671
00:38:52,798 --> 00:38:54,664
BUT MY PRELIMINARY RESEARCH
SUGGESTS THAT THE IRONIC
PARTICLES ARE ONLY ACTIVATED BY

672
00:38:54,666 --> 00:38:56,066
SUGGESTS THAT THE IRONIC
PARTICLES ARE ONLY ACTIVATED BY
THE BRAIN WHEN WE WANT

673
00:38:56,068 --> 00:39:00,503
PARTICLES ARE ONLY ACTIVATED BY
THE BRAIN WHEN WE WANT
SOMETHING, AND SO FORMING A...

674
00:39:00,505 --> 00:39:04,307
THE BRAIN WHEN WE WANT
SOMETHING, AND SO FORMING A...
DESIRE CHAIN.

675
00:39:04,309 --> 00:39:06,109
SOMETHING, AND SO FORMING A...
DESIRE CHAIN.
BUT ONLY BY A CERTAIN TYPE OF

676
00:39:06,111 --> 00:39:06,743
DESIRE CHAIN.
BUT ONLY BY A CERTAIN TYPE OF
PERSON.

677
00:39:06,745 --> 00:39:08,378
BUT ONLY BY A CERTAIN TYPE OF
PERSON.
>> A LOW-FREQUENCY PERSON.

678
00:39:08,380 --> 00:39:09,479
PERSON.
>> A LOW-FREQUENCY PERSON.
>> YES.

679
00:39:09,481 --> 00:39:11,047
>> A LOW-FREQUENCY PERSON.
>> YES.
MY RESEARCH INDICATES THAT ONLY

680
00:39:11,049 --> 00:39:12,582
>> YES.
MY RESEARCH INDICATES THAT ONLY
THEY ARE SUSCEPTIBLE TO IRONY.

681
00:39:12,584 --> 00:39:14,050
MY RESEARCH INDICATES THAT ONLY
THEY ARE SUSCEPTIBLE TO IRONY.
>> IS NOT IRONY IN THE EYE OF

682
00:39:14,052 --> 00:39:15,318
THEY ARE SUSCEPTIBLE TO IRONY.
>> IS NOT IRONY IN THE EYE OF
THE BEHOLDER?

683
00:39:15,320 --> 00:39:17,587
>> IS NOT IRONY IN THE EYE OF
THE BEHOLDER?
>> YES, BUT THE BEHOLDER IS THE

684
00:39:17,589 --> 00:39:19,689
THE BEHOLDER?
>> YES, BUT THE BEHOLDER IS THE
INDIVIDUAL INVOLVED, HENCE THE

685
00:39:19,691 --> 00:39:21,324
>> YES, BUT THE BEHOLDER IS THE
INDIVIDUAL INVOLVED, HENCE THE
DESIRE CHAIN.

686
00:39:21,326 --> 00:39:22,892
INDIVIDUAL INVOLVED, HENCE THE
DESIRE CHAIN.
IN EVERYDAY TERMS, IT'S WHY THEY

687
00:39:22,894 --> 00:39:25,528
DESIRE CHAIN.
IN EVERYDAY TERMS, IT'S WHY THEY
NEVER GET WHAT THEY REALLY WANT.

688
00:39:25,530 --> 00:39:27,397
IN EVERYDAY TERMS, IT'S WHY THEY
NEVER GET WHAT THEY REALLY WANT.
BUT MY HYPOTHESIS, AND THE

689
00:39:27,399 --> 00:39:29,466
NEVER GET WHAT THEY REALLY WANT.
BUT MY HYPOTHESIS, AND THE
PURPOSE OF THE RESEARCH GRANT

690
00:39:29,468 --> 00:39:31,468
BUT MY HYPOTHESIS, AND THE
PURPOSE OF THE RESEARCH GRANT
I'M HOPING YOU'LL GIVE ME, IS

691
00:39:31,470 --> 00:39:33,603
PURPOSE OF THE RESEARCH GRANT
I'M HOPING YOU'LL GIVE ME, IS
THAT IT IS POSSIBLE TO REVERSE

692
00:39:33,605 --> 00:39:35,105
I'M HOPING YOU'LL GIVE ME, IS
THAT IT IS POSSIBLE TO REVERSE
THIS EFFECT.

693
00:39:35,107 --> 00:39:36,706
THAT IT IS POSSIBLE TO REVERSE
THIS EFFECT.
T-THE MENTAL CHANGES THE

694
00:39:36,708 --> 00:39:39,709
THIS EFFECT.
T-THE MENTAL CHANGES THE
PHYSICAL.

695
00:39:39,711 --> 00:39:41,811
T-THE MENTAL CHANGES THE
PHYSICAL.
IT'S ALL ABOUT PATTERNS.

696
00:39:41,813 --> 00:39:43,313
PHYSICAL.
IT'S ALL ABOUT PATTERNS.
THE FIRST STAGE IS TO WANT

697
00:39:43,315 --> 00:39:44,814
IT'S ALL ABOUT PATTERNS.
THE FIRST STAGE IS TO WANT
SOMETHING, RECOGNIZE THE

698
00:39:44,816 --> 00:39:46,449
THE FIRST STAGE IS TO WANT
SOMETHING, RECOGNIZE THE
POTENTIAL IRONY, AND THEN TO

699
00:39:46,451 --> 00:39:47,984
SOMETHING, RECOGNIZE THE
POTENTIAL IRONY, AND THEN TO
CHANGE YOUR DESIRE CHAIN.

700
00:39:47,986 --> 00:39:49,652
POTENTIAL IRONY, AND THEN TO
CHANGE YOUR DESIRE CHAIN.
>> SORRY TO INTERRUPT, BUT THAT

701
00:39:49,654 --> 00:39:51,321
CHANGE YOUR DESIRE CHAIN.
>> SORRY TO INTERRUPT, BUT THAT
SOUNDS SUSPICIOUSLY LIKE YOU'RE

702
00:39:51,323 --> 00:39:54,057
>> SORRY TO INTERRUPT, BUT THAT
SOUNDS SUSPICIOUSLY LIKE YOU'RE
TRYING TO FOOL FATE...AND I JUST

703
00:39:54,059 --> 00:39:57,994
SOUNDS SUSPICIOUSLY LIKE YOU'RE
TRYING TO FOOL FATE...AND I JUST
DON'T THINK THAT'S POSSIBLE.

704
00:39:57,996 --> 00:40:00,964
TRYING TO FOOL FATE...AND I JUST
DON'T THINK THAT'S POSSIBLE.
>> WELL...I DO, SIR.

705
00:40:00,966 --> 00:40:17,881
[ Ringing ]
>>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>

706
00:40:17,883 --> 00:40:18,681
>>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]

707
00:40:18,683 --> 00:40:19,482
<i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]
>> HEY. IT'S ME.

708
00:40:19,484 --> 00:40:20,817
<i>[</i>  <i>Beep</i>]
>> HEY. IT'S ME.
I FEEL LIKE HAVING A DRINKING

709
00:40:20,819 --> 00:40:22,118
>> HEY. IT'S ME.
I FEEL LIKE HAVING A DRINKING
SESSION TONIGHT, SO AS USUAL,

710
00:40:22,120 --> 00:40:23,520
I FEEL LIKE HAVING A DRINKING
SESSION TONIGHT, SO AS USUAL,
ANY ASSISTANCE YOU CAN PROVIDE

711
00:40:23,522 --> 00:40:25,054
SESSION TONIGHT, SO AS USUAL,
ANY ASSISTANCE YOU CAN PROVIDE
WOULD BE GRATEFULLY APPRECIATED.

712
00:40:25,056 --> 00:40:26,356
ANY ASSISTANCE YOU CAN PROVIDE
WOULD BE GRATEFULLY APPRECIATED.
[ CHUCKLES ]

713
00:40:26,358 --> 00:40:33,997
[ DOOR BUZZES ]
[ DOOR OPENS ]
>> DOCTOR ZAK.

714
00:40:33,999 --> 00:40:34,864
[ DOOR OPENS ]
>> DOCTOR ZAK.
>> DOCTOR THEO.

715
00:40:34,866 --> 00:40:36,433
>> DOCTOR ZAK.
>> DOCTOR THEO.
>> BROUGHT SUPPLIES.

716
00:40:36,435 --> 00:40:38,201
>> DOCTOR THEO.
>> BROUGHT SUPPLIES.
SAY "THANK YOU."

717
00:40:38,203 --> 00:40:55,985
>> SO, UH, WHAT'S ON THE MENU?
>> OUR LATEST TEST SUBSTANCES
FROM THE RESEARCH LAB...

718
00:40:55,987 --> 00:40:56,653
>> OUR LATEST TEST SUBSTANCES
FROM THE RESEARCH LAB...
[ CHUCKLES ]

719
00:40:56,655 --> 00:40:58,021
FROM THE RESEARCH LAB...
[ CHUCKLES ]
...ALL WITH VERY INTERESTING

720
00:40:58,023 --> 00:41:00,123
[ CHUCKLES ]
...ALL WITH VERY INTERESTING
SIDE EFFECTS.

721
00:41:00,125 --> 00:41:01,791
...ALL WITH VERY INTERESTING
SIDE EFFECTS.
[ CHUCKLES ]

722
00:41:01,793 --> 00:41:09,399
TO SIDE EFFECTS.
>> [ CHUCKLES ]
TO SIDE EFFECTS.

723
00:41:09,401 --> 00:41:16,773
[ SOFT MUSIC PLAYS ]

724
00:41:16,775 --> 00:41:29,085
>> UGH, TOO MUCH TEA.
>> TOO MUCH...
"MIDENZOBETRITATE."

725
00:41:29,087 --> 00:41:30,386
>> TOO MUCH...
"MIDENZOBETRITATE."
>> [ CHUCKLES ]

726
00:41:30,388 --> 00:41:31,321
"MIDENZOBETRITATE."
>> [ CHUCKLES ]
>> ANY CHANGE?

727
00:41:31,323 --> 00:41:33,623
>> [ CHUCKLES ]
>> ANY CHANGE?
>> NOT YET.

728
00:41:33,625 --> 00:41:34,691
>> ANY CHANGE?
>> NOT YET.
>> GIVE ME ANOTHER THREE.

729
00:41:34,693 --> 00:41:37,727
>> NOT YET.
>> GIVE ME ANOTHER THREE.
[ SIGHS ]

730
00:41:37,729 --> 00:41:38,428
>> GIVE ME ANOTHER THREE.
[ SIGHS ]
[ MUSIC STOPS ]

731
00:41:38,430 --> 00:41:39,095
[ SIGHS ]
[ MUSIC STOPS ]
>> SORRY.

732
00:41:39,097 --> 00:41:39,896
[ MUSIC STOPS ]
>> SORRY.
>> [ SIGHS ]

733
00:41:39,898 --> 00:41:42,599
>> SORRY.
>> [ SIGHS ]
RIGHT, SO, WE'RE MIXING THREE

734
00:41:42,601 --> 00:41:45,101
>> [ SIGHS ]
RIGHT, SO, WE'RE MIXING THREE
PYRIDINECARBOXAMIDE WITH

735
00:41:45,103 --> 00:41:47,003
RIGHT, SO, WE'RE MIXING THREE
PYRIDINECARBOXAMIDE WITH
TETRACOTINATE TRIPTOTHOL.

736
00:41:47,005 --> 00:41:50,406
PYRIDINECARBOXAMIDE WITH
TETRACOTINATE TRIPTOTHOL.
[ DEVICE WARBLES ]

737
00:41:50,408 --> 00:41:52,075
TETRACOTINATE TRIPTOTHOL.
[ DEVICE WARBLES ]
WHAT WAS THAT?

738
00:41:52,077 --> 00:41:59,782
>> A FLUCTUATION.
AN UPWARD FLUCTUATION.
>> YOU'RE SURE?

739
00:41:59,784 --> 00:42:00,517
AN UPWARD FLUCTUATION.
>> YOU'RE SURE?
>> YES!

740
00:42:00,519 --> 00:42:01,384
>> YOU'RE SURE?
>> YES!
[ SIGHS ]

741
00:42:01,386 --> 00:42:02,385
>> YES!
[ SIGHS ]
BUT IT DIDN'T LAST LONG.

742
00:42:02,387 --> 00:42:04,521
[ SIGHS ]
BUT IT DIDN'T LAST LONG.
>> ANY EFFECT SHOULD LAST HOURS.

743
00:42:04,523 --> 00:42:07,423
BUT IT DIDN'T LAST LONG.
>> ANY EFFECT SHOULD LAST HOURS.
>> MAYBE IT'S NOT THE DRUGS.

744
00:42:07,425 --> 00:42:09,526
>> ANY EFFECT SHOULD LAST HOURS.
>> MAYBE IT'S NOT THE DRUGS.
>> ANOTHER VARIABLE.

745
00:42:09,528 --> 00:42:12,128
>> MAYBE IT'S NOT THE DRUGS.
>> ANOTHER VARIABLE.
BUT WHAT ELSE HAS CHANGED?

746
00:42:12,130 --> 00:42:13,329
>> ANOTHER VARIABLE.
BUT WHAT ELSE HAS CHANGED?
LET'S REPEAT THE LAST 60

747
00:42:13,331 --> 00:42:14,497
BUT WHAT ELSE HAS CHANGED?
LET'S REPEAT THE LAST 60
SECONDS.

748
00:42:14,499 --> 00:42:22,005
>> TOO MUCH TEA.
>> TOO MUCH MIDENZOBETRITATE.
ANY CHANGE?

749
00:42:22,007 --> 00:42:23,006
>> TOO MUCH MIDENZOBETRITATE.
ANY CHANGE?
>> NO, NOT YET.

750
00:42:23,008 --> 00:42:26,309
ANY CHANGE?
>> NO, NOT YET.
>> GIVE ME ANOTHER THREE.

751
00:42:26,311 --> 00:42:27,076
>> NO, NOT YET.
>> GIVE ME ANOTHER THREE.
>> SORRY.

752
00:42:27,078 --> 00:42:28,945
>> GIVE ME ANOTHER THREE.
>> SORRY.
>> RIGHT, SO, WE'RE MIXING THREE

753
00:42:28,947 --> 00:42:31,214
>> SORRY.
>> RIGHT, SO, WE'RE MIXING THREE
PYRIDINECARBOXAMIDE WITH

754
00:42:31,216 --> 00:42:34,083
>> RIGHT, SO, WE'RE MIXING THREE
PYRIDINECARBOXAMIDE WITH
TETRACOTINATE TRIPTOTHOL.

755
00:42:34,085 --> 00:42:37,654
PYRIDINECARBOXAMIDE WITH
TETRACOTINATE TRIPTOTHOL.
[ DEVICE WARBLES ]

756
00:42:37,656 --> 00:42:40,857
TETRACOTINATE TRIPTOTHOL.
[ DEVICE WARBLES ]
TRIPTOTHOL.

757
00:42:40,859 --> 00:42:41,457
[ DEVICE WARBLES ]
TRIPTOTHOL.
COTINA--

758
00:42:41,459 --> 00:42:43,092
TRIPTOTHOL.
COTINA--
[ DEVICE WARBLES ]

759
00:42:43,094 --> 00:42:51,434
SOUND WAVES.
BUT SOUND WAVES WAS THE FIRST
THING EVERYONE TRIED.

760
00:42:51,436 --> 00:42:54,904
BUT SOUND WAVES WAS THE FIRST
THING EVERYONE TRIED.
>> IT'S NOT JUST THE WAVES.

761
00:42:54,906 --> 00:42:56,272
THING EVERYONE TRIED.
>> IT'S NOT JUST THE WAVES.
>> Both: IT'S THE WORDS.

762
00:42:56,274 --> 00:42:57,307
>> IT'S NOT JUST THE WAVES.
>> Both: IT'S THE WORDS.
>> [ SIGHS ]

763
00:42:57,309 --> 00:42:59,175
>> Both: IT'S THE WORDS.
>> [ SIGHS ]
BUT THE EFFECT ONLY LASTS A

764
00:42:59,177 --> 00:43:00,743
>> [ SIGHS ]
BUT THE EFFECT ONLY LASTS A
MOMENT.

765
00:43:00,745 --> 00:43:03,279
BUT THE EFFECT ONLY LASTS A
MOMENT.
>> SO...SOME FINE-TUNING NEEDED,

766
00:43:03,281 --> 00:43:04,881
MOMENT.
>> SO...SOME FINE-TUNING NEEDED,
THEN.

767
00:43:04,883 --> 00:43:10,019
>> SIGN HERE, PLEASE.
THANK YOU.

768
00:43:10,021 --> 00:43:51,427
[ MUSIC PLAYS ]

769
00:43:51,429 --> 00:44:22,025
>> REMEMBER, IT'S A TRIAL RUN.
YOU'VE GOT 65 SECONDS, THEN GET
OUT.

770
00:44:22,027 --> 00:44:24,060
YOU'VE GOT 65 SECONDS, THEN GET
OUT.
IT'LL GET EASIER EACH TIME.

771
00:44:24,062 --> 00:44:25,762
OUT.
IT'LL GET EASIER EACH TIME.
[ CELLPHONE BEEPS ]

772
00:44:25,764 --> 00:44:32,669
>>   <i>VICTAN.</i>
<i>>> BACK IN A MINUTE...MORE OR</i>
<i>LESS.</i>

773
00:44:32,671 --> 00:44:34,404
<i>>> BACK IN A MINUTE...MORE OR</i>
<i>LESS.</i>
<i>>> [ CHUCKLES ]</i>

774
00:44:34,406 --> 00:44:35,571
<i>LESS.</i>
<i>>> [ CHUCKLES ]</i>
<i>>> VICTAN.</i>

775
00:44:35,573 --> 00:44:47,717
<i>HELLO.</i>

776
00:44:47,719 --> 00:44:55,692
<i>>> HELLO.</i>
<i>ZAK.</i>
<i>>> IT'S BEEN A LONG TIME.</i>

777
00:44:55,694 --> 00:44:56,592
<i>ZAK.</i>
<i>>> IT'S BEEN A LONG TIME.</i>
<i>>> [ CHUCKLES ]</i>

778
00:44:56,594 --> 00:44:57,694
<i>>> IT'S BEEN A LONG TIME.</i>
<i>>> [ CHUCKLES ]</i>
<i>WHERE DID YOU GET TO?</i>

779
00:44:57,696 --> 00:44:58,327
<i>>> [ CHUCKLES ]</i>
<i>WHERE DID YOU GET TO?</i>
<i>>></i>   <i>KAICHI.</i>

780
00:44:58,329 --> 00:44:59,262
<i>WHERE DID YOU GET TO?</i>
<i>>></i>   <i>KAICHI.</i>
<i>>> OH, EVERYWHERE.</i>

781
00:44:59,264 --> 00:44:59,962
<i>>></i>   <i>KAICHI.</i>
<i>>> OH, EVERYWHERE.</i>
<i>>></i>   <i>KAICHI.</i>

782
00:44:59,964 --> 00:45:01,364
<i>>> OH, EVERYWHERE.</i>
<i>>></i>   <i>KAICHI.</i>
<i>>> SAO PAULO, BUENOS AIRES,</i>

783
00:45:01,366 --> 00:45:03,966
<i>>></i>   <i>KAICHI.</i>
<i>>> SAO PAULO, BUENOS AIRES,</i>
<i>KAICHI, KINSHASA.</i>

784
00:45:03,968 --> 00:45:05,635
<i>>> SAO PAULO, BUENOS AIRES,</i>
<i>KAICHI, KINSHASA.</i>
<i>BUT MOST RECENTLY, VILNIUS.</i>

785
00:45:05,637 --> 00:45:07,170
<i>KAICHI, KINSHASA.</i>
<i>BUT MOST RECENTLY, VILNIUS.</i>
<i>I CAN NOW CURSE CONVINCINGLY IN</i>

786
00:45:07,172 --> 00:45:08,037
<i>BUT MOST RECENTLY, VILNIUS.</i>
<i>I CAN NOW CURSE CONVINCINGLY IN</i>
<i>18 LANGUAGES.</i>

787
00:45:08,039 --> 00:45:09,205
<i>I CAN NOW CURSE CONVINCINGLY IN</i>
<i>18 LANGUAGES.</i>
<i>>> WHERE'S KAICHI?</i>

788
00:45:09,207 --> 00:45:11,007
<i>18 LANGUAGES.</i>
<i>>> WHERE'S KAICHI?</i>
<i>I'VE NOT HEARD OF IT BEFORE.</i>

789
00:45:11,009 --> 00:45:11,674
<i>>> WHERE'S KAICHI?</i>
<i>I'VE NOT HEARD OF IT BEFORE.</i>
<i>>> [ CHUCKLES ]</i>

790
00:45:11,676 --> 00:45:12,241
<i>I'VE NOT HEARD OF IT BEFORE.</i>
<i>>> [ CHUCKLES ]</i>
<i>RELAX.</i>

791
00:45:12,243 --> 00:45:13,910
<i>>> [ CHUCKLES ]</i>
<i>RELAX.</i>
<i>YOU DON'T NEED TO PRETEND TO</i>

792
00:45:13,912 --> 00:45:15,578
<i>RELAX.</i>
<i>YOU DON'T NEED TO PRETEND TO</i>
<i>CARE.</i>

793
00:45:15,580 --> 00:45:16,713
<i>YOU DON'T NEED TO PRETEND TO</i>
<i>CARE.</i>
<i>[ PLANTER CLATTERS ]</i>

794
00:45:16,715 --> 00:45:19,048
<i>CARE.</i>
<i>[ PLANTER CLATTERS ]</i>
<i>[ PANTING ]</i>

795
00:45:19,050 --> 00:45:23,986
<i>[ CHUCKLES ]</i>

796
00:45:23,988 --> 00:45:37,600
<i>>></i>   <i>SOLAS.</i>
<i>>> SOLAS.</i>

797
00:45:37,602 --> 00:45:48,377
<i>GLAD YOU COULD MAKE IT.</i>

798
00:45:48,379 --> 00:45:58,387
<i>[ CHUCKLES ]</i>
<i>>> EXPECTING A CALL?</i>
<i>>> [ CHUCKLES ]</i>

799
00:45:58,389 --> 00:45:59,355
<i>>> EXPECTING A CALL?</i>
<i>>> [ CHUCKLES ]</i>
<i>YES.</i>

800
00:45:59,357 --> 00:46:00,456
<i>>> [ CHUCKLES ]</i>
<i>YES.</i>
<i>>> HOW DID YOU LAST MORE THAN A</i>

801
00:46:00,458 --> 00:46:02,959
<i>YES.</i>
<i>>> HOW DID YOU LAST MORE THAN A</i>
<i>MINUTE?</i>

802
00:46:02,961 --> 00:46:04,460
<i>>> HOW DID YOU LAST MORE THAN A</i>
<i>MINUTE?</i>
<i>>> I CHANGED MY FREQUENCY.</i>

803
00:46:04,462 --> 00:46:05,828
<i>MINUTE?</i>
<i>>> I CHANGED MY FREQUENCY.</i>
<i>>> YOU KNOW THAT'S NOT POSSIBLE.</i>

804
00:46:05,830 --> 00:46:07,196
<i>>> I CHANGED MY FREQUENCY.</i>
<i>>> YOU KNOW THAT'S NOT POSSIBLE.</i>
<i>>> KNOWLEDGE DETERMINES DESTINY.</i>

805
00:46:07,198 --> 00:46:07,497
<i>>> YOU KNOW THAT'S NOT POSSIBLE.</i>
<i>>> KNOWLEDGE DETERMINES DESTINY.</i>
<i>I --</i>

806
00:46:07,499 --> 00:46:08,798
<i>>> KNOWLEDGE DETERMINES DESTINY.</i>
<i>I --</i>
<i>>></i>   <i>YO</i>DID THIS?

807
00:46:08,800 --> 00:46:10,032
<i>I --</i>
<i>>></i>   <i>YO</i>DID THIS?
YOU FOUND THE SOLUTION?

808
00:46:10,034 --> 00:46:12,068
<i>>></i>   <i>YO</i>DID THIS?
YOU FOUND THE SOLUTION?
>> YES.

809
00:46:12,070 --> 00:46:14,904
YOU FOUND THE SOLUTION?
>> YES.
D-DOES THAT SURPRISE YOU?

810
00:46:14,906 --> 00:46:16,839
>> YES.
D-DOES THAT SURPRISE YOU?
>> YES.

811
00:46:16,841 --> 00:46:18,508
D-DOES THAT SURPRISE YOU?
>> YES.
YOU ARE LOW-FREQUENCY.

812
00:46:18,510 --> 00:46:21,043
>> YES.
YOU ARE LOW-FREQUENCY.
>> NOT ANYMORE.

813
00:46:21,045 --> 00:46:22,478
YOU ARE LOW-FREQUENCY.
>> NOT ANYMORE.
WHAT WE KNOW ABOUT FREQUENCY IS

814
00:46:22,480 --> 00:46:22,879
>> NOT ANYMORE.
WHAT WE KNOW ABOUT FREQUENCY IS
WRONG.

815
00:46:22,881 --> 00:46:24,380
WHAT WE KNOW ABOUT FREQUENCY IS
WRONG.
OTHERWISE, YOU AND I WOULD NEVER

816
00:46:24,382 --> 00:46:25,281
WRONG.
OTHERWISE, YOU AND I WOULD NEVER
HAVE MET.

817
00:46:25,283 --> 00:46:27,850
OTHERWISE, YOU AND I WOULD NEVER
HAVE MET.
>> YOU SAID YOU COULD HELP ME.

818
00:46:27,852 --> 00:46:29,418
HAVE MET.
>> YOU SAID YOU COULD HELP ME.
>> I CAN CHANGE YOUR FREQUENCY.

819
00:46:29,420 --> 00:46:30,787
>> YOU SAID YOU COULD HELP ME.
>> I CAN CHANGE YOUR FREQUENCY.
>> LOWER IT?

820
00:46:30,789 --> 00:46:32,088
>> I CAN CHANGE YOUR FREQUENCY.
>> LOWER IT?
>> I HARDLY THINK IT GETS MUCH

821
00:46:32,090 --> 00:46:32,522
>> LOWER IT?
>> I HARDLY THINK IT GETS MUCH
HIGHER.

822
00:46:32,524 --> 00:46:33,923
>> I HARDLY THINK IT GETS MUCH
HIGHER.
>> BUT NATURE WORKS HARD TO GIVE

823
00:46:33,925 --> 00:46:35,792
HIGHER.
>> BUT NATURE WORKS HARD TO GIVE
ME EVERYTHING.

824
00:46:35,794 --> 00:46:36,759
>> BUT NATURE WORKS HARD TO GIVE
ME EVERYTHING.
>> ALMOST EVERYTHING.

825
00:46:36,761 --> 00:46:40,196
ME EVERYTHING.
>> ALMOST EVERYTHING.
>> TELL ME THE PROCESS.

826
00:46:40,198 --> 00:46:41,597
>> ALMOST EVERYTHING.
>> TELL ME THE PROCESS.
>> IT'S...

827
00:46:41,599 --> 00:46:47,036
>>   <i>OKAY.</i>
<i>>> OKAY.</i>

828
00:46:47,038 --> 00:46:54,243
<i>I DON'T THINK YOU'RE GONNA LIKE</i>
<i>IT.</i>
<i>ESSENTIALLY, IT'S AN ENERGY</i>

829
00:46:54,245 --> 00:46:54,811
<i>IT.</i>
<i>ESSENTIALLY, IT'S AN ENERGY</i>
<i>EXCHANGE.</i>

830
00:46:54,813 --> 00:46:56,279
<i>ESSENTIALLY, IT'S AN ENERGY</i>
<i>EXCHANGE.</i>
<i>I'LL BE BRINGING YOU DOWN A LOT</i>

831
00:46:56,281 --> 00:46:58,915
<i>EXCHANGE.</i>
<i>I'LL BE BRINGING YOU DOWN A LOT</i>
<i>CLOSER TO MY LEVEL.</i>

832
00:46:58,917 --> 00:47:00,783
<i>I'LL BE BRINGING YOU DOWN A LOT</i>
<i>CLOSER TO MY LEVEL.</i>
<i>THERE ARE A LOT OF PROCESSES AT</i>

833
00:47:00,785 --> 00:47:08,491
<i>CLOSER TO MY LEVEL.</i>
<i>THERE ARE A LOT OF PROCESSES AT</i>
<i>WORK, BUT ONE OF THEM...IS ME...</i>

834
00:47:08,493 --> 00:47:09,659
<i>THERE ARE A LOT OF PROCESSES AT</i>
<i>WORK, BUT ONE OF THEM...IS ME...</i>
<i>TOUCHING YOU.</i>

835
00:47:09,661 --> 00:47:10,159
<i>WORK, BUT ONE OF THEM...IS ME...</i>
<i>TOUCHING YOU.</i>
<i>>> CLEVER.</i>

836
00:47:10,161 --> 00:47:11,260
<i>TOUCHING YOU.</i>
<i>>> CLEVER.</i>
<i>>> THE NEGATIVE FEEDBACK LOOP</i>

837
00:47:11,262 --> 00:47:12,061
<i>>> CLEVER.</i>
<i>>> THE NEGATIVE FEEDBACK LOOP</i>
<i>SHOULD EVENTUALLY BE</i>

838
00:47:12,063 --> 00:47:15,031
<i>>> THE NEGATIVE FEEDBACK LOOP</i>
<i>SHOULD EVENTUALLY BE</i>
<i>SELF-REINFORCING, BUT I WILL</i>

839
00:47:15,033 --> 00:47:17,033
<i>SHOULD EVENTUALLY BE</i>
<i>SELF-REINFORCING, BUT I WILL</i>
<i>NEED TO BE PHYSICALLY CLOSE TO</i>

840
00:47:17,035 --> 00:47:18,067
<i>SELF-REINFORCING, BUT I WILL</i>
<i>NEED TO BE PHYSICALLY CLOSE TO</i>
<i>YOU FOR A WHILE.</i>

841
00:47:18,069 --> 00:47:19,435
<i>NEED TO BE PHYSICALLY CLOSE TO</i>
<i>YOU FOR A WHILE.</i>
<i>>> VERY CLEVER.</i>

842
00:47:19,437 --> 00:47:25,775
<i>HOW SOON WILL I SEE RESULTS?</i>
<i>>> IF IT WORKS AS I THINK IT</i>
<i>SHOULD, INSTANTLY.</i>

843
00:47:25,777 --> 00:47:31,047
<i>YOU WANT TO DO IT -- I CAN TELL.</i>
<i>>> PLEASE DON'T LIE.</i>
<i>>> B--</i>

844
00:47:31,049 --> 00:47:32,381
<i>>> PLEASE DON'T LIE.</i>
<i>>> B--</i>
<i>>></i>   <i>VUREN.</i>

845
00:47:32,383 --> 00:47:35,218
<i>>> B--</i>
<i>>></i>   <i>VUREN.</i>
<i>>> VUREN'S...SAKE.</i>

846
00:47:35,220 --> 00:47:36,586
<i>>></i>   <i>VUREN.</i>
<i>>> VUREN'S...SAKE.</i>
<i>YOU WILL HAVE FEELINGS FOR THE</i>

847
00:47:36,588 --> 00:47:37,720
<i>>> VUREN'S...SAKE.</i>
<i>YOU WILL HAVE FEELINGS FOR THE</i>
<i>FIRST TIME IN YOUR LIFE.</i>

848
00:47:37,722 --> 00:47:39,055
<i>YOU WILL HAVE FEELINGS FOR THE</i>
<i>FIRST TIME IN YOUR LIFE.</i>
<i>>> THEORETICALLY.</i>

849
00:47:39,057 --> 00:47:41,123
<i>FIRST TIME IN YOUR LIFE.</i>
<i>>> THEORETICALLY.</i>
<i>IS IT REVERSIBLE?</i>

850
00:47:41,125 --> 00:47:42,658
<i>>> THEORETICALLY.</i>
<i>IS IT REVERSIBLE?</i>
<i>>> IT SHOULD BE.</i>

851
00:47:42,660 --> 00:47:45,428
<i>IS IT REVERSIBLE?</i>
<i>>> IT SHOULD BE.</i>
<i>BUT THERE ARE NO GUARANTEES.</i>

852
00:47:45,430 --> 00:47:54,070
<i>>> [ LAUGHS NERVOUSLY ]</i>

853
00:47:54,072 --> 00:48:08,284
<i>>> THAT'S IT?</i>
<i>>> UH, THE MAIN PART.</i>
<i>IT MAY NOT WORK.</i>

854
00:48:08,286 --> 00:48:09,485
<i>>> UH, THE MAIN PART.</i>
<i>IT MAY NOT WORK.</i>
<i>>> I'VE DECIDED YOU CAN TALK IF</i>

855
00:48:09,487 --> 00:48:10,820
<i>IT MAY NOT WORK.</i>
<i>>> I'VE DECIDED YOU CAN TALK IF</i>
<i>YOU WANT.</i>

856
00:48:10,822 --> 00:48:12,455
<i>>> I'VE DECIDED YOU CAN TALK IF</i>
<i>YOU WANT.</i>
<i>>> THANKS.</i>

857
00:48:12,457 --> 00:48:26,869
<i>IT'S WEIRD, TALKING TO YOU</i>
<i>WITHOUT A DEADLINE.</i>
<i>OR -- OR NOT TALKING.</i>

858
00:48:26,871 --> 00:48:42,018
<i>ARE YOU OKAY?</i>
<i>>> I DON'T THINK I'M FEELING TOO</i>
<i>WELL.</i>

859
00:48:42,020 --> 00:48:42,852
<i>>> I DON'T THINK I'M FEELING TOO</i>
<i>WELL.</i>
<i>>> FEELING?</i>

860
00:48:42,854 --> 00:48:44,453
<i>WELL.</i>
<i>>> FEELING?</i>
<i>>> FEELING PHYSICALLY SICK IS</i>

861
00:48:44,455 --> 00:48:46,188
<i>>> FEELING?</i>
<i>>> FEELING PHYSICALLY SICK IS</i>
<i>NOT AN EMOTION.</i>

862
00:48:46,190 --> 00:48:51,193
<i>BUT THAT'S NOT THIS FEELING.</i>

863
00:48:51,195 --> 00:49:29,999
<i>[ EXHALES SHARPLY ]</i>
<i>THIS IS...AWFUL.</i>
<i>I FEEL A HUGE WEIGHT.</i>

864
00:49:30,001 --> 00:49:32,401
<i>THIS IS...AWFUL.</i>
<i>I FEEL A HUGE WEIGHT.</i>
<i>>> I-I THINK THAT'S JUST NERVES.</i>

865
00:49:32,403 --> 00:49:35,037
<i>>></i>   <i>OW.</i>

866
00:49:35,039 --> 00:49:39,175
<i>OW.</i>

867
00:49:39,177 --> 00:49:48,017
<i>>> IT -- IT'S INTENSE.</i>
<i>I FEEL...CONNECTED TO MYSELF.</i>

868
00:49:48,019 --> 00:49:54,290
<i>>> UH, HOW DOES</i> <i>THAT</i> FEEL?
>> NOT -- NOT SO GOOD.
I-IT DEFINITELY FEELS BETTER

869
00:49:54,292 --> 00:49:56,192
>> NOT -- NOT SO GOOD.
I-IT DEFINITELY FEELS BETTER
WHEN WE'RE TOUCHING.

870
00:49:56,194 --> 00:49:57,793
I-IT DEFINITELY FEELS BETTER
WHEN WE'RE TOUCHING.
WHY IS THAT?

871
00:49:57,795 --> 00:50:02,264
>> B-BECAUSE...

872
00:50:02,266 --> 00:50:10,673
>>   <i>UNITH.</i>
<i>>> UNITH.</i>
<i>YOU LOVE ME.</i>

873
00:50:10,675 --> 00:50:11,774
<i>>> UNITH.</i>
<i>YOU LOVE ME.</i>
<i>MAYBE.</i>

874
00:50:11,776 --> 00:50:12,708
<i>YOU LOVE ME.</i>
<i>MAYBE.</i>
<i>[ GLASS SHATTERS ]</i>

875
00:50:12,710 --> 00:50:13,843
<i>MAYBE.</i>
<i>[ GLASS SHATTERS ]</i>
<i>>></i>   <i>WHERE.</i>

876
00:50:13,845 --> 00:50:15,444
<i>[ GLASS SHATTERS ]</i>
<i>>></i>   <i>WHERE.</i>
<i>>> WHERE?</i>

877
00:50:15,446 --> 00:50:16,912
<i>>></i>   <i>WHERE.</i>
<i>>> WHERE?</i>
<i>I THINK NATURE'S REBELLING.</i>

878
00:50:16,914 --> 00:50:18,981
<i>>> WHERE?</i>
<i>I THINK NATURE'S REBELLING.</i>
<i>>> JUST LIKE OLD TIMES.</i>

879
00:50:18,983 --> 00:50:20,316
<i>I THINK NATURE'S REBELLING.</i>
<i>>> JUST LIKE OLD TIMES.</i>
<i>SHOULD WE DO ANYTHING?</i>

880
00:50:20,318 --> 00:50:22,885
<i>>> JUST LIKE OLD TIMES.</i>
<i>SHOULD WE DO ANYTHING?</i>
<i>>> NO, IT SHOULD SETTLE DOWN,</i>

881
00:50:22,887 --> 00:50:24,687
<i>SHOULD WE DO ANYTHING?</i>
<i>>> NO, IT SHOULD SETTLE DOWN,</i>
<i>THE LONGER WE SPEND TOGETHER.</i>

882
00:50:24,689 --> 00:50:27,790
<i>>> NO, IT SHOULD SETTLE DOWN,</i>
<i>THE LONGER WE SPEND TOGETHER.</i>
<i>[ ITEMS RATTLING ]</i>

883
00:50:27,792 --> 00:50:29,525
<i>THE LONGER WE SPEND TOGETHER.</i>
<i>[ ITEMS RATTLING ]</i>
<i>>></i>   <i>EESA.</i>

884
00:50:29,527 --> 00:50:30,926
<i>[ ITEMS RATTLING ]</i>
<i>>></i>   <i>EESA.</i>
<i>>> EESA.</i>

885
00:50:30,928 --> 00:50:33,896
<i>>></i>   <i>EESA.</i>
<i>>> EESA.</i>
<i>[ RATTLING CONTINUES ]</i>

886
00:50:33,898 --> 00:50:35,197
<i>>> EESA.</i>
<i>[ RATTLING CONTINUES ]</i>
<i>>> I KNOW WHAT I WANT TO TRY.</i>

887
00:50:35,199 --> 00:50:35,998
<i>[ RATTLING CONTINUES ]</i>
<i>>> I KNOW WHAT I WANT TO TRY.</i>
<i>>> WHAT?</i>

888
00:50:36,000 --> 00:50:37,066
<i>>> I KNOW WHAT I WANT TO TRY.</i>
<i>>> WHAT?</i>
<i>>> KISS ME.</i>

889
00:50:37,068 --> 00:50:37,600
<i>>> WHAT?</i>
<i>>> KISS ME.</i>
<i>>> REALLY?</i>

890
00:50:37,602 --> 00:50:38,701
<i>>> KISS ME.</i>
<i>>> REALLY?</i>
<i>>> DON'T MAKE ME ASK AGAIN.</i>

891
00:50:38,703 --> 00:50:40,102
<i>>> REALLY?</i>
<i>>> DON'T MAKE ME ASK AGAIN.</i>
<i>I'M USED TO GETTING WHAT I WANT.</i>

892
00:50:40,104 --> 00:50:41,470
<i>>> DON'T MAKE ME ASK AGAIN.</i>
<i>I'M USED TO GETTING WHAT I WANT.</i>
<i>>> I'M NOT.</i>

893
00:50:41,472 --> 00:50:58,988
<i>[ CHUCKLES ]</i>

894
00:50:58,990 --> 00:51:20,176
<i>>> DO YOU WANT TO COME IN AND</i>
<i>TOUCH SOME MORE?</i>

895
00:51:20,178 --> 00:51:25,681
<i>>> CAN I?</i>

896
00:51:25,683 --> 00:51:44,800
<i>>> DO YOU THINK...MAYBE...</i>
<i>>> YES?</i>
<i>>> ...YOU COULD GO A BIT FASTER?</i>

897
00:51:44,802 --> 00:51:47,002
<i>>> YES?</i>
<i>>> ...YOU COULD GO A BIT FASTER?</i>
<i>>> I WANT IT TO BE SPECIAL.</i>

898
00:51:47,004 --> 00:51:48,904
<i>>> ...YOU COULD GO A BIT FASTER?</i>
<i>>> I WANT IT TO BE SPECIAL.</i>
<i>>> YOU THINK I'M A VIRGIN?</i>

899
00:51:48,906 --> 00:51:51,373
<i>>> I WANT IT TO BE SPECIAL.</i>
<i>>> YOU THINK I'M A VIRGIN?</i>
<i>I'VE CONDUCTED MANY EXPERIMENTS.</i>

900
00:51:51,375 --> 00:51:58,447
<i>>> AND...YOUR CONCLUSIONS?</i>
<i>>> SEX IS LIKE MASTURBATION,</i>
<i>JUST WITH SOMEONE ELSE.</i>

901
00:51:58,449 --> 00:52:01,016
<i>>> SEX IS LIKE MASTURBATION,</i>
<i>JUST WITH SOMEONE ELSE.</i>
<i>>> I HOPE NOT.</i>

902
00:52:01,018 --> 00:52:03,018
<i>JUST WITH SOMEONE ELSE.</i>
<i>>> I HOPE NOT.</i>
<i>>> YOU'RE A VIRGIN.</i>

903
00:52:03,020 --> 00:52:03,652
<i>>> I HOPE NOT.</i>
<i>>> YOU'RE A VIRGIN.</i>
<i>OF COURSE.</i>

904
00:52:03,654 --> 00:52:05,254
<i>>> YOU'RE A VIRGIN.</i>
<i>OF COURSE.</i>
<i>>> I MAY NOT HAVE CONDUCTED MANY</i>

905
00:52:05,256 --> 00:52:07,623
<i>OF COURSE.</i>
<i>>> I MAY NOT HAVE CONDUCTED MANY</i>
<i>EXPERIMENTS, BUT I HAVE...</i>

906
00:52:07,625 --> 00:52:09,758
<i>>> I MAY NOT HAVE CONDUCTED MANY</i>
<i>EXPERIMENTS, BUT I HAVE...</i>
<i>STUDIED VERY, VERY HARD.</i>

907
00:52:09,760 --> 00:52:33,282
<i>[ BEEPING ]</i>

908
00:52:33,284 --> 00:52:54,170
<i>[ BEEPING STEADILY ]</i>

909
00:52:54,172 --> 00:53:06,248
<i>MENTHA.</i>
<i>[ BEEPING STOPS ]</i>

910
00:53:06,250 --> 00:53:37,880
<i>>> OPEN IT.</i>
<i>>> I'M SORRY.</i>
<i>>> DON'T BE.</i>

911
00:53:37,882 --> 00:53:39,048
<i>>> I'M SORRY.</i>
<i>>> DON'T BE.</i>
<i>WE WERE RAISED TO HAVE A BURNING</i>

912
00:53:39,050 --> 00:53:40,516
<i>>> DON'T BE.</i>
<i>WE WERE RAISED TO HAVE A BURNING</i>
<i>CURIOSITY.</i>

913
00:53:40,518 --> 00:53:41,917
<i>WE WERE RAISED TO HAVE A BURNING</i>
<i>CURIOSITY.</i>
<i>OPEN IT.</i>

914
00:53:41,919 --> 00:54:02,638
<i>>> I DON'T UNDERSTAND.</i>
<i>IS IT SOME SORT OF CODE?</i>
<i>>> [ SCOFFS ]</i>

915
00:54:02,640 --> 00:54:04,873
<i>IS IT SOME SORT OF CODE?</i>
<i>>> [ SCOFFS ]</i>
<i>SOMETIMES A TICK IS JUST A TICK.</i>

916
00:54:04,875 --> 00:54:18,120
<i>I HAVE A 210 I.Q.</i>
<i>I NEVER NEEDED TO TAKE NOTES.</i>
<i>I JUST DIDN'T WANT TO HAVE TO</i>

917
00:54:18,122 --> 00:54:20,656
<i>I NEVER NEEDED TO TAKE NOTES.</i>
<i>I JUST DIDN'T WANT TO HAVE TO</i>
<i>ALWAYS LOOK AT PEOPLE OR HAVE</i>

918
00:54:20,658 --> 00:54:22,758
<i>I JUST DIDN'T WANT TO HAVE TO</i>
<i>ALWAYS LOOK AT PEOPLE OR HAVE</i>
<i>THEM LOOKING AT ME.</i>

919
00:54:22,760 --> 00:54:24,627
<i>ALWAYS LOOK AT PEOPLE OR HAVE</i>
<i>THEM LOOKING AT ME.</i>
<i>IT'S THE EYES.</i>

920
00:54:24,629 --> 00:54:26,262
<i>THEM LOOKING AT ME.</i>
<i>IT'S THE EYES.</i>
<i>I-I COULD NEVER READ PEOPLE'S</i>

921
00:54:26,264 --> 00:54:27,930
<i>IT'S THE EYES.</i>
<i>I-I COULD NEVER READ PEOPLE'S</i>
<i>EYES -- NOT -- NOT LIKE OTHER</i>

922
00:54:27,932 --> 00:54:30,633
<i>I-I COULD NEVER READ PEOPLE'S</i>
<i>EYES -- NOT -- NOT LIKE OTHER</i>
<i>PEOPLE -- AND...IF THEY LOOKED</i>

923
00:54:30,635 --> 00:54:32,268
<i>EYES -- NOT -- NOT LIKE OTHER</i>
<i>PEOPLE -- AND...IF THEY LOOKED</i>
<i>INTO MINE FOR TOO LONG, THEY'D</i>

924
00:54:32,270 --> 00:54:33,736
<i>PEOPLE -- AND...IF THEY LOOKED</i>
<i>INTO MINE FOR TOO LONG, THEY'D</i>
<i>REALIZE...</i>

925
00:54:33,738 --> 00:54:38,874
<i>[ SCOFFS ]</i>

926
00:54:38,876 --> 00:54:52,621
<i>[ HORN HONKS ]</i>

927
00:54:52,623 --> 00:55:17,579
<i>WAS THAT OUR TRAIN?</i>
<i>>> WELCOME TO MY WORLD.</i>
<i>>> OH.</i>

928
00:55:17,581 --> 00:55:36,231
<i>>> ARE YOU OKAY?</i>

929
00:55:36,233 --> 00:55:42,604
<i>>> I'VE NEVER WAITED FOR A TRAIN</i>
<i>BEFORE.</i>

930
00:55:42,606 --> 00:55:51,780
<i>>> [ CHUCKLES ]</i>
<i>IT'S NOT ALL BAD, THOUGH.</i>

931
00:55:51,782 --> 00:55:56,251
<i>>> [ LAUGHS ]</i>

932
00:55:56,253 --> 00:56:02,191
<i>>> SO, UH, WHERE ARE WE GOING?</i>

933
00:56:02,193 --> 00:56:06,695
<i>>> DAUGHTER.</i>
<i>>> FATHER.</i>
<i>>> [ CHUCKLES ]</i>

934
00:56:06,697 --> 00:56:08,430
<i>>> FATHER.</i>
<i>>> [ CHUCKLES ]</i>
<i>>> [ CHUCKLES ]</i>

935
00:56:08,432 --> 00:56:15,471
<i>>> DAUGHTER'S FRIEND.</i>
<i>>> SORRY ABOUT THE STATE OF THE</i>
<i>PLACE.</i>

936
00:56:15,473 --> 00:56:17,606
<i>>> SORRY ABOUT THE STATE OF THE</i>
<i>PLACE.</i>
<i>WE'RE HAVING SOME WORK DONE.</i>

937
00:56:17,608 --> 00:56:26,849
<i>>> SO, ZAK, UH, HOW HAVE YOU</i>
<i>BEEN SINCE YOU LEFT SCHOOL?</i>
<i>>> A SERIOUS QUESTION, OR POLITE</i>

938
00:56:26,851 --> 00:56:27,883
<i>BEEN SINCE YOU LEFT SCHOOL?</i>
<i>>> A SERIOUS QUESTION, OR POLITE</i>
<i>CONVERSATION?</i>

939
00:56:27,885 --> 00:56:29,451
<i>>> A SERIOUS QUESTION, OR POLITE</i>
<i>CONVERSATION?</i>
<i>>> POLITE CONVERSATION.</i>

940
00:56:29,453 --> 00:56:31,220
<i>CONVERSATION?</i>
<i>>> POLITE CONVERSATION.</i>
<i>>> VERY WELL, MRS. FORTUNE.</i>

941
00:56:31,222 --> 00:56:33,689
<i>>> POLITE CONVERSATION.</i>
<i>>> VERY WELL, MRS. FORTUNE.</i>
<i>>> CALL ME HETTIE, ZAK.</i>

942
00:56:33,691 --> 00:56:35,023
<i>>> VERY WELL, MRS. FORTUNE.</i>
<i>>> CALL ME HETTIE, ZAK.</i>
<i>>> AND YOURSELF, HETTIE?</i>

943
00:56:35,025 --> 00:56:36,558
<i>>> CALL ME HETTIE, ZAK.</i>
<i>>> AND YOURSELF, HETTIE?</i>
<i>>> FINE, DEAR. JUST FINE.</i>

944
00:56:36,560 --> 00:56:38,227
<i>>> AND YOURSELF, HETTIE?</i>
<i>>> FINE, DEAR. JUST FINE.</i>
<i>>> WHAT IS THIS, MOTHER?</i>

945
00:56:38,229 --> 00:56:39,495
<i>>> FINE, DEAR. JUST FINE.</i>
<i>>> WHAT IS THIS, MOTHER?</i>
<i>SINCE WHEN HAVE WE DONE SMALL</i>

946
00:56:39,497 --> 00:56:39,862
<i>>> WHAT IS THIS, MOTHER?</i>
<i>SINCE WHEN HAVE WE DONE SMALL</i>
<i>TALK?</i>

947
00:56:39,864 --> 00:56:41,263
<i>SINCE WHEN HAVE WE DONE SMALL</i>
<i>TALK?</i>
<i>>> SINCE WHEN HAVE YOU BROUGHT A</i>

948
00:56:41,265 --> 00:56:42,598
<i>TALK?</i>
<i>>> SINCE WHEN HAVE YOU BROUGHT A</i>
<i>BOY HOME?</i>

949
00:56:42,600 --> 00:56:57,446
<i>>> ASK HIM.</i>
<i>ASK HIM.</i>
<i>[ CHUCKLES ]</i>

950
00:56:57,448 --> 00:56:58,447
<i>ASK HIM.</i>
<i>[ CHUCKLES ]</i>
<i>YOU'RE NOT REALLY HAVING ANY</i>

951
00:56:58,449 --> 00:57:00,349
<i>[ CHUCKLES ]</i>
<i>YOU'RE NOT REALLY HAVING ANY</i>
<i>WORK DONE, ARE YOU?</i>

952
00:57:00,351 --> 00:57:01,884
<i>YOU'RE NOT REALLY HAVING ANY</i>
<i>WORK DONE, ARE YOU?</i>
<i>YOU STILL THINK SOMETHING BAD'S</i>

953
00:57:01,886 --> 00:57:02,618
<i>WORK DONE, ARE YOU?</i>
<i>YOU STILL THINK SOMETHING BAD'S</i>
<i>GONNA HAPPEN.</i>

954
00:57:02,620 --> 00:57:03,852
<i>YOU STILL THINK SOMETHING BAD'S</i>
<i>GONNA HAPPEN.</i>
<i>YOU DON'T BELIEVE THAT ZAK</i>

955
00:57:03,854 --> 00:57:05,421
<i>GONNA HAPPEN.</i>
<i>YOU DON'T BELIEVE THAT ZAK</i>
<i>SOLVED ANYTHING BECAUSE HE'S</i>

956
00:57:05,423 --> 00:57:06,321
<i>YOU DON'T BELIEVE THAT ZAK</i>
<i>SOLVED ANYTHING BECAUSE HE'S</i>
<i>LOW-FREQUENCY.</i>

957
00:57:06,323 --> 00:57:07,923
<i>SOLVED ANYTHING BECAUSE HE'S</i>
<i>LOW-FREQUENCY.</i>
<i>>> IT'S JUST A PRECAUTION.</i>

958
00:57:07,925 --> 00:57:08,690
<i>LOW-FREQUENCY.</i>
<i>>> IT'S JUST A PRECAUTION.</i>
<i>>> RELAX.</i>

959
00:57:08,692 --> 00:57:10,626
<i>>> IT'S JUST A PRECAUTION.</i>
<i>>> RELAX.</i>
<i>NOTHING WILL HAPPEN, AND THEN WE</i>

960
00:57:10,628 --> 00:57:13,228
<i>>> RELAX.</i>
<i>NOTHING WILL HAPPEN, AND THEN WE</i>
<i>CAN DISCUSS WHY.</i>

961
00:57:13,230 --> 00:57:29,678
<i>>> BUT HOW DID YOU DO IT?</i>
<i>I MEAN, I DID SOME RESEARCH</i>
<i>MYSELF, LONG AGO WHEN MARIE WAS</i>

962
00:57:29,680 --> 00:57:31,079
<i>I MEAN, I DID SOME RESEARCH</i>
<i>MYSELF, LONG AGO WHEN MARIE WAS</i>
<i>YOUNG.</i>

963
00:57:31,081 --> 00:57:33,582
<i>MYSELF, LONG AGO WHEN MARIE WAS</i>
<i>YOUNG.</i>
<i>IT SEEMED IMPOSSIBLE.</i>

964
00:57:33,584 --> 00:57:40,689
<i>>> WORDS.</i>
<i>>> WORDS?</i>
<i>>> THE</i> <i>RIGHT</i> WORDS.

965
00:57:40,691 --> 00:57:41,890
<i>>> WORDS?</i>
<i>>> THE</i> <i>RIGHT</i> WORDS.
>> WHAT -- MAGIC WORDS?

966
00:57:41,892 --> 00:57:43,926
<i>>> THE</i> <i>RIGHT</i> WORDS.
>> WHAT -- MAGIC WORDS?
>> WE THINK SO, ME AND THEO.

967
00:57:43,928 --> 00:57:45,160
>> WHAT -- MAGIC WORDS?
>> WE THINK SO, ME AND THEO.
YOU REMEMBER THEODOR-ADORNO?

968
00:57:45,162 --> 00:57:46,962
>> WE THINK SO, ME AND THEO.
YOU REMEMBER THEODOR-ADORNO?
HE'S BEEN HELPING ME.

969
00:57:46,964 --> 00:57:48,230
YOU REMEMBER THEODOR-ADORNO?
HE'S BEEN HELPING ME.
WE DISCOVERED A LINK BETWEEN

970
00:57:48,232 --> 00:57:50,532
HE'S BEEN HELPING ME.
WE DISCOVERED A LINK BETWEEN
SYNAPTIC FUNCTION AND RESONANCE.

971
00:57:50,534 --> 00:57:51,900
WE DISCOVERED A LINK BETWEEN
SYNAPTIC FUNCTION AND RESONANCE.
>> THE WAY YOU THINK AFFECTS

972
00:57:51,902 --> 00:57:52,734
SYNAPTIC FUNCTION AND RESONANCE.
>> THE WAY YOU THINK AFFECTS
YOUR FREQUENCY.

973
00:57:52,736 --> 00:57:54,670
>> THE WAY YOU THINK AFFECTS
YOUR FREQUENCY.
>> THINK LUCKY, AND YOU'LL BE

974
00:57:54,672 --> 00:57:55,304
YOUR FREQUENCY.
>> THINK LUCKY, AND YOU'LL BE
LUCKY.

975
00:57:55,306 --> 00:57:56,305
>> THINK LUCKY, AND YOU'LL BE
LUCKY.
>> NOT QUITE.

976
00:57:56,307 --> 00:57:57,906
LUCKY.
>> NOT QUITE.
THE SYNAPSES NEED TO BE

977
00:57:57,908 --> 00:58:01,710
>> NOT QUITE.
THE SYNAPSES NEED TO BE
MANIPULATED IN A CERTAIN WAY.

978
00:58:01,712 --> 00:58:03,479
THE SYNAPSES NEED TO BE
MANIPULATED IN A CERTAIN WAY.
THESE ARE YOU -- ALL

979
00:58:03,481 --> 00:58:06,648
MANIPULATED IN A CERTAIN WAY.
THESE ARE YOU -- ALL
HIGH-FREQUENCY.

980
00:58:06,650 --> 00:58:09,585
THESE ARE YOU -- ALL
HIGH-FREQUENCY.
[ GLASSES CLINKING ]

981
00:58:09,587 --> 00:58:11,086
HIGH-FREQUENCY.
[ GLASSES CLINKING ]
AND THIS IS THE WORLD.

982
00:58:11,088 --> 00:58:15,624
[ GLASSES CLINKING ]
AND THIS IS THE WORLD.
[ GLASSES CLINKING ]

983
00:58:15,626 --> 00:58:20,095
AND THIS IS THE WORLD.
[ GLASSES CLINKING ]
AND THIS IS ME.

984
00:58:20,097 --> 00:58:22,698
[ GLASSES CLINKING ]
AND THIS IS ME.
NOW, WHAT THE WORDS DO IS THIS.

985
00:58:22,700 --> 00:58:31,573
[ GLASSES CLINKING ]

986
00:58:31,575 --> 00:58:37,212
>> [ GASPS ]

987
00:58:37,214 --> 00:58:47,589
>> [ Chuckling ] WELL, THAT'S
NEVER HAPPENED BEFORE, HMM?
>> SPILLING SOME WATER?

988
00:58:47,591 --> 00:58:49,791
NEVER HAPPENED BEFORE, HMM?
>> SPILLING SOME WATER?
>> MARIE SPILLING ANYTHING.

989
00:58:49,793 --> 00:58:51,193
>> SPILLING SOME WATER?
>> MARIE SPILLING ANYTHING.
WHAT HAVE YOU DONE TO MY

990
00:58:51,195 --> 00:58:51,860
>> MARIE SPILLING ANYTHING.
WHAT HAVE YOU DONE TO MY
DAUGHTER?

991
00:58:51,862 --> 00:58:53,595
WHAT HAVE YOU DONE TO MY
DAUGHTER?
>> WHAT I ASKED HIM TO DO.

992
00:58:53,597 --> 00:58:55,497
DAUGHTER?
>> WHAT I ASKED HIM TO DO.
>> UH, LET ME EXPLAIN.

993
00:58:55,499 --> 00:59:02,037
ME. MARIE.
NOW, THIS IS HOW THE WORDS WORK.

994
00:59:02,039 --> 00:59:10,112
>> YOU STEAL PEOPLE'S
FREQUENCIES?
>> IT'S JUST PHYSICS.

995
00:59:10,114 --> 00:59:12,414
FREQUENCIES?
>> IT'S JUST PHYSICS.
THEY BALANCE THE ENVIRONMENT.

996
00:59:12,416 --> 00:59:13,081
>> IT'S JUST PHYSICS.
THEY BALANCE THE ENVIRONMENT.
[ SIGHS ]

997
00:59:13,083 --> 00:59:14,583
THEY BALANCE THE ENVIRONMENT.
[ SIGHS ]
IN ACTUALITY, WHAT REALLY

998
00:59:14,585 --> 00:59:16,285
[ SIGHS ]
IN ACTUALITY, WHAT REALLY
HAPPENS IS THIS.

999
00:59:16,287 --> 00:59:25,594
BOTH THE VIBRATIONS OF THE SOUND
WAVES AND THE WORDS THEMSELVES
CREATE THE EFFECT.

1000
00:59:25,596 --> 00:59:27,062
WAVES AND THE WORDS THEMSELVES
CREATE THE EFFECT.
IT'S A NEW TYPE OF QUANTUM

1001
00:59:27,064 --> 00:59:27,930
CREATE THE EFFECT.
IT'S A NEW TYPE OF QUANTUM
ENTANGLEMENT.

1002
00:59:27,932 --> 00:59:29,798
IT'S A NEW TYPE OF QUANTUM
ENTANGLEMENT.
>> MENTAL AND PHYSICAL PROCESSES

1003
00:59:29,800 --> 00:59:31,433
ENTANGLEMENT.
>> MENTAL AND PHYSICAL PROCESSES
AT WORK SIMULTANEOUSLY.

1004
00:59:31,435 --> 00:59:32,868
>> MENTAL AND PHYSICAL PROCESSES
AT WORK SIMULTANEOUSLY.
>> LIKE DOMINOS, AND EACH PERSON

1005
00:59:32,870 --> 00:59:34,069
AT WORK SIMULTANEOUSLY.
>> LIKE DOMINOS, AND EACH PERSON
AFFECTED AFFECTS THE NEXT,

1006
00:59:34,071 --> 00:59:35,137
>> LIKE DOMINOS, AND EACH PERSON
AFFECTED AFFECTS THE NEXT,
ULTIMATELY ADJUSTING --

1007
00:59:35,139 --> 00:59:36,338
AFFECTED AFFECTS THE NEXT,
ULTIMATELY ADJUSTING --
>> [ Chuckling ] THE WHOLE

1008
00:59:36,340 --> 00:59:37,472
ULTIMATELY ADJUSTING --
>> [ Chuckling ] THE WHOLE
WORLD.

1009
00:59:37,474 --> 00:59:38,707
>> [ Chuckling ] THE WHOLE
WORLD.
>> HE'S THE ONLY ONE THAT CAN

1010
00:59:38,709 --> 00:59:39,474
WORLD.
>> HE'S THE ONLY ONE THAT CAN
MAKE ME NORMAL.

1011
00:59:39,476 --> 00:59:40,742
>> HE'S THE ONLY ONE THAT CAN
MAKE ME NORMAL.
I'M THE ONLY ONE THAT CAN MAKE

1012
00:59:40,744 --> 00:59:41,843
MAKE ME NORMAL.
I'M THE ONLY ONE THAT CAN MAKE
HIM NORMAL.

1013
00:59:41,845 --> 00:59:43,111
I'M THE ONLY ONE THAT CAN MAKE
HIM NORMAL.
>> IT'S UNNATURAL.

1014
00:59:43,113 --> 00:59:45,113
HIM NORMAL.
>> IT'S UNNATURAL.
>> BUT IT'S REVERSIBLE.

1015
00:59:45,115 --> 00:59:46,648
>> IT'S UNNATURAL.
>> BUT IT'S REVERSIBLE.
THE NATURAL ORDER REVERTS ITSELF

1016
00:59:46,650 --> 00:59:47,583
>> BUT IT'S REVERSIBLE.
THE NATURAL ORDER REVERTS ITSELF
VERY QUICKLY.

1017
00:59:47,585 --> 00:59:49,217
THE NATURAL ORDER REVERTS ITSELF
VERY QUICKLY.
>> ONE WORD CAN CHANGE THE

1018
00:59:49,219 --> 00:59:49,785
VERY QUICKLY.
>> ONE WORD CAN CHANGE THE
WORLD.

1019
00:59:49,787 --> 00:59:51,253
>> ONE WORD CAN CHANGE THE
WORLD.
>> NOT <i>ONE.</i>

1020
00:59:51,255 --> 00:59:52,621
WORLD.
>> NOT <i>ONE.</i>
<i>NATURE NEEDS CONSTANT NURTURING.</i>

1021
00:59:52,623 --> 00:59:53,789
>> NOT <i>ONE.</i>
<i>NATURE NEEDS CONSTANT NURTURING.</i>
<i>>> WHAT -- YOU HAVE TO KEEP</i>

1022
00:59:53,791 --> 00:59:54,923
<i>NATURE NEEDS CONSTANT NURTURING.</i>
<i>>> WHAT -- YOU HAVE TO KEEP</i>
<i>SAYING THEM?</i>

1023
00:59:54,925 --> 00:59:56,325
<i>>> WHAT -- YOU HAVE TO KEEP</i>
<i>SAYING THEM?</i>
<i>>> YES, BUT LESS AND LESS OFTEN</i>

1024
00:59:56,327 --> 00:59:56,925
<i>SAYING THEM?</i>
<i>>> YES, BUT LESS AND LESS OFTEN</i>
<i>BECAUSE --</i>

1025
00:59:56,927 --> 00:59:58,093
<i>>> YES, BUT LESS AND LESS OFTEN</i>
<i>BECAUSE --</i>
<i>>> BECAUSE YOU ARE LIKE A</i>

1026
00:59:58,095 --> 01:00:00,128
<i>BECAUSE --</i>
<i>>> BECAUSE YOU ARE LIKE A</i>
<i>LOW-FREQUENCY ORGAN IN A</i>

1027
01:00:00,130 --> 01:00:01,663
<i>>> BECAUSE YOU ARE LIKE A</i>
<i>LOW-FREQUENCY ORGAN IN A</i>
<i>HIGH-FREQUENCY BODY...</i>

1028
01:00:01,665 --> 01:00:02,598
<i>LOW-FREQUENCY ORGAN IN A</i>
<i>HIGH-FREQUENCY BODY...</i>
<i>>> A VIRUS!</i>

1029
01:00:02,600 --> 01:00:04,299
<i>HIGH-FREQUENCY BODY...</i>
<i>>> A VIRUS!</i>
<i>>> ...AND THE WORD PREVENTS</i>

1030
01:00:04,301 --> 01:00:04,900
<i>>> A VIRUS!</i>
<i>>> ...AND THE WORD PREVENTS</i>
<i>REJECTION.</i>

1031
01:00:04,902 --> 01:00:06,335
<i>>> ...AND THE WORD PREVENTS</i>
<i>REJECTION.</i>
<i>>> YES, BUT THE WORDS CONSTANTLY</i>

1032
01:00:06,337 --> 01:00:07,536
<i>REJECTION.</i>
<i>>> YES, BUT THE WORDS CONSTANTLY</i>
<i>CHANGE AS THE ENVIRONMENT</i>

1033
01:00:07,538 --> 01:00:09,104
<i>>> YES, BUT THE WORDS CONSTANTLY</i>
<i>CHANGE AS THE ENVIRONMENT</i>
<i>CONSTANTLY CHANGES.</i>

1034
01:00:09,106 --> 01:00:10,539
<i>CHANGE AS THE ENVIRONMENT</i>
<i>CONSTANTLY CHANGES.</i>
<i>WE WORKED OUT A ROUGH FORMULA OF</i>

1035
01:00:10,541 --> 01:00:11,073
<i>CONSTANTLY CHANGES.</i>
<i>WE WORKED OUT A ROUGH FORMULA OF</i>
<i>SOUND --</i>

1036
01:00:11,075 --> 01:00:12,274
<i>WE WORKED OUT A ROUGH FORMULA OF</i>
<i>SOUND --</i>
<i>>> HOW DO YOU MONITOR THE</i>

1037
01:00:12,276 --> 01:00:14,009
<i>SOUND --</i>
<i>>> HOW DO YOU MONITOR THE</i>
<i>CHANGES?</i>

1038
01:00:14,011 --> 01:00:15,544
<i>>> HOW DO YOU MONITOR THE</i>
<i>CHANGES?</i>
<i>>> IT'S A MODIFICATION OF</i>

1039
01:00:15,546 --> 01:00:18,013
<i>CHANGES?</i>
<i>>> IT'S A MODIFICATION OF</i>
<i>MARIE'S FREQUENCY ANALYZER.</i>

1040
01:00:18,015 --> 01:00:19,681
<i>>> IT'S A MODIFICATION OF</i>
<i>MARIE'S FREQUENCY ANALYZER.</i>
<i>IT MEASURE THE CHANGES IN THE</i>

1041
01:00:19,683 --> 01:00:21,483
<i>MARIE'S FREQUENCY ANALYZER.</i>
<i>IT MEASURE THE CHANGES IN THE</i>
<i>ROOM AND THEN FORMULATES A WORD</i>

1042
01:00:21,485 --> 01:00:23,318
<i>IT MEASURE THE CHANGES IN THE</i>
<i>ROOM AND THEN FORMULATES A WORD</i>
<i>THAT I SHOULD SAY TO BALANCE THE</i>

1043
01:00:23,320 --> 01:00:24,686
<i>ROOM AND THEN FORMULATES A WORD</i>
<i>THAT I SHOULD SAY TO BALANCE THE</i>
<i>ENVIRONMENT.</i>

1044
01:00:24,688 --> 01:00:26,922
<i>THAT I SHOULD SAY TO BALANCE THE</i>
<i>ENVIRONMENT.</i>
<i>IT'S STILL IN BETA.</i>

1045
01:00:26,924 --> 01:00:30,092
<i>ENVIRONMENT.</i>
<i>IT'S STILL IN BETA.</i>
<i>>> CAN I?</i>

1046
01:00:30,094 --> 01:00:33,261
<i>IT'S STILL IN BETA.</i>
<i>>> CAN I?</i>
<i>[ SIGHS ]</i>

1047
01:00:33,263 --> 01:00:36,832
<i>>> CAN I?</i>
<i>[ SIGHS ]</i>
<i>[ CHUCKLES ]</i>

1048
01:00:36,834 --> 01:00:39,601
<i>[ SIGHS ]</i>
<i>[ CHUCKLES ]</i>
<i>IF THE WORLD IS A MAZE, THIS IS</i>

1049
01:00:39,603 --> 01:00:41,136
<i>[ CHUCKLES ]</i>
<i>IF THE WORLD IS A MAZE, THIS IS</i>
<i>THE MAP.</i>

1050
01:00:41,138 --> 01:00:42,738
<i>IF THE WORLD IS A MAZE, THIS IS</i>
<i>THE MAP.</i>
<i>DO YOU REALIZE WHAT YOU'VE DONE?</i>

1051
01:00:42,740 --> 01:00:43,705
<i>THE MAP.</i>
<i>DO YOU REALIZE WHAT YOU'VE DONE?</i>
<i>>> MADE ME HAPPY.</i>

1052
01:00:43,707 --> 01:00:44,706
<i>DO YOU REALIZE WHAT YOU'VE DONE?</i>
<i>>> MADE ME HAPPY.</i>
<i>>> [ Chuckling ] I MEAN, THIS</i>

1053
01:00:44,708 --> 01:00:46,742
<i>>> MADE ME HAPPY.</i>
<i>>> [ Chuckling ] I MEAN, THIS</i>
<i>COULD BE THE MOST IMPORTANT</i>

1054
01:00:46,744 --> 01:00:47,843
<i>>> [ Chuckling ] I MEAN, THIS</i>
<i>COULD BE THE MOST IMPORTANT</i>
<i>DISCOVERY OF ALL TIME!</i>

1055
01:00:47,845 --> 01:00:49,211
<i>COULD BE THE MOST IMPORTANT</i>
<i>DISCOVERY OF ALL TIME!</i>
<i>>> THERE'S STILL SO MUCH ABOUT</i>

1056
01:00:49,213 --> 01:00:50,078
<i>DISCOVERY OF ALL TIME!</i>
<i>>> THERE'S STILL SO MUCH ABOUT</i>
<i>IT WE DON'T KNOW.</i>

1057
01:00:50,080 --> 01:00:51,446
<i>>> THERE'S STILL SO MUCH ABOUT</i>
<i>IT WE DON'T KNOW.</i>
<i>>> IT LEVELS THE PLAYING FIELD.</i>

1058
01:00:51,448 --> 01:00:52,447
<i>IT WE DON'T KNOW.</i>
<i>>> IT LEVELS THE PLAYING FIELD.</i>
<i>I MEAN, THINK WHAT WOULD HAPPEN</i>

1059
01:00:52,449 --> 01:00:54,883
<i>>> IT LEVELS THE PLAYING FIELD.</i>
<i>I MEAN, THINK WHAT WOULD HAPPEN</i>
<i>IF EVERYBODY USES IT -- NO</i>

1060
01:00:54,885 --> 01:00:57,219
<i>I MEAN, THINK WHAT WOULD HAPPEN</i>
<i>IF EVERYBODY USES IT -- NO</i>
<i>LUCKY, NO UNLUCKY, TRUE BALANCE</i>

1061
01:00:57,221 --> 01:00:59,354
<i>IF EVERYBODY USES IT -- NO</i>
<i>LUCKY, NO UNLUCKY, TRUE BALANCE</i>
<i>IN THE UNIVERSE FOR THE FIRST</i>

1062
01:00:59,356 --> 01:00:59,788
<i>LUCKY, NO UNLUCKY, TRUE BALANCE</i>
<i>IN THE UNIVERSE FOR THE FIRST</i>
<i>TIME.</i>

1063
01:00:59,790 --> 01:01:00,589
<i>IN THE UNIVERSE FOR THE FIRST</i>
<i>TIME.</i>
<i>[ CHUCKLES ]</i>

1064
01:01:00,591 --> 01:01:02,991
<i>TIME.</i>
<i>[ CHUCKLES ]</i>
<i>AN END TO WAR.</i>

1065
01:01:02,993 --> 01:01:05,227
<i>[ CHUCKLES ]</i>
<i>AN END TO WAR.</i>
<i>JUSTICE FOR ALL.</i>

1066
01:01:05,229 --> 01:01:11,600
<i>HAVE YOU GOT A PATENT?</i>

1067
01:01:11,602 --> 01:01:17,005
<i>>></i>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]

1068
01:01:17,007 --> 01:01:18,707
<i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]
>> Hey, it's Zak.

1069
01:01:18,709 --> 01:01:20,242
<i>[</i>  <i>Beep</i>]
>> Hey, it's Zak.
Good news -- we're meeting

1070
01:01:20,244 --> 01:01:21,743
>> Hey, it's Zak.
Good news -- we're meeting
tomorrow at Fortune's lab.

1071
01:01:21,745 --> 01:01:24,212
Good news -- we're meeting
tomorrow at Fortune's lab.
Call me when you get this.

1072
01:01:24,214 --> 01:01:51,206
>> IT REALLY IS [CHUCKLES]
EXTREMELY SMALL.
ZAK! ZAK, COME IN.

1073
01:01:51,208 --> 01:01:52,474
EXTREMELY SMALL.
ZAK! ZAK, COME IN.
[ DOOR CLOSES ]

1074
01:01:52,476 --> 01:01:54,042
ZAK! ZAK, COME IN.
[ DOOR CLOSES ]
YOU KNOW MY RESEARCH TEAM, I

1075
01:01:54,044 --> 01:01:54,643
[ DOOR CLOSES ]
YOU KNOW MY RESEARCH TEAM, I
BELIEVE.

1076
01:01:54,645 --> 01:01:55,677
YOU KNOW MY RESEARCH TEAM, I
BELIEVE.
>> UH, SORRY.

1077
01:01:55,679 --> 01:01:56,545
BELIEVE.
>> UH, SORRY.
NO, I DON'T THINK WE'VE --

1078
01:01:56,547 --> 01:01:58,547
>> UH, SORRY.
NO, I DON'T THINK WE'VE --
>> NICOLA-TESLA HERTZ.

1079
01:01:58,549 --> 01:02:00,182
NO, I DON'T THINK WE'VE --
>> NICOLA-TESLA HERTZ.
>> NICOLA-TESLA. OH, MY GOD.

1080
01:02:00,184 --> 01:02:02,851
>> NICOLA-TESLA HERTZ.
>> NICOLA-TESLA. OH, MY GOD.
>> [ CHUCKLES ]

1081
01:02:02,853 --> 01:02:05,921
>> NICOLA-TESLA. OH, MY GOD.
>> [ CHUCKLES ]
>> AND THOMAS-EDISON GATES.

1082
01:02:05,923 --> 01:02:07,823
>> [ CHUCKLES ]
>> AND THOMAS-EDISON GATES.
SIT. SIT.

1083
01:02:07,825 --> 01:02:19,601
>> [ CHUCKLES ]
>> HOW DO YOU FEEL?
>> GREAT. [ CHUCKLES ]

1084
01:02:19,603 --> 01:02:21,069
>> HOW DO YOU FEEL?
>> GREAT. [ CHUCKLES ]
>> WE'VE BEEN TRYING TO IMPROVE

1085
01:02:21,071 --> 01:02:22,504
>> GREAT. [ CHUCKLES ]
>> WE'VE BEEN TRYING TO IMPROVE
THE RANGE OF MARIE'S FREQUENCY

1086
01:02:22,506 --> 01:02:24,206
>> WE'VE BEEN TRYING TO IMPROVE
THE RANGE OF MARIE'S FREQUENCY
ANALYZER FOR YEARS, SO WE'D LOVE

1087
01:02:24,208 --> 01:02:25,440
THE RANGE OF MARIE'S FREQUENCY
ANALYZER FOR YEARS, SO WE'D LOVE
TO KNOW HOW YOU DID IT.

1088
01:02:25,442 --> 01:02:27,743
ANALYZER FOR YEARS, SO WE'D LOVE
TO KNOW HOW YOU DID IT.
>> THAT WAS ACTUALLY THEO.

1089
01:02:27,745 --> 01:02:29,678
TO KNOW HOW YOU DID IT.
>> THAT WAS ACTUALLY THEO.
I KNOW THAT IF YOU POINTED IT 45

1090
01:02:29,680 --> 01:02:31,246
>> THAT WAS ACTUALLY THEO.
I KNOW THAT IF YOU POINTED IT 45
DEGREES TO THE SUBJECT, THAT

1091
01:02:31,248 --> 01:02:32,948
I KNOW THAT IF YOU POINTED IT 45
DEGREES TO THE SUBJECT, THAT
HELPS, BUT HE DEALT WITH MOST OF

1092
01:02:32,950 --> 01:02:34,983
DEGREES TO THE SUBJECT, THAT
HELPS, BUT HE DEALT WITH MOST OF
THE HARDWARE.

1093
01:02:34,985 --> 01:02:45,894
>> [ SIGHS ]
I THINK I LOVE YOU.
>> AND THIS IS HOW WE DETECT

1094
01:02:45,896 --> 01:02:47,129
I THINK I LOVE YOU.
>> AND THIS IS HOW WE DETECT
IMBALANCE AND FORMULATE THE

1095
01:02:47,131 --> 01:02:48,730
>> AND THIS IS HOW WE DETECT
IMBALANCE AND FORMULATE THE
SOUNDS, ALTHOUGH WE STILL DON'T

1096
01:02:48,732 --> 01:02:50,432
IMBALANCE AND FORMULATE THE
SOUNDS, ALTHOUGH WE STILL DON'T
KNOW WHY THEY ALL SEEM TO BE TWO

1097
01:02:50,434 --> 01:02:53,401
SOUNDS, ALTHOUGH WE STILL DON'T
KNOW WHY THEY ALL SEEM TO BE TWO
SYLLABLES.

1098
01:02:53,403 --> 01:02:54,603
KNOW WHY THEY ALL SEEM TO BE TWO
SYLLABLES.
I --

1099
01:02:54,605 --> 01:02:57,405
SYLLABLES.
I --
I...THINK I LOVE YOU, TOO.

1100
01:02:57,407 --> 01:03:05,247
>> I...BELIEVE I NEED MORE
EMPIRICAL EVIDENCE.
H-HOW -- HOW DOES THIS LOVE

1101
01:03:05,249 --> 01:03:06,615
EMPIRICAL EVIDENCE.
H-HOW -- HOW DOES THIS LOVE
MANIFEST ITSELF?

1102
01:03:06,617 --> 01:03:08,383
H-HOW -- HOW DOES THIS LOVE
MANIFEST ITSELF?
>> WHATEVER YOU ASK, I'LL DO.

1103
01:03:08,385 --> 01:03:09,451
MANIFEST ITSELF?
>> WHATEVER YOU ASK, I'LL DO.
>> ANYTHING?

1104
01:03:09,453 --> 01:03:10,886
>> WHATEVER YOU ASK, I'LL DO.
>> ANYTHING?
>> YEAH.

1105
01:03:10,888 --> 01:03:12,587
>> ANYTHING?
>> YEAH.
>> AND YOU?

1106
01:03:12,589 --> 01:03:13,622
>> YEAH.
>> AND YOU?
>> I WOULDN'T DO <i>ANYTHING</i> FOR

1107
01:03:13,624 --> 01:03:14,923
>> AND YOU?
>> I WOULDN'T DO <i>ANYTHING</i> FOR
YOU.

1108
01:03:14,925 --> 01:03:16,591
>> I WOULDN'T DO <i>ANYTHING</i> FOR
YOU.
>> SPELLINGS ARE PHONETIC, BUT

1109
01:03:16,593 --> 01:03:17,659
YOU.
>> SPELLINGS ARE PHONETIC, BUT
THE WORDS ARE ONLY

1110
01:03:17,661 --> 01:03:19,394
>> SPELLINGS ARE PHONETIC, BUT
THE WORDS ARE ONLY
APPROXIMATIONS, WHICH IS WHY THE

1111
01:03:19,396 --> 01:03:20,862
THE WORDS ARE ONLY
APPROXIMATIONS, WHICH IS WHY THE
EARPIECE IS STILL NECESSARY.

1112
01:03:20,864 --> 01:03:21,997
APPROXIMATIONS, WHICH IS WHY THE
EARPIECE IS STILL NECESSARY.
IN THIS CASE, THE WORD TO

1113
01:03:21,999 --> 01:03:24,099
EARPIECE IS STILL NECESSARY.
IN THIS CASE, THE WORD TO
BALANCE FREQUENCIES IS "RANA."

1114
01:03:24,101 --> 01:03:25,467
IN THIS CASE, THE WORD TO
BALANCE FREQUENCIES IS "RANA."
SO FAR, THERE HAVE BEEN NO WORDS

1115
01:03:25,469 --> 01:03:26,835
BALANCE FREQUENCIES IS "RANA."
SO FAR, THERE HAVE BEEN NO WORDS
THAT ARE IMPOSSIBLE FOR A HUMAN

1116
01:03:26,837 --> 01:03:28,203
SO FAR, THERE HAVE BEEN NO WORDS
THAT ARE IMPOSSIBLE FOR A HUMAN
TO PRONOUNCE, BUT THERE'S STILL

1117
01:03:28,205 --> 01:03:29,204
THAT ARE IMPOSSIBLE FOR A HUMAN
TO PRONOUNCE, BUT THERE'S STILL
SO MUCH WE DON'T KNOW.

1118
01:03:29,206 --> 01:03:30,605
TO PRONOUNCE, BUT THERE'S STILL
SO MUCH WE DON'T KNOW.
SO, YOU WOULDN'T DO ANYTHING FOR

1119
01:03:30,607 --> 01:03:31,473
SO MUCH WE DON'T KNOW.
SO, YOU WOULDN'T DO ANYTHING FOR
ME, THEN?

1120
01:03:31,475 --> 01:03:32,140
SO, YOU WOULDN'T DO ANYTHING FOR
ME, THEN?
>> NO.

1121
01:03:32,142 --> 01:03:33,475
ME, THEN?
>> NO.
[ DEVICE BEEPS ]

1122
01:03:33,477 --> 01:03:34,843
>> NO.
[ DEVICE BEEPS ]
>> ONRO.

1123
01:03:34,845 --> 01:03:36,645
[ DEVICE BEEPS ]
>> ONRO.
NOT EVEN KNEEL ON THE FLOOR AND

1124
01:03:36,647 --> 01:03:37,679
>> ONRO.
NOT EVEN KNEEL ON THE FLOOR AND
CALL ME "MASTER."

1125
01:03:37,681 --> 01:03:38,680
NOT EVEN KNEEL ON THE FLOOR AND
CALL ME "MASTER."
>> [ CHUCKLES ]

1126
01:03:38,682 --> 01:03:40,215
CALL ME "MASTER."
>> [ CHUCKLES ]
>> [ CHUCKLES ]

1127
01:03:40,217 --> 01:03:51,493
>> MASTER.
>> EVERYBODY, STOP.
IT'S ARRIVED.

1128
01:03:51,495 --> 01:03:53,495
>> EVERYBODY, STOP.
IT'S ARRIVED.
JUST WAIT TILL THIS HITS THE

1129
01:03:53,497 --> 01:03:55,497
IT'S ARRIVED.
JUST WAIT TILL THIS HITS THE
MARKET.

1130
01:03:55,499 --> 01:03:56,798
JUST WAIT TILL THIS HITS THE
MARKET.
>> WHY DID I DO THAT?

1131
01:03:56,800 --> 01:04:01,636
MARKET.
>> WHY DID I DO THAT?
I HAD TO DO THAT.

1132
01:04:01,638 --> 01:04:02,904
>> WHY DID I DO THAT?
I HAD TO DO THAT.
WHAT -- WHAT DO I <i>NOT</i> WANT TO

1133
01:04:02,906 --> 01:04:05,140
I HAD TO DO THAT.
WHAT -- WHAT DO I <i>NOT</i> WANT TO
DO?

1134
01:04:05,142 --> 01:04:07,209
WHAT -- WHAT DO I <i>NOT</i> WANT TO
DO?
I DON'T WANT TO LEAVE THIS ROOM.

1135
01:04:07,211 --> 01:04:14,883
I DON'T WANT TO FLY A PLANE.

1136
01:04:14,885 --> 01:04:25,093
WHAT WOULD YOU NORMALLY NOT DO?
>> I TOLD YOU, IF YOU ASKED, I'D
DO ANYTHING.

1137
01:04:25,095 --> 01:04:26,795
>> I TOLD YOU, IF YOU ASKED, I'D
DO ANYTHING.
>> DON'T DISRUPT THE EXPERIMENT.

1138
01:04:26,797 --> 01:04:28,196
DO ANYTHING.
>> DON'T DISRUPT THE EXPERIMENT.
WHAT'S AGAINST CHARACTER FOR

1139
01:04:28,198 --> 01:04:30,932
>> DON'T DISRUPT THE EXPERIMENT.
WHAT'S AGAINST CHARACTER FOR
YOU?

1140
01:04:30,934 --> 01:04:32,300
WHAT'S AGAINST CHARACTER FOR
YOU?
>> ANY KIND OF VIOLENCE.

1141
01:04:32,302 --> 01:04:35,403
YOU?
>> ANY KIND OF VIOLENCE.
>> FABULOUS.

1142
01:04:35,405 --> 01:04:36,872
>> ANY KIND OF VIOLENCE.
>> FABULOUS.
KERA.

1143
01:04:36,874 --> 01:04:38,907
>> FABULOUS.
KERA.
SLAP ME HARD AROUND THE FACE.

1144
01:04:38,909 --> 01:04:53,622
IT MUST BE LOVE.
>> IT SEEMS YOU DISCOVERED A
SIDE EFFECT.

1145
01:04:53,624 --> 01:04:55,190
>> IT SEEMS YOU DISCOVERED A
SIDE EFFECT.
WE'RE CATEGORIZING THEM AS

1146
01:04:55,192 --> 01:04:56,524
SIDE EFFECT.
WE'RE CATEGORIZING THEM AS
ADJUSTMENTS FOR NOW.

1147
01:04:56,526 --> 01:04:57,993
WE'RE CATEGORIZING THEM AS
ADJUSTMENTS FOR NOW.
WHATEVER YOU ASK SOMEONE TO DO

1148
01:04:57,995 --> 01:04:59,194
ADJUSTMENTS FOR NOW.
WHATEVER YOU ASK SOMEONE TO DO
AFTER YOU SAY ONE OF THESE,

1149
01:04:59,196 --> 01:04:59,828
WHATEVER YOU ASK SOMEONE TO DO
AFTER YOU SAY ONE OF THESE,
THEY'LL DO.

1150
01:04:59,830 --> 01:05:00,629
AFTER YOU SAY ONE OF THESE,
THEY'LL DO.
>> ANYTHING?

1151
01:05:00,631 --> 01:05:01,930
THEY'LL DO.
>> ANYTHING?
>> AND IT DOESN'T HAVE TO BE

1152
01:05:01,932 --> 01:05:03,431
>> ANYTHING?
>> AND IT DOESN'T HAVE TO BE
SOMETHING THEY SAY IMMEDIATELY.

1153
01:05:03,433 --> 01:05:04,799
>> AND IT DOESN'T HAVE TO BE
SOMETHING THEY SAY IMMEDIATELY.
>> AS FAR AS WE CAN TELL, THE

1154
01:05:04,801 --> 01:05:06,001
SOMETHING THEY SAY IMMEDIATELY.
>> AS FAR AS WE CAN TELL, THE
INFLUENCE CAN BE SHORT-,

1155
01:05:06,003 --> 01:05:07,102
>> AS FAR AS WE CAN TELL, THE
INFLUENCE CAN BE SHORT-,
MEDIUM-, OR POTENTIALLY

1156
01:05:07,104 --> 01:05:08,270
INFLUENCE CAN BE SHORT-,
MEDIUM-, OR POTENTIALLY
LONG-TERM.

1157
01:05:08,272 --> 01:05:09,437
MEDIUM-, OR POTENTIALLY
LONG-TERM.
THE WORDS TRIGGER ALL

1158
01:05:09,439 --> 01:05:10,805
LONG-TERM.
THE WORDS TRIGGER ALL
NEUROTRANSMITTERS TO WORK

1159
01:05:10,807 --> 01:05:12,407
THE WORDS TRIGGER ALL
NEUROTRANSMITTERS TO WORK
TOGETHER, MAKING THE SUGGESTION

1160
01:05:12,409 --> 01:05:13,475
NEUROTRANSMITTERS TO WORK
TOGETHER, MAKING THE SUGGESTION
IRRESISTIBLE.

1161
01:05:13,477 --> 01:05:14,476
TOGETHER, MAKING THE SUGGESTION
IRRESISTIBLE.
>> HOW?

1162
01:05:14,478 --> 01:05:17,412
IRRESISTIBLE.
>> HOW?
>>   <i>W</i>DON'T KNOW.

1163
01:05:17,414 --> 01:05:23,218
>> IS THERE A PATTERN TO THESE
WORDS?
>> NO.

1164
01:05:23,220 --> 01:05:24,653
WORDS?
>> NO.
UH, APART FROM THE FACT THAT

1165
01:05:24,655 --> 01:05:26,121
>> NO.
UH, APART FROM THE FACT THAT
THEY'RE ALWAYS THE LAST ON THE

1166
01:05:26,123 --> 01:05:26,588
UH, APART FROM THE FACT THAT
THEY'RE ALWAYS THE LAST ON THE
LIST.

1167
01:05:26,590 --> 01:05:28,790
THEY'RE ALWAYS THE LAST ON THE
LIST.
>> OH, EVERYWHERE -- SAO PAULO,

1168
01:05:28,792 --> 01:05:30,859
LIST.
>> OH, EVERYWHERE -- SAO PAULO,
BUENOS AIRES, KAICHI.

1169
01:05:30,861 --> 01:05:32,060
>> OH, EVERYWHERE -- SAO PAULO,
BUENOS AIRES, KAICHI.
I CAN'T EXPLAIN IT.

1170
01:05:32,062 --> 01:05:33,295
BUENOS AIRES, KAICHI.
I CAN'T EXPLAIN IT.
I CAN NOW CURSE CONVINCINGLY IN

1171
01:05:33,297 --> 01:05:34,329
I CAN'T EXPLAIN IT.
I CAN NOW CURSE CONVINCINGLY IN
18 LANGUAGES.

1172
01:05:34,331 --> 01:05:36,331
I CAN NOW CURSE CONVINCINGLY IN
18 LANGUAGES.
>> HE MUST KNOW. HE'S LYING.

1173
01:05:36,333 --> 01:05:37,065
18 LANGUAGES.
>> HE MUST KNOW. HE'S LYING.
>> NOT QUITE.

1174
01:05:37,067 --> 01:05:38,600
>> HE MUST KNOW. HE'S LYING.
>> NOT QUITE.
THE SYNAPSES MUST BE MANIPULATED

1175
01:05:38,602 --> 01:05:39,801
>> NOT QUITE.
THE SYNAPSES MUST BE MANIPULATED
IN A CERTAIN WAY.

1176
01:05:39,803 --> 01:05:40,302
THE SYNAPSES MUST BE MANIPULATED
IN A CERTAIN WAY.
NO.

1177
01:05:40,304 --> 01:05:41,670
IN A CERTAIN WAY.
NO.
FOR VUREN'S SAKE, YOU'LL HAVE

1178
01:05:41,672 --> 01:05:43,104
NO.
FOR VUREN'S SAKE, YOU'LL HAVE
FEELINGS FOR THE FIRST TIME IN

1179
01:05:43,106 --> 01:05:43,705
FOR VUREN'S SAKE, YOU'LL HAVE
FEELINGS FOR THE FIRST TIME IN
YOUR LIFE.

1180
01:05:43,707 --> 01:05:45,040
FEELINGS FOR THE FIRST TIME IN
YOUR LIFE.
>> MAYBE WE'VE GOT THE WRONG

1181
01:05:45,042 --> 01:05:45,674
YOUR LIFE.
>> MAYBE WE'VE GOT THE WRONG
INVENTOR.

1182
01:05:45,676 --> 01:05:46,741
>> MAYBE WE'VE GOT THE WRONG
INVENTOR.
>> NO.

1183
01:05:46,743 --> 01:05:47,609
INVENTOR.
>> NO.
>> WHERE IS THEO?

1184
01:05:47,611 --> 01:05:48,343
>> NO.
>> WHERE IS THEO?
>> I DON'T KNOW.

1185
01:05:48,345 --> 01:05:49,611
>> WHERE IS THEO?
>> I DON'T KNOW.
>> HE DOESN'T KNOW ANYTHING.

1186
01:05:49,613 --> 01:05:51,012
>> I DON'T KNOW.
>> HE DOESN'T KNOW ANYTHING.
I KNEW HE COULDN'T HAVE DONE IT!

1187
01:05:51,014 --> 01:05:52,814
>> HE DOESN'T KNOW ANYTHING.
I KNEW HE COULDN'T HAVE DONE IT!
HE'S LOW-FREQUENCY!

1188
01:05:52,816 --> 01:05:53,515
I KNEW HE COULDN'T HAVE DONE IT!
HE'S LOW-FREQUENCY!
>> UNITH.

1189
01:05:53,517 --> 01:05:54,883
HE'S LOW-FREQUENCY!
>> UNITH.
>> WELL, WE'LL HAVE TO ABANDON

1190
01:05:54,885 --> 01:05:58,853
>> UNITH.
>> WELL, WE'LL HAVE TO ABANDON
THE LAUNCH PERMANENTLY...

1191
01:05:58,855 --> 01:06:02,057
>> WELL, WE'LL HAVE TO ABANDON
THE LAUNCH PERMANENTLY...
>> YOU LOVE ME.

1192
01:06:02,059 --> 01:06:04,259
THE LAUNCH PERMANENTLY...
>> YOU LOVE ME.
>> NO. [ GASPS ]

1193
01:06:04,261 --> 01:06:06,828
>> YOU LOVE ME.
>> NO. [ GASPS ]
HE DID IT.

1194
01:06:06,830 --> 01:06:08,530
>> NO. [ GASPS ]
HE DID IT.
HE MADE ME FEEL LIKE THIS.

1195
01:06:08,532 --> 01:06:10,131
HE DID IT.
HE MADE ME FEEL LIKE THIS.
HE TOLD ME.

1196
01:06:10,133 --> 01:06:10,865
HE MADE ME FEEL LIKE THIS.
HE TOLD ME.
>> WHAT?

1197
01:06:10,867 --> 01:06:15,537
HE TOLD ME.
>> WHAT?
>> HE TOLD ME TO LOVE HIM.

1198
01:06:15,539 --> 01:06:17,739
>> WHAT?
>> HE TOLD ME TO LOVE HIM.
>> N-NO, IT -- IT MUST HAVE

1199
01:06:17,741 --> 01:06:19,607
>> HE TOLD ME TO LOVE HIM.
>> N-NO, IT -- IT MUST HAVE
BEEN AN ACCIDENT.

1200
01:06:19,609 --> 01:06:20,709
>> N-NO, IT -- IT MUST HAVE
BEEN AN ACCIDENT.
L-LIKE -- LIKE SHE SAID,

1201
01:06:20,711 --> 01:06:21,910
BEEN AN ACCIDENT.
L-LIKE -- LIKE SHE SAID,
IT--IT'S A SIDE EFFECT.

1202
01:06:21,912 --> 01:06:23,311
L-LIKE -- LIKE SHE SAID,
IT--IT'S A SIDE EFFECT.
I SAID THE <i>FIRST</i> WORD ON THE

1203
01:06:23,313 --> 01:06:25,280
IT--IT'S A SIDE EFFECT.
I SAID THE <i>FIRST</i> WORD ON THE
LIST.

1204
01:06:25,282 --> 01:06:28,316
I SAID THE <i>FIRST</i> WORD ON THE
LIST.
Y-YOU HAVE TO BELIEVE ME!

1205
01:06:28,318 --> 01:06:31,353
LIST.
Y-YOU HAVE TO BELIEVE ME!
>> IF WE BELIEVE YOU, THEN YOU

1206
01:06:31,355 --> 01:06:34,456
Y-YOU HAVE TO BELIEVE ME!
>> IF WE BELIEVE YOU, THEN YOU
ARE JUST A FOOL WHO GOT LUCKY.

1207
01:06:34,458 --> 01:06:36,658
>> IF WE BELIEVE YOU, THEN YOU
ARE JUST A FOOL WHO GOT LUCKY.
IF WE DON'T [CHUCKLES] YOU ARE

1208
01:06:36,660 --> 01:06:38,727
ARE JUST A FOOL WHO GOT LUCKY.
IF WE DON'T [CHUCKLES] YOU ARE
A LYING GENIUS.

1209
01:06:38,729 --> 01:06:40,261
IF WE DON'T [CHUCKLES] YOU ARE
A LYING GENIUS.
I'M SURE YOU'LL APPRECIATE THE

1210
01:06:40,263 --> 01:06:41,763
A LYING GENIUS.
I'M SURE YOU'LL APPRECIATE THE
IRONY.

1211
01:06:41,765 --> 01:07:05,887
[ Ringing ]
>>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>

1212
01:07:05,889 --> 01:07:06,788
>>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>
<i>>> WHERE ARE YOU?!</i>

1213
01:07:06,790 --> 01:07:08,456
<i>You know what to do.</i>
<i>>> WHERE ARE YOU?!</i>
<i>[</i>  <i>Beep</i>]

1214
01:07:08,458 --> 01:07:16,831
>> THE SIDE EFFECTS.
>> WHAT HAVE YOU DONE?

1215
01:07:16,833 --> 01:07:24,472
>> [ INHALES DEEPLY ]
[ SIGHS ]

1216
01:07:24,474 --> 01:07:34,549
>> YOU MUST SIGN.
IT MUST BE SUPPRESSED.

1217
01:07:34,551 --> 01:07:45,560
>> I WANT TO SEE MARIE.
>> OH, SURE YOU DO.
>> TELL HER I CAN FIX THIS.

1218
01:07:45,562 --> 01:07:47,095
>> OH, SURE YOU DO.
>> TELL HER I CAN FIX THIS.
>> CAN YOU?

1219
01:07:47,097 --> 01:07:54,536
>> [ SIGHS ]

1220
01:07:54,538 --> 01:08:06,881
>> [ SIGHS ]
SOON, EVERYTHING WILL BE BACK TO
NORMAL.

1221
01:08:06,883 --> 01:08:14,589
>>   <i>You have reached the messae</i>
<i>bank of...</i>
<i>>></i>   <i>Marie-Curie Fortune.</i>

1222
01:08:14,591 --> 01:08:16,057
<i>bank of...</i>
<i>>></i>   <i>Marie-Curie Fortune.</i>
<i>>></i>   <i>...and I'm currently unable</i>

1223
01:08:16,059 --> 01:08:16,925
<i>>></i>   <i>Marie-Curie Fortune.</i>
<i>>></i>   <i>...and I'm currently unable</i>
<i>to take your call.</i>

1224
01:08:16,927 --> 01:08:18,359
<i>>></i>   <i>...and I'm currently unable</i>
<i>to take your call.</i>
<i>Please leave a short message at</i>

1225
01:08:18,361 --> 01:08:19,094
<i>to take your call.</i>
<i>Please leave a short message at</i>
<i>the tone.</i>

1226
01:08:19,096 --> 01:08:20,528
<i>Please leave a short message at</i>
<i>the tone.</i>
<i>>></i>   <i>Hi. This is Theo.</i>

1227
01:08:20,530 --> 01:08:21,729
<i>the tone.</i>
<i>>></i>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>

1228
01:08:21,731 --> 01:08:24,732
<i>>></i>   <i>Hi. This is Theo.</i>
<i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]

1229
01:08:24,734 --> 01:08:25,967
<i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]
>>   <i>IF YOU WANT TO FIND TRUE</i>

1230
01:08:25,969 --> 01:08:27,635
<i>[</i>  <i>Beep</i>]
>>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE, STOP HERE.</i>

1231
01:08:27,637 --> 01:08:28,870
>>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE, STOP HERE.</i>
<i>>></i>   <i>...and I'm currently unable</i>

1232
01:08:28,872 --> 01:08:30,905
<i>LOVE, STOP HERE.</i>
<i>>></i>   <i>...and I'm currently unable</i>
<i>to take your call.</i>

1233
01:08:30,907 --> 01:08:32,440
<i>>></i>   <i>...and I'm currently unable</i>
<i>to take your call.</i>
<i>>></i>   <i>IF YOU WANT TO FIND TRUE</i>

1234
01:08:32,442 --> 01:08:35,543
<i>to take your call.</i>
<i>>></i>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE, STOP HERE.</i>

1235
01:08:35,545 --> 01:08:36,444
<i>>></i>   <i>IF YOU WANT TO FIND TRUE</i>
<i>LOVE, STOP HERE.</i>
<i>[ COMPUTER BEEPS ]</i>

1236
01:08:36,446 --> 01:08:37,145
<i>LOVE, STOP HERE.</i>
<i>[ COMPUTER BEEPS ]</i>
<i>>></i>   <i>THANK YOU.</i>

1237
01:08:37,147 --> 01:08:38,546
<i>[ COMPUTER BEEPS ]</i>
<i>>></i>   <i>THANK YOU.</i>
<i>>></i>   <i>You have reached the messae</i>

1238
01:08:38,548 --> 01:08:39,147
<i>>></i>   <i>THANK YOU.</i>
<i>>></i>   <i>You have reached the messae</i>
<i>bank of...</i>

1239
01:08:39,149 --> 01:08:40,115
<i>>></i>   <i>You have reached the messae</i>
<i>bank of...</i>
<i>[ COMPUTER BEEPING ]</i>

1240
01:08:40,117 --> 01:08:43,051
<i>bank of...</i>
<i>[ COMPUTER BEEPING ]</i>
<i>>></i>   <i>CHECKING.</i>

1241
01:08:43,053 --> 01:08:44,853
<i>[ COMPUTER BEEPING ]</i>
<i>>></i>   <i>CHECKING.</i>
<i>THREE MATCHES FOUND.</i>

1242
01:08:44,855 --> 01:08:46,154
<i>>></i>   <i>CHECKING.</i>
<i>THREE MATCHES FOUND.</i>
<i>>></i>   <i>You know what to do.</i>

1243
01:08:46,156 --> 01:08:47,322
<i>THREE MATCHES FOUND.</i>
<i>>></i>   <i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]

1244
01:08:47,324 --> 01:08:48,890
<i>>></i>   <i>You know what to do.</i>
<i>[</i>  <i>Beep</i>]
[ COMPUTER BEEPING ]

1245
01:08:48,892 --> 01:08:50,458
<i>[</i>  <i>Beep</i>]
[ COMPUTER BEEPING ]
>>   <i>HELEN MALZIN.</i>

1246
01:08:50,460 --> 01:08:52,026
[ COMPUTER BEEPING ]
>>   <i>HELEN MALZIN.</i>
<i>AGE -- 85.</i>

1247
01:08:52,028 --> 01:08:53,728
>>   <i>HELEN MALZIN.</i>
<i>AGE -- 85.</i>
<i>LOCATION -- GERMANY.</i>

1248
01:08:53,730 --> 01:08:56,064
<i>AGE -- 85.</i>
<i>LOCATION -- GERMANY.</i>
<i>STATUS -- SINGLE.</i>

1249
01:08:56,066 --> 01:08:58,133
<i>LOCATION -- GERMANY.</i>
<i>STATUS -- SINGLE.</i>
<i>WOULD YOU LIKE TO CONTACT?</i>

1250
01:08:58,135 --> 01:08:59,267
<i>STATUS -- SINGLE.</i>
<i>WOULD YOU LIKE TO CONTACT?</i>
<i>[</i>  <i>Beep</i>]

1251
01:08:59,269 --> 01:09:00,635
<i>WOULD YOU LIKE TO CONTACT?</i>
<i>[</i>  <i>Beep</i>]
LAURA WARWICK.

1252
01:09:00,637 --> 01:09:02,337
<i>[</i>  <i>Beep</i>]
LAURA WARWICK.
AGE -- 34.

1253
01:09:02,339 --> 01:09:03,738
LAURA WARWICK.
AGE -- 34.
LOCATION -- ENGLAND.

1254
01:09:03,740 --> 01:09:06,074
AGE -- 34.
LOCATION -- ENGLAND.
STATUS -- MARRIED.

1255
01:09:06,076 --> 01:09:07,275
LOCATION -- ENGLAND.
STATUS -- MARRIED.
WOULD YOU LIKE TO CONTACT?

1256
01:09:07,277 --> 01:09:08,576
STATUS -- MARRIED.
WOULD YOU LIKE TO CONTACT?
>>   <i>Please leave a short messae</i>

1257
01:09:08,578 --> 01:09:09,244
WOULD YOU LIKE TO CONTACT?
>>   <i>Please leave a short messae</i>
<i>at the tone.</i>

1258
01:09:09,246 --> 01:09:10,111
>>   <i>Please leave a short messae</i>
<i>at the tone.</i>
<i>>></i>   <i>ANA DELLA MATTA.</i>

1259
01:09:10,113 --> 01:09:11,446
<i>at the tone.</i>
<i>>></i>   <i>ANA DELLA MATTA.</i>
<i>AGE -- 24.</i>

1260
01:09:11,448 --> 01:09:13,248
<i>>></i>   <i>ANA DELLA MATTA.</i>
<i>AGE -- 24.</i>
<i>LOCATION -- AMERICA.</i>

1261
01:09:13,250 --> 01:09:14,716
<i>AGE -- 24.</i>
<i>LOCATION -- AMERICA.</i>
<i>STATUS -- DECEASED.</i>

1262
01:09:14,718 --> 01:09:16,251
<i>LOCATION -- AMERICA.</i>
<i>STATUS -- DECEASED.</i>
<i>WOULD YOU LIKE TO CONTACT?</i>

1263
01:09:16,253 --> 01:09:17,886
<i>STATUS -- DECEASED.</i>
<i>WOULD YOU LIKE TO CONTACT?</i>
<i>>></i>   <i>Marie-Curie Fortune.</i>

1264
01:09:17,888 --> 01:09:22,457
<i>WOULD YOU LIKE TO CONTACT?</i>
<i>>></i>   <i>Marie-Curie Fortune.</i>
<i>[ COMPUTER BEEPING ]</i>

1265
01:09:22,459 --> 01:09:25,927
<i>>></i>   <i>Marie-Curie Fortune.</i>
<i>[ COMPUTER BEEPING ]</i>
<i>[</i>  <i>Beep</i>]

1266
01:09:25,929 --> 01:09:27,929
<i>[ COMPUTER BEEPING ]</i>
<i>[</i>  <i>Beep</i>]
[ DOOR RATTLES ]

1267
01:09:27,931 --> 01:09:50,852
[ DOORBELL TUNE PLAYS ]
[ INDISTINCT CONVERSATION IN
DISTANCE ]

1268
01:09:50,854 --> 01:10:01,362
>> [ MUTTERING ]

1269
01:10:01,364 --> 01:10:12,440
[ SNIFFLES ]

1270
01:10:12,442 --> 01:10:23,685
[ SNIFFLES ]

1271
01:10:23,687 --> 01:10:42,604
[ FOOTSTEPS APPROACHING ]

1272
01:10:42,606 --> 01:10:50,111
WHA--
>> PLEASE. DO NOT SPEAK.
BUT PLEASE ALSO DO NOT BE

1273
01:10:50,113 --> 01:10:50,678
>> PLEASE. DO NOT SPEAK.
BUT PLEASE ALSO DO NOT BE
ALARMED.

1274
01:10:50,680 --> 01:10:52,247
BUT PLEASE ALSO DO NOT BE
ALARMED.
WE'RE JUST YOUR FRIENDLY

1275
01:10:52,249 --> 01:10:55,550
ALARMED.
WE'RE JUST YOUR FRIENDLY
LOCAL-GOVERNMENT AGENCY.

1276
01:10:55,552 --> 01:10:58,253
WE'RE JUST YOUR FRIENDLY
LOCAL-GOVERNMENT AGENCY.
[ DEVICE BEEPS ]

1277
01:10:58,255 --> 01:10:59,187
LOCAL-GOVERNMENT AGENCY.
[ DEVICE BEEPS ]
HMM.

1278
01:10:59,189 --> 01:11:01,422
[ DEVICE BEEPS ]
HMM.
NOT ONE OF YOURS.

1279
01:11:01,424 --> 01:11:03,057
HMM.
NOT ONE OF YOURS.
ONE OF OURS.

1280
01:11:03,059 --> 01:11:04,225
NOT ONE OF YOURS.
ONE OF OURS.
WE'RE HERE TO ASK YOU THREE

1281
01:11:04,227 --> 01:11:05,560
ONE OF OURS.
WE'RE HERE TO ASK YOU THREE
QUESTIONS.

1282
01:11:05,562 --> 01:11:08,730
WE'RE HERE TO ASK YOU THREE
QUESTIONS.
NOD FOR YES, SHAKE FOR NO.

1283
01:11:08,732 --> 01:11:15,870
[ DEVICE BEEPS ]
MUMYAD.
DID YOU STEAL THIS TECHNOLOGY?

1284
01:11:15,872 --> 01:11:22,277
[ DEVICE BEEPS ]
SIRAH.
DID YOU LEAK THE DEVICE'S

1285
01:11:22,279 --> 01:11:25,046
SIRAH.
DID YOU LEAK THE DEVICE'S
PROGRAM OR SCHEMATICS?

1286
01:11:25,048 --> 01:11:25,880
DID YOU LEAK THE DEVICE'S
PROGRAM OR SCHEMATICS?
[ DEVICE BEEPS ]

1287
01:11:25,882 --> 01:11:27,615
PROGRAM OR SCHEMATICS?
[ DEVICE BEEPS ]
VISTEN.

1288
01:11:27,617 --> 01:11:29,651
[ DEVICE BEEPS ]
VISTEN.
DO YOU HAVE ANY PLANS OF ANY

1289
01:11:29,653 --> 01:11:33,721
VISTEN.
DO YOU HAVE ANY PLANS OF ANY
KIND...

1290
01:11:33,723 --> 01:11:36,591
DO YOU HAVE ANY PLANS OF ANY
KIND...
TO MANIPULATE THE WORLD?

1291
01:11:36,593 --> 01:11:45,199
YOU MAY SPEAK NOW.
>> THOSE WORDS MAKE ME TELL THE
TRUTH?

1292
01:11:45,201 --> 01:11:45,667
>> THOSE WORDS MAKE ME TELL THE
TRUTH?
>> YES.

1293
01:11:45,669 --> 01:11:47,001
TRUTH?
>> YES.
>> BUT HOW DO YOU KNOW THEY

1294
01:11:47,003 --> 01:11:47,402
>> YES.
>> BUT HOW DO YOU KNOW THEY
WORK?

1295
01:11:47,404 --> 01:11:50,204
>> BUT HOW DO YOU KNOW THEY
WORK?
>> I'VE DONE THIS BEFORE.

1296
01:11:50,206 --> 01:11:52,440
WORK?
>> I'VE DONE THIS BEFORE.
NOW, HOW WOULD YOU LIKE A JOB?

1297
01:11:52,442 --> 01:11:53,841
>> I'VE DONE THIS BEFORE.
NOW, HOW WOULD YOU LIKE A JOB?
THE HOURS ARE TERRIBLE, BUT YOU

1298
01:11:53,843 --> 01:11:55,410
NOW, HOW WOULD YOU LIKE A JOB?
THE HOURS ARE TERRIBLE, BUT YOU
DO GET FREE ROOM AND BOARD.

1299
01:11:55,412 --> 01:11:57,078
THE HOURS ARE TERRIBLE, BUT YOU
DO GET FREE ROOM AND BOARD.
[ ENGINE TURNS OVER ]

1300
01:11:57,080 --> 01:12:11,492
[ BIRDS CHIRPING ]

1301
01:12:11,494 --> 01:12:30,311
AS OF NOW, YOU ARE ALL
OFFICIALLY GOVERNMENT EMPLOYEES
AND BOUND BY THE

1302
01:12:30,313 --> 01:12:32,747
OFFICIALLY GOVERNMENT EMPLOYEES
AND BOUND BY THE
OFFICIAL SECRETS ACT.

1303
01:12:32,749 --> 01:12:35,516
AND BOUND BY THE
OFFICIAL SECRETS ACT.
YOUR TASK IS TO FIND A WAY TO

1304
01:12:35,518 --> 01:12:38,486
OFFICIAL SECRETS ACT.
YOUR TASK IS TO FIND A WAY TO
NEUTRALIZE THE THREAT WHICH THE

1305
01:12:38,488 --> 01:12:40,955
YOUR TASK IS TO FIND A WAY TO
NEUTRALIZE THE THREAT WHICH THE
TECHNOLOGY KNOWN AS "THE MANUAL"

1306
01:12:40,957 --> 01:12:42,924
NEUTRALIZE THE THREAT WHICH THE
TECHNOLOGY KNOWN AS "THE MANUAL"
POSES TO THIS COUNTRY.

1307
01:12:42,926 --> 01:12:44,292
TECHNOLOGY KNOWN AS "THE MANUAL"
POSES TO THIS COUNTRY.
IN FRONT OF YOU, YOU'LL FIND A

1308
01:12:44,294 --> 01:12:45,493
POSES TO THIS COUNTRY.
IN FRONT OF YOU, YOU'LL FIND A
FILE WHICH CONTAINS ALL THE

1309
01:12:45,495 --> 01:12:46,694
IN FRONT OF YOU, YOU'LL FIND A
FILE WHICH CONTAINS ALL THE
INFORMATION WE HAVE ON THE

1310
01:12:46,696 --> 01:12:48,896
FILE WHICH CONTAINS ALL THE
INFORMATION WE HAVE ON THE
SUBJECT AND AN HISTORICAL

1311
01:12:48,898 --> 01:12:50,264
INFORMATION WE HAVE ON THE
SUBJECT AND AN HISTORICAL
ACCOUNT OF WHAT HAPPENED THE

1312
01:12:50,266 --> 01:12:51,699
SUBJECT AND AN HISTORICAL
ACCOUNT OF WHAT HAPPENED THE
LAST TIME IT WAS IN THE PUBLIC

1313
01:12:51,701 --> 01:12:53,401
ACCOUNT OF WHAT HAPPENED THE
LAST TIME IT WAS IN THE PUBLIC
DOMAIN.

1314
01:12:53,403 --> 01:12:56,437
LAST TIME IT WAS IN THE PUBLIC
DOMAIN.
YOU HAVE STUMBLED UPON VERY OLD

1315
01:12:56,439 --> 01:12:59,040
DOMAIN.
YOU HAVE STUMBLED UPON VERY OLD
TECHNOLOGY, MOSTLY LOST TO US,

1316
01:12:59,042 --> 01:12:59,807
YOU HAVE STUMBLED UPON VERY OLD
TECHNOLOGY, MOSTLY LOST TO US,
FORTUNATELY.

1317
01:12:59,809 --> 01:13:01,342
TECHNOLOGY, MOSTLY LOST TO US,
FORTUNATELY.
THE REMNANTS ARE ALWAYS KEPT

1318
01:13:01,344 --> 01:13:03,478
FORTUNATELY.
THE REMNANTS ARE ALWAYS KEPT
TOP SECRET AND ARE ANALYZED FOR

1319
01:13:03,480 --> 01:13:07,849
THE REMNANTS ARE ALWAYS KEPT
TOP SECRET AND ARE ANALYZED FOR
GENERATIONS WITH LITTLE SUCCESS.

1320
01:13:07,851 --> 01:13:10,351
TOP SECRET AND ARE ANALYZED FOR
GENERATIONS WITH LITTLE SUCCESS.
AND THEN, INEVITABLY, ELEMENTS

1321
01:13:10,353 --> 01:13:12,487
GENERATIONS WITH LITTLE SUCCESS.
AND THEN, INEVITABLY, ELEMENTS
ARE REDISCOVERED BY THE GENERAL

1322
01:13:12,489 --> 01:13:16,924
AND THEN, INEVITABLY, ELEMENTS
ARE REDISCOVERED BY THE GENERAL
POPULATION, AND CHAOS ENSUES.

1323
01:13:16,926 --> 01:13:18,626
ARE REDISCOVERED BY THE GENERAL
POPULATION, AND CHAOS ENSUES.
YOU'VE HEARD THE STORIES --

1324
01:13:18,628 --> 01:13:20,728
POPULATION, AND CHAOS ENSUES.
YOU'VE HEARD THE STORIES --
WIZARDS, WITCHES.

1325
01:13:20,730 --> 01:13:22,430
YOU'VE HEARD THE STORIES --
WIZARDS, WITCHES.
THE MASTERY OF THE TECH WAS WHAT

1326
01:13:22,432 --> 01:13:24,465
WIZARDS, WITCHES.
THE MASTERY OF THE TECH WAS WHAT
FIRST ESTABLISHED THE RULING

1327
01:13:24,467 --> 01:13:26,134
THE MASTERY OF THE TECH WAS WHAT
FIRST ESTABLISHED THE RULING
CLASSES AND WAS THE MAIN

1328
01:13:26,136 --> 01:13:28,336
FIRST ESTABLISHED THE RULING
CLASSES AND WAS THE MAIN
CONTRIBUTING FACTOR TO MOST WARS

1329
01:13:28,338 --> 01:13:31,272
CLASSES AND WAS THE MAIN
CONTRIBUTING FACTOR TO MOST WARS
UNTIL 1066.

1330
01:13:31,274 --> 01:13:33,241
CONTRIBUTING FACTOR TO MOST WARS
UNTIL 1066.
WE DON'T KNOW WHY.

1331
01:13:33,243 --> 01:13:35,076
UNTIL 1066.
WE DON'T KNOW WHY.
IT HAD A STEEP DECLINE IN ITS

1332
01:13:35,078 --> 01:13:37,745
WE DON'T KNOW WHY.
IT HAD A STEEP DECLINE IN ITS
EFFECTIVENESS FROM ABOUT 1100.

1333
01:13:37,747 --> 01:13:39,414
IT HAD A STEEP DECLINE IN ITS
EFFECTIVENESS FROM ABOUT 1100.
THAT LAST KNOWN DATE OF ANY

1334
01:13:39,416 --> 01:13:44,152
EFFECTIVENESS FROM ABOUT 1100.
THAT LAST KNOWN DATE OF ANY
SUCCESSFUL USAGE WAS ABOUT 1760.

1335
01:13:44,154 --> 01:13:46,654
THAT LAST KNOWN DATE OF ANY
SUCCESSFUL USAGE WAS ABOUT 1760.
WE DON'T KNOW WHY.

1336
01:13:46,656 --> 01:13:50,158
SUCCESSFUL USAGE WAS ABOUT 1760.
WE DON'T KNOW WHY.
AND NOW IT'S OUT THERE AGAIN.

1337
01:13:50,160 --> 01:13:52,427
WE DON'T KNOW WHY.
AND NOW IT'S OUT THERE AGAIN.
THANK YOU ALL.

1338
01:13:52,429 --> 01:13:54,495
AND NOW IT'S OUT THERE AGAIN.
THANK YOU ALL.
BUT I'M SURE YOU'LL FIND A WAY

1339
01:13:54,497 --> 01:13:56,531
THANK YOU ALL.
BUT I'M SURE YOU'LL FIND A WAY
TO PUT IT BACK.

1340
01:13:56,533 --> 01:14:09,510
THE GROUND RULES -- IF YOU SAY
OR EVEN SEMI-UTTER A WORD THAT
IS NOT IMMEDIATELY RECOGNIZABLE,

1341
01:14:09,512 --> 01:14:11,913
OR EVEN SEMI-UTTER A WORD THAT
IS NOT IMMEDIATELY RECOGNIZABLE,
YOU WILL BE ARRESTED, GAGGED,

1342
01:14:11,915 --> 01:14:14,649
IS NOT IMMEDIATELY RECOGNIZABLE,
YOU WILL BE ARRESTED, GAGGED,
AND, UH...POTENTIALLY TRIED FOR

1343
01:14:14,651 --> 01:14:16,818
YOU WILL BE ARRESTED, GAGGED,
AND, UH...POTENTIALLY TRIED FOR
TREASON.

1344
01:14:16,820 --> 01:14:18,820
AND, UH...POTENTIALLY TRIED FOR
TREASON.
>> THOMAS, YOU LOOK AT PHYSICAL

1345
01:14:18,822 --> 01:14:20,822
TREASON.
>> THOMAS, YOU LOOK AT PHYSICAL
SOLUTIONS, NICOLA, LINGUISTIC

1346
01:14:20,824 --> 01:14:21,856
>> THOMAS, YOU LOOK AT PHYSICAL
SOLUTIONS, NICOLA, LINGUISTIC
SOLUTIONS.

1347
01:14:21,858 --> 01:14:23,257
SOLUTIONS, NICOLA, LINGUISTIC
SOLUTIONS.
MARIE AND I WILL LOOK AT THE

1348
01:14:23,259 --> 01:14:24,559
SOLUTIONS.
MARIE AND I WILL LOOK AT THE
PROGRAM ITSELF TO SEE IF WE

1349
01:14:24,561 --> 01:14:27,328
MARIE AND I WILL LOOK AT THE
PROGRAM ITSELF TO SEE IF WE
CAN'T UNLOCK A FEW MORE SECRETS.

1350
01:14:27,330 --> 01:14:39,407
>> WHAT ABOUT ME?
>> YOU DON'T WORK FOR ME.
YOU CAN DO WHAT YOU LIKE.

1351
01:14:39,409 --> 01:14:52,453
>> [ SIGHS ]

1352
01:14:52,455 --> 01:14:58,326
[ SNIFFLES ]

1353
01:14:58,328 --> 01:15:07,635
>> WHAT ABOUT...

1354
01:15:07,637 --> 01:15:14,175
>> MAYBE. BUT WHAT IF WE...

1355
01:15:14,177 --> 01:15:21,516
>> I KNOW THIS MIGHT SOUND
RIDICULOUSLY SIMPLE [CHUCKLES]
BUT WHY DON'T WE JUST WORK ON

1356
01:15:21,518 --> 01:15:23,618
RIDICULOUSLY SIMPLE [CHUCKLES]
BUT WHY DON'T WE JUST WORK ON
SOME KIND OF EARPLUG?

1357
01:15:23,620 --> 01:15:36,697
>> THAT'LL ONLY MAKE IT WORSE.
WHAT YOU NEED IS SOMETHING LIKE
THIS.

1358
01:15:36,699 --> 01:15:37,765
WHAT YOU NEED IS SOMETHING LIKE
THIS.
>> NO. YOU'RE ALL WRONG.

1359
01:15:37,767 --> 01:15:39,133
THIS.
>> NO. YOU'RE ALL WRONG.
WHAT YOU NEED IS SOMETHING LIKE

1360
01:15:39,135 --> 01:15:41,769
>> NO. YOU'RE ALL WRONG.
WHAT YOU NEED IS SOMETHING LIKE
THIS.

1361
01:15:41,771 --> 01:15:43,804
WHAT YOU NEED IS SOMETHING LIKE
THIS.
>> OH, THAT'S VERY DANGEROUS,

1362
01:15:43,806 --> 01:15:45,706
THIS.
>> OH, THAT'S VERY DANGEROUS,
DAUGHTER, AT THAT SPEED.

1363
01:15:45,708 --> 01:15:47,341
>> OH, THAT'S VERY DANGEROUS,
DAUGHTER, AT THAT SPEED.
>> IT NEEDS TO BE QUICK.

1364
01:15:47,343 --> 01:15:48,676
DAUGHTER, AT THAT SPEED.
>> IT NEEDS TO BE QUICK.
THE QUICKER THIS IS ALL OVER,

1365
01:15:48,678 --> 01:15:49,911
>> IT NEEDS TO BE QUICK.
THE QUICKER THIS IS ALL OVER,
THE BETTER.

1366
01:15:49,913 --> 01:15:55,182
>> HOW ABOUT...

1367
01:15:55,184 --> 01:16:01,389
>> IT WOULD WORK...
BECAUSE IT WOULD KILL MOST OF
THE POPULATION.

1368
01:16:01,391 --> 01:16:11,432
>> WHY DON'T...WE MAKE AN
ANTI-MANUAL?
>> BECAUSE THAT WOULD TAKE

1369
01:16:11,434 --> 01:16:11,933
ANTI-MANUAL?
>> BECAUSE THAT WOULD TAKE
DECADES.

1370
01:16:11,935 --> 01:16:14,135
>> BECAUSE THAT WOULD TAKE
DECADES.
>> I DON'T MEAN A REAL ONE.

1371
01:16:14,137 --> 01:16:15,736
DECADES.
>> I DON'T MEAN A REAL ONE.
THE BIGGEST PROBLEM HERE IS THAT

1372
01:16:15,738 --> 01:16:17,104
>> I DON'T MEAN A REAL ONE.
THE BIGGEST PROBLEM HERE IS THAT
PEOPLE ACTUALLY BELIEVE THE

1373
01:16:17,106 --> 01:16:17,872
THE BIGGEST PROBLEM HERE IS THAT
PEOPLE ACTUALLY BELIEVE THE
MANUAL WORKS.

1374
01:16:17,874 --> 01:16:19,540
PEOPLE ACTUALLY BELIEVE THE
MANUAL WORKS.
PANIC CAUSES CHAOS.

1375
01:16:19,542 --> 01:16:21,275
MANUAL WORKS.
PANIC CAUSES CHAOS.
>> SO, SOME KIND OF PLACEBO?

1376
01:16:21,277 --> 01:16:23,110
PANIC CAUSES CHAOS.
>> SO, SOME KIND OF PLACEBO?
>> IT WOULD BUY US TIME.

1377
01:16:23,112 --> 01:16:29,483
OR WE -- WE COULD DISTRIBUTE
FLAWED COPIES OF THE MANUAL AND
THEN DISCREDIT THE WHOLE

1378
01:16:29,485 --> 01:16:30,818
FLAWED COPIES OF THE MANUAL AND
THEN DISCREDIT THE WHOLE
TECHNOLOGY A FEW WEEKS LATER.

1379
01:16:30,820 --> 01:16:32,720
THEN DISCREDIT THE WHOLE
TECHNOLOGY A FEW WEEKS LATER.
>> THAT'S VERY DEVIOUS.

1380
01:16:32,722 --> 01:16:34,288
TECHNOLOGY A FEW WEEKS LATER.
>> THAT'S VERY DEVIOUS.
>> IT IS, BUT IF IT WORKS, WE

1381
01:16:34,290 --> 01:16:37,325
>> THAT'S VERY DEVIOUS.
>> IT IS, BUT IF IT WORKS, WE
SHOULD USE IT.

1382
01:16:37,327 --> 01:16:39,560
>> IT IS, BUT IF IT WORKS, WE
SHOULD USE IT.
>> IT SHOULD BE POSSIBLE TO USE

1383
01:16:39,562 --> 01:16:41,062
SHOULD USE IT.
>> IT SHOULD BE POSSIBLE TO USE
THE MANUAL TO CONVINCE PEOPLE

1384
01:16:41,064 --> 01:16:42,229
>> IT SHOULD BE POSSIBLE TO USE
THE MANUAL TO CONVINCE PEOPLE
NOT TO USE THE MANUAL.

1385
01:16:42,231 --> 01:16:43,731
THE MANUAL TO CONVINCE PEOPLE
NOT TO USE THE MANUAL.
I MEAN, IT -- IT WOULD BE LIKE

1386
01:16:43,733 --> 01:16:45,032
NOT TO USE THE MANUAL.
I MEAN, IT -- IT WOULD BE LIKE
HAVING INOCULATIONS AT SCHOOL.

1387
01:16:45,034 --> 01:16:46,267
I MEAN, IT -- IT WOULD BE LIKE
HAVING INOCULATIONS AT SCHOOL.
EVERYONE WOULD BE INSTRUCTED

1388
01:16:46,269 --> 01:16:48,970
HAVING INOCULATIONS AT SCHOOL.
EVERYONE WOULD BE INSTRUCTED
NEVER TO USE IT...OR TO FORGET

1389
01:16:48,972 --> 01:16:49,337
EVERYONE WOULD BE INSTRUCTED
NEVER TO USE IT...OR TO FORGET
IT.

1390
01:16:49,339 --> 01:16:50,905
NEVER TO USE IT...OR TO FORGET
IT.
>> WHY DON'T WE TREAT THE ACTUAL

1391
01:16:50,907 --> 01:16:52,306
IT.
>> WHY DON'T WE TREAT THE ACTUAL
PROBLEM OF THE MANUAL AND NOT

1392
01:16:52,308 --> 01:16:53,307
>> WHY DON'T WE TREAT THE ACTUAL
PROBLEM OF THE MANUAL AND NOT
ITS SYMPTOMS?

1393
01:16:53,309 --> 01:16:54,609
PROBLEM OF THE MANUAL AND NOT
ITS SYMPTOMS?
>> DOES IT MATTER?

1394
01:16:54,611 --> 01:16:55,476
ITS SYMPTOMS?
>> DOES IT MATTER?
IF IT WORKS...

1395
01:16:55,478 --> 01:16:57,111
>> DOES IT MATTER?
IF IT WORKS...
>> UH, THERE'S PROBABLY A VERY

1396
01:16:57,113 --> 01:16:58,846
IF IT WORKS...
>> UH, THERE'S PROBABLY A VERY
SIMPLE SOLUTION THAT WE ALL JUST

1397
01:16:58,848 --> 01:16:59,780
>> UH, THERE'S PROBABLY A VERY
SIMPLE SOLUTION THAT WE ALL JUST
HAVEN'T SEEN.

1398
01:16:59,782 --> 01:17:01,148
SIMPLE SOLUTION THAT WE ALL JUST
HAVEN'T SEEN.
NATURE WORKS IN PATTERNS.

1399
01:17:01,150 --> 01:17:02,750
HAVEN'T SEEN.
NATURE WORKS IN PATTERNS.
USUALLY, THE CURE IS VERY CLOSE

1400
01:17:02,752 --> 01:17:03,651
NATURE WORKS IN PATTERNS.
USUALLY, THE CURE IS VERY CLOSE
TO THE DISEASE.

1401
01:17:03,653 --> 01:17:05,252
USUALLY, THE CURE IS VERY CLOSE
TO THE DISEASE.
>> MM-HMM, LIKE STINGING NETTLES

1402
01:17:05,254 --> 01:17:06,220
TO THE DISEASE.
>> MM-HMM, LIKE STINGING NETTLES
AND DOCK LEAVES.

1403
01:17:06,222 --> 01:17:06,721
>> MM-HMM, LIKE STINGING NETTLES
AND DOCK LEAVES.
>> YES.

1404
01:17:06,723 --> 01:17:08,122
AND DOCK LEAVES.
>> YES.
>> MAYBE THERE ARE ANTIDOTE

1405
01:17:08,124 --> 01:17:09,390
>> YES.
>> MAYBE THERE ARE ANTIDOTE
WORDS.

1406
01:17:09,392 --> 01:17:16,030
>> OH, DEAR.

1407
01:17:16,032 --> 01:17:22,770
WE'RE CALLING THEM "SHORTCUTS."
THEY DON'T NEED A COMMAND TO
FOLLOW THEM.

1408
01:17:22,772 --> 01:17:24,839
THEY DON'T NEED A COMMAND TO
FOLLOW THEM.
THEY ARE THE COMMAND.

1409
01:17:24,841 --> 01:17:26,474
FOLLOW THEM.
THEY ARE THE COMMAND.
>> WHAT DO THEY DO?

1410
01:17:26,476 --> 01:17:27,842
THEY ARE THE COMMAND.
>> WHAT DO THEY DO?
>> PERMISSION TO SPEAK ONE OF

1411
01:17:27,844 --> 01:17:29,343
>> WHAT DO THEY DO?
>> PERMISSION TO SPEAK ONE OF
THEM, MR. BRIDGES?

1412
01:17:29,345 --> 01:17:31,278
>> PERMISSION TO SPEAK ONE OF
THEM, MR. BRIDGES?
THEY COMMANDS ARE ALL HARMLESS,

1413
01:17:31,280 --> 01:17:33,547
THEM, MR. BRIDGES?
THEY COMMANDS ARE ALL HARMLESS,
AND NO EFFECTS LAST MORE THAN

1414
01:17:33,549 --> 01:17:36,250
THEY COMMANDS ARE ALL HARMLESS,
AND NO EFFECTS LAST MORE THAN
A MINUTE.

1415
01:17:36,252 --> 01:17:37,518
AND NO EFFECTS LAST MORE THAN
A MINUTE.
>> [ SIGHS ]

1416
01:17:37,520 --> 01:17:39,320
A MINUTE.
>> [ SIGHS ]
>> [ CHUCKLES ]

1417
01:17:39,322 --> 01:17:40,821
>> [ SIGHS ]
>> [ CHUCKLES ]
OKAY.

1418
01:17:40,823 --> 01:17:48,129
KORLO.

1419
01:17:48,131 --> 01:17:57,071
THAT MEANS "SIT."
AND THE OTHERS MEAN "STOP" AND
"GO."

1420
01:17:57,073 --> 01:17:58,472
AND THE OTHERS MEAN "STOP" AND
"GO."
WE SEEM TO HAVE HIT ON SOME

1421
01:17:58,474 --> 01:18:00,441
"GO."
WE SEEM TO HAVE HIT ON SOME
BASIC MOTOR FUNCTIONS, BUT THE

1422
01:18:00,443 --> 01:18:01,742
WE SEEM TO HAVE HIT ON SOME
BASIC MOTOR FUNCTIONS, BUT THE
EFFECTS SEEM SHORT-LIVED AND

1423
01:18:01,744 --> 01:18:03,210
BASIC MOTOR FUNCTIONS, BUT THE
EFFECTS SEEM SHORT-LIVED AND
CANNOT BE USED TWICE IN THE SAME

1424
01:18:03,212 --> 01:18:04,145
EFFECTS SEEM SHORT-LIVED AND
CANNOT BE USED TWICE IN THE SAME
HOUR.

1425
01:18:04,147 --> 01:18:05,479
CANNOT BE USED TWICE IN THE SAME
HOUR.
>> A LOT OF DAMAGE CAN BE DONE

1426
01:18:05,481 --> 01:18:06,280
HOUR.
>> A LOT OF DAMAGE CAN BE DONE
IN AN HOUR.

1427
01:18:06,282 --> 01:18:07,882
>> A LOT OF DAMAGE CAN BE DONE
IN AN HOUR.
OBVIOUSLY, THESE WORDS ARE

1428
01:18:07,884 --> 01:18:09,917
IN AN HOUR.
OBVIOUSLY, THESE WORDS ARE
BANNED NOW.

1429
01:18:09,919 --> 01:18:11,852
OBVIOUSLY, THESE WORDS ARE
BANNED NOW.
DID YOU KNOW ABOUT THIS?

1430
01:18:11,854 --> 01:18:22,296
[ KNOCK ON DOOR ]

1431
01:18:22,298 --> 01:18:42,316
>> HELLO.
>> HELLO.
I WAS THINKING, WHAT YOU SAID

1432
01:18:42,318 --> 01:18:44,018
>> HELLO.
I WAS THINKING, WHAT YOU SAID
BEFORE ABOUT CONVINCING PEOPLE

1433
01:18:44,020 --> 01:18:47,288
I WAS THINKING, WHAT YOU SAID
BEFORE ABOUT CONVINCING PEOPLE
NOT TO USE THE MANUAL.

1434
01:18:47,290 --> 01:18:48,956
BEFORE ABOUT CONVINCING PEOPLE
NOT TO USE THE MANUAL.
TELL ME I HAVE NO FEELINGS FOR

1435
01:18:48,958 --> 01:18:50,224
NOT TO USE THE MANUAL.
TELL ME I HAVE NO FEELINGS FOR
YOU.

1436
01:18:50,226 --> 01:18:51,425
TELL ME I HAVE NO FEELINGS FOR
YOU.
ADJUST ME.

1437
01:18:51,427 --> 01:18:52,827
YOU.
ADJUST ME.
>> THEY LET YOU HAVE THAT?

1438
01:18:52,829 --> 01:18:55,663
ADJUST ME.
>> THEY LET YOU HAVE THAT?
>> FOR EXPERIMENTATION.

1439
01:18:55,665 --> 01:18:57,064
>> THEY LET YOU HAVE THAT?
>> FOR EXPERIMENTATION.
COMMAND ME.

1440
01:18:57,066 --> 01:18:58,132
>> FOR EXPERIMENTATION.
COMMAND ME.
>> I DON'T KNOW HOW.

1441
01:18:58,134 --> 01:18:59,433
COMMAND ME.
>> I DON'T KNOW HOW.
I PROBABLY DON'T NEED TO DO

1442
01:18:59,435 --> 01:19:00,034
>> I DON'T KNOW HOW.
I PROBABLY DON'T NEED TO DO
ANYTHING.

1443
01:19:00,036 --> 01:19:01,135
I PROBABLY DON'T NEED TO DO
ANYTHING.
NOW THAT I'M NOT USING IT

1444
01:19:01,137 --> 01:19:02,470
ANYTHING.
NOW THAT I'M NOT USING IT
ANYMORE, THINGS SHOULD GO BACK

1445
01:19:02,472 --> 01:19:03,571
NOW THAT I'M NOT USING IT
ANYMORE, THINGS SHOULD GO BACK
TO NORMAL PRETTY QUICKLY.

1446
01:19:03,573 --> 01:19:04,972
ANYMORE, THINGS SHOULD GO BACK
TO NORMAL PRETTY QUICKLY.
>> OH, THEY HAVE.

1447
01:19:04,974 --> 01:19:08,642
TO NORMAL PRETTY QUICKLY.
>> OH, THEY HAVE.
I CAN FEEL MYSELF FEELING LESS.

1448
01:19:08,644 --> 01:19:12,012
>> OH, THEY HAVE.
I CAN FEEL MYSELF FEELING LESS.
BUT NOT FOR YOU.

1449
01:19:12,014 --> 01:19:13,114
I CAN FEEL MYSELF FEELING LESS.
BUT NOT FOR YOU.
DON'T TOUCH ME.

1450
01:19:13,116 --> 01:19:14,682
BUT NOT FOR YOU.
DON'T TOUCH ME.
>> I'M SURE I CAN FIX THIS.

1451
01:19:14,684 --> 01:19:16,016
DON'T TOUCH ME.
>> I'M SURE I CAN FIX THIS.
>> I KNOW.

1452
01:19:16,018 --> 01:19:25,726
I LOVE YOU.
BUT ONLY BECAUSE YOU'VE TOLD ME
TO.

1453
01:19:25,728 --> 01:19:28,629
BUT ONLY BECAUSE YOU'VE TOLD ME
TO.
CRUEL, ISN'T IT?

1454
01:19:28,631 --> 01:19:29,964
TO.
CRUEL, ISN'T IT?
>> MAYBE YOU WOULD HAVE LOVED ME

1455
01:19:29,966 --> 01:19:30,464
CRUEL, ISN'T IT?
>> MAYBE YOU WOULD HAVE LOVED ME
ANYWAY.

1456
01:19:30,466 --> 01:19:31,532
>> MAYBE YOU WOULD HAVE LOVED ME
ANYWAY.
>> NOW WE'LL NEVER KNOW.

1457
01:19:31,534 --> 01:19:32,366
ANYWAY.
>> NOW WE'LL NEVER KNOW.
>> DOES IT MATTER?

1458
01:19:32,368 --> 01:19:33,567
>> NOW WE'LL NEVER KNOW.
>> DOES IT MATTER?
>> YOU HAVE TO HAVE CHOICE.

1459
01:19:33,569 --> 01:19:34,969
>> DOES IT MATTER?
>> YOU HAVE TO HAVE CHOICE.
>> DO YOU IF IT WORKS?

1460
01:19:34,971 --> 01:19:37,738
>> YOU HAVE TO HAVE CHOICE.
>> DO YOU IF IT WORKS?
>> DO IT!

1461
01:19:37,740 --> 01:19:39,140
>> DO YOU IF IT WORKS?
>> DO IT!
[ SIGHS ]

1462
01:19:39,142 --> 01:19:44,345
DO IT FOR ME.
[ DEVICE BEEPS ]

1463
01:19:44,347 --> 01:19:49,950
>> MAYBE SOMEONE ELSE CAN.
>> NO, I'VE ALREADY TRIED.
IT HAS TO BE YOU.

1464
01:19:49,952 --> 01:19:51,719
>> NO, I'VE ALREADY TRIED.
IT HAS TO BE YOU.
[ DEVICE BEEPS ]

1465
01:19:51,721 --> 01:19:59,460
>> I'M JUST GONNA SAY THE LAST
WORD ON THE LIST.
I DON'T KNOW IF IT'LL WORK.

1466
01:19:59,462 --> 01:20:00,861
WORD ON THE LIST.
I DON'T KNOW IF IT'LL WORK.
[ DEVICE BEEPING ]

1467
01:20:00,863 --> 01:20:14,108
ENDEL.

1468
01:20:14,110 --> 01:20:23,517
YOU DO NOT LOVE ME.
>> [ GASPS ]
[ SIGHS ]

1469
01:20:23,519 --> 01:20:39,834
NOTHING'S CHANGED.
[ DOOR OPENS ]
>> TIME'S UP.

1470
01:20:39,836 --> 01:20:40,968
[ DOOR OPENS ]
>> TIME'S UP.
I NEED TO SPEAK TO MR. MIDGELEY

1471
01:20:40,970 --> 01:20:42,169
>> TIME'S UP.
I NEED TO SPEAK TO MR. MIDGELEY
ALONE.

1472
01:20:42,171 --> 01:20:45,172
I NEED TO SPEAK TO MR. MIDGELEY
ALONE.
>> [ SIGHS ]

1473
01:20:45,174 --> 01:20:46,907
ALONE.
>> [ SIGHS ]
[ SCOFFS ] TWO MINUTES.

1474
01:20:46,909 --> 01:20:48,342
>> [ SIGHS ]
[ SCOFFS ] TWO MINUTES.
>> IT'S JUST NOT MEANT TO BE FOR

1475
01:20:48,344 --> 01:20:49,043
[ SCOFFS ] TWO MINUTES.
>> IT'S JUST NOT MEANT TO BE FOR
US, IS IT?

1476
01:20:49,045 --> 01:20:50,511
>> IT'S JUST NOT MEANT TO BE FOR
US, IS IT?
>> NO.

1477
01:20:50,513 --> 01:20:51,812
US, IS IT?
>> NO.
IT'S JUST NOT MEANT TO BE FOR

1478
01:20:51,814 --> 01:20:53,280
>> NO.
IT'S JUST NOT MEANT TO BE FOR
YOU.

1479
01:20:53,282 --> 01:21:04,491
>> CAN YOU CONFIRM THAT THIS IS
YOURS?
>> [ CHUCKLES ] I CAN.

1480
01:21:04,493 --> 01:21:06,026
YOURS?
>> [ CHUCKLES ] I CAN.
>> OUR TOP PEOPLE HAVE HAD A

1481
01:21:06,028 --> 01:21:06,727
>> [ CHUCKLES ] I CAN.
>> OUR TOP PEOPLE HAVE HAD A
LOOK AT IT.

1482
01:21:06,729 --> 01:21:07,428
>> OUR TOP PEOPLE HAVE HAD A
LOOK AT IT.
>> AND?

1483
01:21:07,430 --> 01:21:09,363
LOOK AT IT.
>> AND?
>> THEY THINK IT'S BRILLIANT.

1484
01:21:09,365 --> 01:21:10,698
>> AND?
>> THEY THINK IT'S BRILLIANT.
WE THINK IT'S TIME YOU STOPPED

1485
01:21:10,700 --> 01:21:12,166
>> THEY THINK IT'S BRILLIANT.
WE THINK IT'S TIME YOU STOPPED
ALL THIS.

1486
01:21:12,168 --> 01:21:13,767
WE THINK IT'S TIME YOU STOPPED
ALL THIS.
IT'S CLEAR YOU HAVE A HISTORY OF

1487
01:21:13,769 --> 01:21:16,136
ALL THIS.
IT'S CLEAR YOU HAVE A HISTORY OF
OBSESSION WITH...MANIPULATION.

1488
01:21:16,138 --> 01:21:17,104
IT'S CLEAR YOU HAVE A HISTORY OF
OBSESSION WITH...MANIPULATION.
>> NO, JUST IRONY.

1489
01:21:17,106 --> 01:21:18,572
OBSESSION WITH...MANIPULATION.
>> NO, JUST IRONY.
>> YOU ARE PROHIBITED FROM

1490
01:21:18,574 --> 01:21:20,341
>> NO, JUST IRONY.
>> YOU ARE PROHIBITED FROM
SPEAKING UNDER ANY CIRCUMSTANCES

1491
01:21:20,343 --> 01:21:22,076
>> YOU ARE PROHIBITED FROM
SPEAKING UNDER ANY CIRCUMSTANCES
WHILE WE DECIDE PRECISELY HOW TO

1492
01:21:22,078 --> 01:21:22,977
SPEAKING UNDER ANY CIRCUMSTANCES
WHILE WE DECIDE PRECISELY HOW TO
DEAL WITH YOU.

1493
01:21:22,979 --> 01:21:24,278
WHILE WE DECIDE PRECISELY HOW TO
DEAL WITH YOU.
>> [ CHUCKLES ] BUT --

1494
01:21:24,280 --> 01:21:26,513
DEAL WITH YOU.
>> [ CHUCKLES ] BUT --
>> UNDER ANY CIRCUMSTANCES.

1495
01:21:26,515 --> 01:21:31,886
[ DOOR CLOSES ]

1496
01:21:31,888 --> 01:23:27,501
[  <i>DOOR CLOSING</i>]

1497
01:23:27,503 --> 01:23:40,848
[  <i>TRAIN SET RATTLING</i>]

1498
01:23:40,850 --> 01:23:46,253
[  <i>DOOR HANDLE RATTLING</i>]
[  <i>SILVERWARE CLATTERING</i>]

1499
01:23:46,255 --> 01:23:54,194
[  <i>GLASSES CLINKING</i>]

1500
01:23:54,196 --> 01:24:04,104
>> [ Echoing ] SIDE EFFECTS.

1501
01:24:04,106 --> 01:24:27,127
[ Echoing ] SIDE EFFECTS.

1502
01:24:27,129 --> 01:24:43,343
[ Echoing ] THE SIDE EFFECTS.

1503
01:24:43,345 --> 01:24:48,215
>> IT CAN'T BE.

1504
01:24:48,217 --> 01:24:57,491
[ CHUCKLES ]

1505
01:24:57,493 --> 01:25:10,704
I KNOW I'M NOT SUPPOSED TO TALK,
BUT I NEED TO SPEAK TO BRIDGES.
>> NO COMMUNICATION, OR YOU'LL

1506
01:25:10,706 --> 01:25:11,839
BUT I NEED TO SPEAK TO BRIDGES.
>> NO COMMUNICATION, OR YOU'LL
BE SHOT.

1507
01:25:11,841 --> 01:25:20,214
NO COMMUNICATING BY ANY MEANS.

1508
01:25:20,216 --> 01:25:28,922
>> KEVET.
[ CHUCKLES ]
DON'T WORRY.

1509
01:25:28,924 --> 01:25:30,224
[ CHUCKLES ]
DON'T WORRY.
THE EFFECTS SHOULD ONLY LAST A

1510
01:25:30,226 --> 01:25:31,525
DON'T WORRY.
THE EFFECTS SHOULD ONLY LAST A
MINUTE.

1511
01:25:31,527 --> 01:25:40,334
[ ALARM BELL RINGING ]

1512
01:25:40,336 --> 01:25:52,679
[ DOORBELL TUNE PLAYING ]

1513
01:25:52,681 --> 01:25:57,317
[ FOOTSTEPS APPROACHING ]

1514
01:25:57,319 --> 01:26:03,557
>> ZAK?
>> I KNOW.
[ PANTING ]

1515
01:26:03,559 --> 01:26:06,026
>> I KNOW.
[ PANTING ]
IT'S YOUR PROTECTION, ISN'T IT?

1516
01:26:06,028 --> 01:26:25,812
IT'S WHY IT'S ALWAYS AROUND,
ISN'T IT?
[ HELICOPTER BLADES WHIRRING ]

1517
01:26:25,814 --> 01:26:32,886
[ TIRES SCREECHING ]
AM I RIGHT?
[ CAR DOORS OPEN, CLOSE ]

1518
01:26:32,888 --> 01:26:34,655
AM I RIGHT?
[ CAR DOORS OPEN, CLOSE ]
>> YES.

1519
01:26:34,657 --> 01:26:36,523
[ CAR DOORS OPEN, CLOSE ]
>> YES.
>> THEN YOU HAVE TO HELP ME.

1520
01:26:36,525 --> 01:26:37,491
>> YES.
>> THEN YOU HAVE TO HELP ME.
THEY WON'T LET ME SPEAK.

1521
01:26:37,493 --> 01:26:38,292
>> THEN YOU HAVE TO HELP ME.
THEY WON'T LET ME SPEAK.
YOU MUST TELL THEM.

1522
01:26:38,294 --> 01:26:40,494
THEY WON'T LET ME SPEAK.
YOU MUST TELL THEM.
>> MUST I?

1523
01:26:40,496 --> 01:26:43,830
YOU MUST TELL THEM.
>> MUST I?
[ KNOCK ON DOOR ]

1524
01:26:43,832 --> 01:26:46,900
>> MUST I?
[ KNOCK ON DOOR ]
[ SIGHS ]

1525
01:26:46,902 --> 01:26:48,869
[ KNOCK ON DOOR ]
[ SIGHS ]
I MUST.

1526
01:26:48,871 --> 01:27:05,686
[ DOOR OPENS ]
[ KNOCK ON DOOR ]

1527
01:27:05,688 --> 01:27:17,064
>> THEY KNOW YOUR FREQUENCY'S
REESTABLISHED ITSELF.
THEY KNOW WHAT HAPPENS WHEN

1528
01:27:17,066 --> 01:27:18,465
REESTABLISHED ITSELF.
THEY KNOW WHAT HAPPENS WHEN
WE'RE TOGETHER.

1529
01:27:18,467 --> 01:27:19,299
THEY KNOW WHAT HAPPENS WHEN
WE'RE TOGETHER.
>> CLEVER.

1530
01:27:19,301 --> 01:27:20,534
WE'RE TOGETHER.
>> CLEVER.
>> THEY KNOW THAT WE SHOULD ONLY

1531
01:27:20,536 --> 01:27:22,302
>> CLEVER.
>> THEY KNOW THAT WE SHOULD ONLY
HAVE ONE MINUTE, THAT FATE

1532
01:27:22,304 --> 01:27:23,537
>> THEY KNOW THAT WE SHOULD ONLY
HAVE ONE MINUTE, THAT FATE
SHOULD PUSH YOU OUT.

1533
01:27:23,539 --> 01:27:26,106
HAVE ONE MINUTE, THAT FATE
SHOULD PUSH YOU OUT.
>> VERY CLEVER.

1534
01:27:26,108 --> 01:27:27,040
SHOULD PUSH YOU OUT.
>> VERY CLEVER.
WHAT IF THEY'RE WRONG?

1535
01:27:27,042 --> 01:27:28,275
>> VERY CLEVER.
WHAT IF THEY'RE WRONG?
>> THEY'RE GOING TO BREAK DOWN

1536
01:27:28,277 --> 01:27:29,443
WHAT IF THEY'RE WRONG?
>> THEY'RE GOING TO BREAK DOWN
THE DOOR AFTER ONE MINUTE AND

1537
01:27:29,445 --> 01:27:30,077
>> THEY'RE GOING TO BREAK DOWN
THE DOOR AFTER ONE MINUTE AND
FIVE SECONDS.

1538
01:27:30,079 --> 01:27:32,246
THE DOOR AFTER ONE MINUTE AND
FIVE SECONDS.
>> THEY'RE WRONG.

1539
01:27:32,248 --> 01:27:32,879
FIVE SECONDS.
>> THEY'RE WRONG.
>> WHAT?

1540
01:27:32,881 --> 01:27:33,647
>> THEY'RE WRONG.
>> WHAT?
>> NOT YET.

1541
01:27:33,649 --> 01:27:35,115
>> WHAT?
>> NOT YET.
I HAVE NO DESIRE TO REPEAT

1542
01:27:35,117 --> 01:27:35,983
>> NOT YET.
I HAVE NO DESIRE TO REPEAT
MYSELF.

1543
01:27:35,985 --> 01:27:37,251
I HAVE NO DESIRE TO REPEAT
MYSELF.
>> YOU'RE THEO'S FATHER, AREN'T

1544
01:27:37,253 --> 01:27:39,553
MYSELF.
>> YOU'RE THEO'S FATHER, AREN'T
YOU?

1545
01:27:39,555 --> 01:27:41,154
>> YOU'RE THEO'S FATHER, AREN'T
YOU?
TELL ME.

1546
01:27:41,156 --> 01:27:47,127
TELL ME.

1547
01:27:47,129 --> 01:27:53,066
[ DOOR OPEN ]
TELL ME!
[ DOOR OPENS ]

1548
01:27:53,068 --> 01:27:54,735
TELL ME!
[ DOOR OPENS ]
>> NOBODY SAY A WORD.

1549
01:27:54,737 --> 01:27:56,136
[ DOOR OPENS ]
>> NOBODY SAY A WORD.
>> ON THE GROUND.

1550
01:27:56,138 --> 01:27:56,837
>> NOBODY SAY A WORD.
>> ON THE GROUND.
ON THE GROUND!

1551
01:27:56,839 --> 01:27:57,938
>> ON THE GROUND.
ON THE GROUND!
>> [ SHOUTS INDISTINCTLY ]

1552
01:27:57,940 --> 01:27:59,506
ON THE GROUND!
>> [ SHOUTS INDISTINCTLY ]
>> NO TALKING FROM ANYBODY.

1553
01:27:59,508 --> 01:28:00,941
>> [ SHOUTS INDISTINCTLY ]
>> NO TALKING FROM ANYBODY.
>> HE KNOWS SOMETHING.

1554
01:28:00,943 --> 01:28:01,642
>> NO TALKING FROM ANYBODY.
>> HE KNOWS SOMETHING.
>> NO TALKING!

1555
01:28:01,644 --> 01:28:02,643
>> HE KNOWS SOMETHING.
>> NO TALKING!
>> HE KNOWS SOMETHING.

1556
01:28:02,645 --> 01:28:03,710
>> NO TALKING!
>> HE KNOWS SOMETHING.
>> NO TALKING!

1557
01:28:03,712 --> 01:28:05,112
>> HE KNOWS SOMETHING.
>> NO TALKING!
>> WHAT DOES HE KNOW?

1558
01:28:05,114 --> 01:28:06,913
>> NO TALKING!
>> WHAT DOES HE KNOW?
[ PIANO NOTE PLAYS ]

1559
01:28:06,915 --> 01:28:12,486
WHAT ARE YOU DOING?
[ SLOW-TEMPO TUNE PLAYS ]

1560
01:28:12,488 --> 01:28:23,830
>> GIVING YOU WHAT YOU WANT,
WHAT ZAK HERE HAS WORKED OUT --
THE ANTIDOTE.

1561
01:28:23,832 --> 01:28:27,367
WHAT ZAK HERE HAS WORKED OUT --
THE ANTIDOTE.
>> AND THE ANTIDOTE IS?

1562
01:28:27,369 --> 01:28:29,469
THE ANTIDOTE.
>> AND THE ANTIDOTE IS?
>> [ Chuckling ] MUSIC.

1563
01:28:29,471 --> 01:28:39,946
>> WELL, DON'T TAKE MY WORD FOR
IT.
TRY A WORD.

1564
01:28:39,948 --> 01:28:44,451
>> KORLO.

1565
01:28:44,453 --> 01:28:58,332
IS IT SPECIAL MUSIC?
>> WELL, KIND OF.
IT'S MOZART.

1566
01:28:58,334 --> 01:29:02,369
>> WELL, KIND OF.
IT'S MOZART.
LISTEN, GENTLEMEN...AND LADIES.

1567
01:29:02,371 --> 01:29:05,672
IT'S MOZART.
LISTEN, GENTLEMEN...AND LADIES.
WHEN MOZART PLAYS, WE ARE ALL

1568
01:29:05,674 --> 01:29:09,076
LISTEN, GENTLEMEN...AND LADIES.
WHEN MOZART PLAYS, WE ARE ALL
THE SAME FREQUENCY.

1569
01:29:09,078 --> 01:29:11,244
WHEN MOZART PLAYS, WE ARE ALL
THE SAME FREQUENCY.
A BRIEF HISTORY LESSON -- A

1570
01:29:11,246 --> 01:29:13,880
THE SAME FREQUENCY.
A BRIEF HISTORY LESSON -- A
SECRET HISTORY.

1571
01:29:13,882 --> 01:29:16,049
A BRIEF HISTORY LESSON -- A
SECRET HISTORY.
THERE WAS NEVER ANY MAGIC, ONLY

1572
01:29:16,051 --> 01:29:19,453
SECRET HISTORY.
THERE WAS NEVER ANY MAGIC, ONLY
JUST THE BOOK BEING LOST AND

1573
01:29:19,455 --> 01:29:21,121
THERE WAS NEVER ANY MAGIC, ONLY
JUST THE BOOK BEING LOST AND
FOUND, BEING WRITTEN, BEING

1574
01:29:21,123 --> 01:29:24,091
JUST THE BOOK BEING LOST AND
FOUND, BEING WRITTEN, BEING
REWRITTEN, BEING BURNED, BEING

1575
01:29:24,093 --> 01:29:26,493
FOUND, BEING WRITTEN, BEING
REWRITTEN, BEING BURNED, BEING
USED TO CONTROL THE MASSES.

1576
01:29:26,495 --> 01:29:30,764
REWRITTEN, BEING BURNED, BEING
USED TO CONTROL THE MASSES.
AND THEN...CAME THE MUSIC.

1577
01:29:30,766 --> 01:29:32,632
USED TO CONTROL THE MASSES.
AND THEN...CAME THE MUSIC.
WE KNEW FROM EARLY ON THAT MUSIC

1578
01:29:32,634 --> 01:29:34,334
AND THEN...CAME THE MUSIC.
WE KNEW FROM EARLY ON THAT MUSIC
HELD SOME POWER, SOME POWER TO

1579
01:29:34,336 --> 01:29:35,669
WE KNEW FROM EARLY ON THAT MUSIC
HELD SOME POWER, SOME POWER TO
FREE US.

1580
01:29:35,671 --> 01:29:37,237
HELD SOME POWER, SOME POWER TO
FREE US.
YOU'VE HEARD OF THE PIED PIPER,

1581
01:29:37,239 --> 01:29:39,906
FREE US.
YOU'VE HEARD OF THE PIED PIPER,
I HAVE NO DOUBT.

1582
01:29:39,908 --> 01:29:42,876
YOU'VE HEARD OF THE PIED PIPER,
I HAVE NO DOUBT.
COMPOSER -- LITERALLY

1583
01:29:42,878 --> 01:29:45,312
I HAVE NO DOUBT.
COMPOSER -- LITERALLY
"TO COME."

1584
01:29:45,314 --> 01:29:46,913
COMPOSER -- LITERALLY
"TO COME."
THE FIRST COMPOSERS WEREN'T

1585
01:29:46,915 --> 01:29:48,849
"TO COME."
THE FIRST COMPOSERS WEREN'T
WRITING SIMPLY TO ENTERTAIN.

1586
01:29:48,851 --> 01:29:50,250
THE FIRST COMPOSERS WEREN'T
WRITING SIMPLY TO ENTERTAIN.
THEY WERE WRITING TO GIVE US

1587
01:29:50,252 --> 01:29:51,551
WRITING SIMPLY TO ENTERTAIN.
THEY WERE WRITING TO GIVE US
CONTROL OF OUR MINDS BACK.

1588
01:29:51,553 --> 01:29:53,153
THEY WERE WRITING TO GIVE US
CONTROL OF OUR MINDS BACK.
WITH EACH NEW PIECE, THE BOOK

1589
01:29:53,155 --> 01:29:55,956
CONTROL OF OUR MINDS BACK.
WITH EACH NEW PIECE, THE BOOK
WAS WEAKENED, UNTIL...

1590
01:29:55,958 --> 01:29:57,591
WITH EACH NEW PIECE, THE BOOK
WAS WEAKENED, UNTIL...
[ MOZART'S "LACRIMOSA" PLAYS ]

1591
01:29:57,593 --> 01:29:58,792
WAS WEAKENED, UNTIL...
[ MOZART'S "LACRIMOSA" PLAYS ]
MOZART.

1592
01:29:58,794 --> 01:30:00,861
[ MOZART'S "LACRIMOSA" PLAYS ]
MOZART.
>> 1760.

1593
01:30:00,863 --> 01:30:03,230
MOZART.
>> 1760.
>> HIS FIRST COMPOSITION, THE

1594
01:30:03,232 --> 01:30:05,465
>> 1760.
>> HIS FIRST COMPOSITION, THE
FIRST PIECE THAT TRULY IMMUNIZED

1595
01:30:05,467 --> 01:30:06,466
>> HIS FIRST COMPOSITION, THE
FIRST PIECE THAT TRULY IMMUNIZED
US AGAINST THE BOOK.

1596
01:30:06,468 --> 01:30:08,969
FIRST PIECE THAT TRULY IMMUNIZED
US AGAINST THE BOOK.
SINCE THEN, THERE'VE BEEN MANY.

1597
01:30:08,971 --> 01:30:10,637
US AGAINST THE BOOK.
SINCE THEN, THERE'VE BEEN MANY.
WHEN YOU RECOGNIZE A MELODY

1598
01:30:10,639 --> 01:30:12,172
SINCE THEN, THERE'VE BEEN MANY.
WHEN YOU RECOGNIZE A MELODY
YOU'VE NEVER HEARD BEFORE,

1599
01:30:12,174 --> 01:30:15,442
WHEN YOU RECOGNIZE A MELODY
YOU'VE NEVER HEARD BEFORE,
THAT'LL BE ONE, TAPPING INTO OUR

1600
01:30:15,444 --> 01:30:17,978
YOU'VE NEVER HEARD BEFORE,
THAT'LL BE ONE, TAPPING INTO OUR
COLLECTIVE SUBCONSCIOUS.

1601
01:30:17,980 --> 01:30:19,679
THAT'LL BE ONE, TAPPING INTO OUR
COLLECTIVE SUBCONSCIOUS.
MOST COMPLEX MUSIC JUST

1602
01:30:19,681 --> 01:30:21,882
COLLECTIVE SUBCONSCIOUS.
MOST COMPLEX MUSIC JUST
INTERFERES ENOUGH WITH THE BOOK

1603
01:30:21,884 --> 01:30:24,451
MOST COMPLEX MUSIC JUST
INTERFERES ENOUGH WITH THE BOOK
TO MAKE IT UNRELIABLE AND, SO,

1604
01:30:24,453 --> 01:30:26,953
INTERFERES ENOUGH WITH THE BOOK
TO MAKE IT UNRELIABLE AND, SO,
USELESS.

1605
01:30:26,955 --> 01:30:28,288
TO MAKE IT UNRELIABLE AND, SO,
USELESS.
>> WHY WAS IT A SECRET?

1606
01:30:28,290 --> 01:30:29,122
USELESS.
>> WHY WAS IT A SECRET?
>> IT WASN'T.

1607
01:30:29,124 --> 01:30:30,791
>> WHY WAS IT A SECRET?
>> IT WASN'T.
IT JUST FELL OUT OF HISTORY BY

1608
01:30:30,793 --> 01:30:31,725
>> IT WASN'T.
IT JUST FELL OUT OF HISTORY BY
MUTUAL CONSENT.

1609
01:30:31,727 --> 01:30:33,260
IT JUST FELL OUT OF HISTORY BY
MUTUAL CONSENT.
THERE WERE RULERS WHO STILL

1610
01:30:33,262 --> 01:30:35,228
MUTUAL CONSENT.
THERE WERE RULERS WHO STILL
HARBORED THOUGHTS OF USING THE

1611
01:30:35,230 --> 01:30:37,898
THERE WERE RULERS WHO STILL
HARBORED THOUGHTS OF USING THE
BOOK AGAIN, AND THE MASSES

1612
01:30:37,900 --> 01:30:39,499
HARBORED THOUGHTS OF USING THE
BOOK AGAIN, AND THE MASSES
DIDN'T TAKE TOO KINDLY TO BEING

1613
01:30:39,501 --> 01:30:40,700
BOOK AGAIN, AND THE MASSES
DIDN'T TAKE TOO KINDLY TO BEING
REMINDED THEY ARE JUST

1614
01:30:40,702 --> 01:30:43,370
DIDN'T TAKE TOO KINDLY TO BEING
REMINDED THEY ARE JUST
MECHANISMS -- COMPLEX,

1615
01:30:43,372 --> 01:30:46,873
REMINDED THEY ARE JUST
MECHANISMS -- COMPLEX,
CERTAINLY, BUT MECHANISMS WITH

1616
01:30:46,875 --> 01:30:49,309
MECHANISMS -- COMPLEX,
CERTAINLY, BUT MECHANISMS WITH
BUTTONS TO PUSH, NONETHELESS.

1617
01:30:49,311 --> 01:30:53,447
CERTAINLY, BUT MECHANISMS WITH
BUTTONS TO PUSH, NONETHELESS.
MUSIC -- IT'S THE RESET BUTTON.

1618
01:30:53,449 --> 01:31:03,690
>> WHERE IS THAT, PRECISELY?
>> THE SOUL.
>> AND WHAT HAPPENS WHEN THE

1619
01:31:03,692 --> 01:31:06,560
>> THE SOUL.
>> AND WHAT HAPPENS WHEN THE
MUSIC STOPS?

1620
01:31:06,562 --> 01:31:08,295
>> AND WHAT HAPPENS WHEN THE
MUSIC STOPS?
>> [ CHUCKLES ]

1621
01:31:08,297 --> 01:31:09,696
MUSIC STOPS?
>> [ CHUCKLES ]
OH, IT CAN NEVER STOP.

1622
01:31:09,698 --> 01:31:11,465
>> [ CHUCKLES ]
OH, IT CAN NEVER STOP.
[ SIGHS ]

1623
01:31:11,467 --> 01:31:32,719
>> WHY DO YOU NOT TALK TO HER?
>> I...CAN'T.
>> YOU CAN.

1624
01:31:32,721 --> 01:31:46,833
>> IT IS A BIT OF A SURPRISE.
WE EXPECTED HIS FREQUENCY TO BE
ABOVE AVERAGE, BUT IT IS EXACTLY

1625
01:31:46,835 --> 01:31:50,770
WE EXPECTED HIS FREQUENCY TO BE
ABOVE AVERAGE, BUT IT IS EXACTLY
AVERAGE, TO 10 DECIMAL PLACES.

1626
01:31:50,772 --> 01:31:52,272
ABOVE AVERAGE, BUT IT IS EXACTLY
AVERAGE, TO 10 DECIMAL PLACES.
>> THE TIME HAS COME FOR YOU TO

1627
01:31:52,274 --> 01:31:54,708
AVERAGE, TO 10 DECIMAL PLACES.
>> THE TIME HAS COME FOR YOU TO
LEARN SOME FAMILY HISTORY.

1628
01:31:54,710 --> 01:32:05,919
>> SO, WHY DON'T WE TELL THEM?
>> BECAUSE THE MASSES PREFER NOT
TO BE SELF-AWARE, WHICH BY

1629
01:32:05,921 --> 01:32:07,354
>> BECAUSE THE MASSES PREFER NOT
TO BE SELF-AWARE, WHICH BY
CHOICE, PUTS THEM ON A LEVEL

1630
01:32:07,356 --> 01:32:08,855
TO BE SELF-AWARE, WHICH BY
CHOICE, PUTS THEM ON A LEVEL
WITH ALL THEIR COUSINS IN THE

1631
01:32:08,857 --> 01:32:10,290
CHOICE, PUTS THEM ON A LEVEL
WITH ALL THEIR COUSINS IN THE
ANIMAL KINGDOM.

1632
01:32:10,292 --> 01:32:14,094
WITH ALL THEIR COUSINS IN THE
ANIMAL KINGDOM.
WANT SOME FLAKES?

1633
01:32:14,096 --> 01:32:16,129
ANIMAL KINGDOM.
WANT SOME FLAKES?
SAY "THANK YOU."

1634
01:32:16,131 --> 01:32:22,202
[ MUSIC STOPS ]

1635
01:32:22,204 --> 01:32:28,975
>> MAYBE THIS ISN'T YOUR
INSTRUMENT.
>> BUT IT WAS PERFECT.

1636
01:32:28,977 --> 01:32:30,544
INSTRUMENT.
>> BUT IT WAS PERFECT.
>> LOOK, FOR HUNDREDS OF YEARS,

1637
01:32:30,546 --> 01:32:32,345
>> BUT IT WAS PERFECT.
>> LOOK, FOR HUNDREDS OF YEARS,
WE HAVE BEEN THE PLAYERS, THEO,

1638
01:32:32,347 --> 01:32:34,848
>> LOOK, FOR HUNDREDS OF YEARS,
WE HAVE BEEN THE PLAYERS, THEO,
INTERPRETING THE SCORE, EVOLVING

1639
01:32:34,850 --> 01:32:35,348
WE HAVE BEEN THE PLAYERS, THEO,
INTERPRETING THE SCORE, EVOLVING
IT.

1640
01:32:35,350 --> 01:32:36,683
INTERPRETING THE SCORE, EVOLVING
IT.
WHERE'S THE LIFE?

1641
01:32:36,685 --> 01:32:38,351
IT.
WHERE'S THE LIFE?
WHERE'S THE INSPIRATION?

1642
01:32:38,353 --> 01:32:40,954
WHERE'S THE LIFE?
WHERE'S THE INSPIRATION?
WHERE'S THE...SPONTANEITY?

1643
01:32:40,956 --> 01:32:42,789
WHERE'S THE INSPIRATION?
WHERE'S THE...SPONTANEITY?
>> IF WE ARE ALL MACHINES, THEN

1644
01:32:42,791 --> 01:32:44,157
WHERE'S THE...SPONTANEITY?
>> IF WE ARE ALL MACHINES, THEN
EVERYTHING IS DECIDED.

1645
01:32:44,159 --> 01:32:46,059
>> IF WE ARE ALL MACHINES, THEN
EVERYTHING IS DECIDED.
SPONTANEITY IS AN ILLUSION.

1646
01:32:46,061 --> 01:32:48,161
EVERYTHING IS DECIDED.
SPONTANEITY IS AN ILLUSION.
>> NO. WE STILL HAVE FREE WILL.

1647
01:32:48,163 --> 01:32:50,163
SPONTANEITY IS AN ILLUSION.
>> NO. WE STILL HAVE FREE WILL.
WE STILL HAVE SOULS.

1648
01:32:50,165 --> 01:32:53,033
>> NO. WE STILL HAVE FREE WILL.
WE STILL HAVE SOULS.
WE STILL HAVE IMAGINATION.

1649
01:32:53,035 --> 01:32:55,335
WE STILL HAVE SOULS.
WE STILL HAVE IMAGINATION.
THEO, ZAK'S HERE.

1650
01:32:55,337 --> 01:33:39,879
WHAT IS IT?
>> A CODE I EXTRAPOLATED FROM
MOZART.

1651
01:33:39,881 --> 01:33:41,581
>> A CODE I EXTRAPOLATED FROM
MOZART.
IT LAYS UNDERNEATH ALL HIS WORK,

1652
01:33:41,583 --> 01:33:42,983
MOZART.
IT LAYS UNDERNEATH ALL HIS WORK,
INVISIBLE.

1653
01:33:42,985 --> 01:33:44,751
IT LAYS UNDERNEATH ALL HIS WORK,
INVISIBLE.
>> I THOUGHT ALL THIS TIME YOU

1654
01:33:44,753 --> 01:33:47,087
INVISIBLE.
>> I THOUGHT ALL THIS TIME YOU
WERE WRITING MUSIC.

1655
01:33:47,089 --> 01:33:48,588
>> I THOUGHT ALL THIS TIME YOU
WERE WRITING MUSIC.
>> I-I BELIEVE IT'S THE CODE TO

1656
01:33:48,590 --> 01:33:50,991
WERE WRITING MUSIC.
>> I-I BELIEVE IT'S THE CODE TO
THE -- THAT...GOVERNS

1657
01:33:50,993 --> 01:33:52,292
>> I-I BELIEVE IT'S THE CODE TO
THE -- THAT...GOVERNS
EVERYTHING.

1658
01:33:52,294 --> 01:33:53,493
THE -- THAT...GOVERNS
EVERYTHING.
THIS UNIVERSE COMES FROM ONE

1659
01:33:53,495 --> 01:33:55,095
EVERYTHING.
THIS UNIVERSE COMES FROM ONE
SIMPLE CODE REPEATING

1660
01:33:55,097 --> 01:33:56,930
THIS UNIVERSE COMES FROM ONE
SIMPLE CODE REPEATING
INFINITELY, MAKING IT INFINITELY

1661
01:33:56,932 --> 01:33:59,833
SIMPLE CODE REPEATING
INFINITELY, MAKING IT INFINITELY
COMPLEX BUT UTTERLY PREDICTABLE.

1662
01:33:59,835 --> 01:34:01,267
INFINITELY, MAKING IT INFINITELY
COMPLEX BUT UTTERLY PREDICTABLE.
BUT IT'S NOT PERFECT YET.

1663
01:34:01,269 --> 01:34:03,336
COMPLEX BUT UTTERLY PREDICTABLE.
BUT IT'S NOT PERFECT YET.
I-I'M STILL WORKING ON IT.

1664
01:34:03,338 --> 01:34:04,671
BUT IT'S NOT PERFECT YET.
I-I'M STILL WORKING ON IT.
>> IF THIS IS REAL, THEN IT

1665
01:34:04,673 --> 01:34:05,939
I-I'M STILL WORKING ON IT.
>> IF THIS IS REAL, THEN IT
ASSUMES THAT WE ARE SIMPLY

1666
01:34:05,941 --> 01:34:07,941
>> IF THIS IS REAL, THEN IT
ASSUMES THAT WE ARE SIMPLY
COMPLEX MACHINES, THAT WE MAY

1667
01:34:07,943 --> 01:34:09,509
ASSUMES THAT WE ARE SIMPLY
COMPLEX MACHINES, THAT WE MAY
NOT HAVE A SOUL, CERTAINLY NOT

1668
01:34:09,511 --> 01:34:10,343
COMPLEX MACHINES, THAT WE MAY
NOT HAVE A SOUL, CERTAINLY NOT
ANY FREE WILL.

1669
01:34:10,345 --> 01:34:11,277
NOT HAVE A SOUL, CERTAINLY NOT
ANY FREE WILL.
>> I'M SORRY.

1670
01:34:11,279 --> 01:34:13,380
ANY FREE WILL.
>> I'M SORRY.
A-ARE THEY IMPORTANT?

1671
01:34:13,382 --> 01:34:14,581
>> I'M SORRY.
A-ARE THEY IMPORTANT?
>> OKAY.

1672
01:34:14,583 --> 01:34:16,116
A-ARE THEY IMPORTANT?
>> OKAY.
I'LL GO ALONG WITH IT FOR NOW.

1673
01:34:16,118 --> 01:34:17,717
>> OKAY.
I'LL GO ALONG WITH IT FOR NOW.
THOUGH, IF THIS IS REAL, YOU'LL

1674
01:34:17,719 --> 01:34:19,285
I'LL GO ALONG WITH IT FOR NOW.
THOUGH, IF THIS IS REAL, YOU'LL
BE ABLE TO TELL ME WHAT'S GOING

1675
01:34:19,287 --> 01:34:21,855
THOUGH, IF THIS IS REAL, YOU'LL
BE ABLE TO TELL ME WHAT'S GOING
TO HAPPEN NEXT, WON'T YOU?

1676
01:34:21,857 --> 01:34:24,124
BE ABLE TO TELL ME WHAT'S GOING
TO HAPPEN NEXT, WON'T YOU?
JUST THE NEXT FIVE MINUTES.

1677
01:34:24,126 --> 01:35:02,362
>> IN ABOUT FIVE SECONDS,
NICOLA-TESLA'S GONNA COME OVER.

1678
01:35:02,364 --> 01:35:15,241
AND IN 31 SECONDS, ZAK IS GONNA
CROSS THE ROOM.
AND IN PRECISELY TWO MINUTES,

1679
01:35:15,243 --> 01:35:17,477
CROSS THE ROOM.
AND IN PRECISELY TWO MINUTES,
THE FIRE ALARM'S GONNA SOUND.

1680
01:35:17,479 --> 01:35:28,521
>> TWO MINUTES. NO ALARM.

1681
01:35:28,523 --> 01:35:41,601
TWO MINUTES, SEVEN SECONDS.
>> I TOLD YOU, IT'S NOT
PERFECTED YET.

1682
01:35:41,603 --> 01:35:43,470
>> I TOLD YOU, IT'S NOT
PERFECTED YET.
>> YOU ALMOST HAD ME.

1683
01:35:43,472 --> 01:35:44,704
PERFECTED YET.
>> YOU ALMOST HAD ME.
I HAVE A SENSE OF HUMOR LIKE

1684
01:35:44,706 --> 01:35:45,705
>> YOU ALMOST HAD ME.
I HAVE A SENSE OF HUMOR LIKE
EVERYONE ELSE, BUT I'M

1685
01:35:45,707 --> 01:35:47,273
I HAVE A SENSE OF HUMOR LIKE
EVERYONE ELSE, BUT I'M
DISAPPOINTED THAT YOU'VE DECIDED

1686
01:35:47,275 --> 01:35:49,175
EVERYONE ELSE, BUT I'M
DISAPPOINTED THAT YOU'VE DECIDED
TO PLAY GAMES RATHER THAN TAKING

1687
01:35:49,177 --> 01:35:50,877
DISAPPOINTED THAT YOU'VE DECIDED
TO PLAY GAMES RATHER THAN TAKING
THIS FAIR SERIOUSLY.

1688
01:35:50,879 --> 01:35:58,151
>> IT'S NOT A GAME.

1689
01:35:58,153 --> 01:36:09,796
THANK YOU.
>> HAVE A GIFT. OPEN IT.
>> [ SIGHS ]

1690
01:36:09,798 --> 01:36:11,030
>> HAVE A GIFT. OPEN IT.
>> [ SIGHS ]
>> I THINK YOU'VE BEEN WORKING

1691
01:36:11,032 --> 01:36:12,732
>> [ SIGHS ]
>> I THINK YOU'VE BEEN WORKING
TOO HARD.

1692
01:36:12,734 --> 01:36:16,903
>> I THINK YOU'VE BEEN WORKING
TOO HARD.
YOU NEED A HOBBY, A PET.

1693
01:36:16,905 --> 01:36:19,139
TOO HARD.
YOU NEED A HOBBY, A PET.
>> I QUITE AGREE.

1694
01:36:19,141 --> 01:36:20,006
YOU NEED A HOBBY, A PET.
>> I QUITE AGREE.
SAY "THANK YOU."

1695
01:36:20,008 --> 01:36:20,774
>> I QUITE AGREE.
SAY "THANK YOU."
>> THANK YOU.

1696
01:36:20,776 --> 01:36:21,341
SAY "THANK YOU."
>> THANK YOU.
[  <i>Beep</i>]

1697
01:36:21,343 --> 01:36:23,476
>> THANK YOU.
[  <i>Beep</i>]
Uh, hey, it's me.

1698
01:36:23,478 --> 01:36:24,544
[  <i>Beep</i>]
Uh, hey, it's me.
Uh, yeah, I'm thinking of

1699
01:36:24,546 --> 01:36:25,545
Uh, hey, it's me.
Uh, yeah, I'm thinking of
having a drinking session

1700
01:36:25,547 --> 01:36:26,479
Uh, yeah, I'm thinking of
having a drinking session
around 9:00 tonight.

1701
01:36:26,481 --> 01:36:27,647
having a drinking session
around 9:00 tonight.
As usual, any assistance you

1702
01:36:27,649 --> 01:36:28,915
around 9:00 tonight.
As usual, any assistance you
can provide would be gratefully

1703
01:36:28,917 --> 01:36:30,984
As usual, any assistance you
can provide would be gratefully
appreciated.

1704
01:36:30,986 --> 01:36:31,684
can provide would be gratefully
appreciated.
ANY CHANGE?

1705
01:36:31,686 --> 01:36:32,385
appreciated.
ANY CHANGE?
>> NOT YET.

1706
01:36:32,387 --> 01:36:33,686
ANY CHANGE?
>> NOT YET.
>> GIVE ME ANOTHER THREE.

1707
01:36:33,688 --> 01:36:36,489
>> NOT YET.
>> GIVE ME ANOTHER THREE.
[ SIGHS ]

1708
01:36:36,491 --> 01:36:38,958
>> GIVE ME ANOTHER THREE.
[ SIGHS ]
[ MUSIC PLAYING ]

1709
01:36:38,960 --> 01:36:40,293
[ SIGHS ]
[ MUSIC PLAYING ]
[ MUSIC STOPS ]

1710
01:36:40,295 --> 01:36:41,194
[ MUSIC PLAYING ]
[ MUSIC STOPS ]
>> SORRY.

1711
01:36:41,196 --> 01:36:44,664
[ MUSIC STOPS ]
>> SORRY.
[ DOOR HANDLE RATTLES ]

1712
01:36:44,666 --> 01:36:45,899
>> SORRY.
[ DOOR HANDLE RATTLES ]
>> I SEE YOU'VE TAUGHT HIM SOME

1713
01:36:45,901 --> 01:36:47,400
[ DOOR HANDLE RATTLES ]
>> I SEE YOU'VE TAUGHT HIM SOME
NEW TRICKS.

1714
01:36:47,402 --> 01:36:48,968
>> I SEE YOU'VE TAUGHT HIM SOME
NEW TRICKS.
>> THEY'RE GOING TO ASK.

1715
01:36:48,970 --> 01:36:50,970
NEW TRICKS.
>> THEY'RE GOING TO ASK.
>> WHO? ASK WHAT?

1716
01:36:50,972 --> 01:36:52,272
>> THEY'RE GOING TO ASK.
>> WHO? ASK WHAT?
>> EVERYONE.

1717
01:36:52,274 --> 01:36:55,975
>> WHO? ASK WHAT?
>> EVERYONE.
ASK...FOR OUR HELP FROM THE

1718
01:36:55,977 --> 01:36:57,243
>> EVERYONE.
ASK...FOR OUR HELP FROM THE
BOOK.

1719
01:36:57,245 --> 01:36:58,745
ASK...FOR OUR HELP FROM THE
BOOK.
AND THEY'RE GOING TO ASK YOU

1720
01:36:58,747 --> 01:37:00,980
BOOK.
AND THEY'RE GOING TO ASK YOU
SPECIFICALLY, AND YOU'RE GOING

1721
01:37:00,982 --> 01:37:03,082
AND THEY'RE GOING TO ASK YOU
SPECIFICALLY, AND YOU'RE GOING
TO TELL THEM.

1722
01:37:03,084 --> 01:37:05,418
SPECIFICALLY, AND YOU'RE GOING
TO TELL THEM.
[ RATTLING ]

1723
01:37:05,420 --> 01:37:12,025
I WOULD SAY IT WAS A GIFT, BUT
IT -- IT REALLY HAS NOTHING TO
DO WITH ME.

1724
01:37:12,027 --> 01:37:22,168
OH, UH, TURN OFF THE MUSIC NOW.

1725
01:37:22,170 --> 01:37:31,077
[ SLOW-TEMPO MUSIC PLAYING ]

1726
01:37:31,079 --> 01:37:41,521
[ VOLUME INCREASES ]
>> OH, SORRY.
[ MUSIC STOPS ]

1727
01:37:41,523 --> 01:37:42,655
>> OH, SORRY.
[ MUSIC STOPS ]
SORRY ABOUT THAT.

1728
01:37:42,657 --> 01:37:44,257
[ MUSIC STOPS ]
SORRY ABOUT THAT.
TECHNOLOGY'S NEVER BEEN MY

1729
01:37:44,259 --> 01:37:45,792
SORRY ABOUT THAT.
TECHNOLOGY'S NEVER BEEN MY
STRONGPOINT, BUT WE'RE ALL

1730
01:37:45,794 --> 01:37:49,162
TECHNOLOGY'S NEVER BEEN MY
STRONGPOINT, BUT WE'RE ALL
GETTING USED TO THIS, AREN'T WE?

1731
01:37:49,164 --> 01:37:51,164
STRONGPOINT, BUT WE'RE ALL
GETTING USED TO THIS, AREN'T WE?
YOUR TEST RESULTS ARE BACK.

1732
01:37:51,166 --> 01:37:52,565
GETTING USED TO THIS, AREN'T WE?
YOUR TEST RESULTS ARE BACK.
WELL, THERE'S NO NEED TO WORRY,

1733
01:37:52,567 --> 01:37:53,733
YOUR TEST RESULTS ARE BACK.
WELL, THERE'S NO NEED TO WORRY,
EITHER OF YOU.

1734
01:37:53,735 --> 01:37:55,001
WELL, THERE'S NO NEED TO WORRY,
EITHER OF YOU.
IT JUST MEANS THAT WE'LL HAVE TO

1735
01:37:55,003 --> 01:37:56,135
EITHER OF YOU.
IT JUST MEANS THAT WE'LL HAVE TO
START WITH STRONGER DOSES TO

1736
01:37:56,137 --> 01:37:57,303
IT JUST MEANS THAT WE'LL HAVE TO
START WITH STRONGER DOSES TO
BEGIN WITH.

1737
01:37:57,305 --> 01:37:59,472
START WITH STRONGER DOSES TO
BEGIN WITH.
ZAK, THIS IS A COURSE OF MOZART

1738
01:37:59,474 --> 01:38:00,740
BEGIN WITH.
ZAK, THIS IS A COURSE OF MOZART
AND BRAHMS.

1739
01:38:00,742 --> 01:38:03,276
ZAK, THIS IS A COURSE OF MOZART
AND BRAHMS.
MARIE, PACHELBEL, ONCE DAILY.

1740
01:38:03,278 --> 01:38:15,054
>> SO...WHAT I'M FEELING
NOW...
IS IT REAL?

1741
01:38:15,056 --> 01:38:25,665
>> FROM WHAT WE NOW KNOW, WHAT
YOU FEEL IS NOT DUE TO ANY FORM
OF MANIPULATION, BUT [SIGHS]

1742
01:38:25,667 --> 01:38:27,400
YOU FEEL IS NOT DUE TO ANY FORM
OF MANIPULATION, BUT [SIGHS]
FURTHER THAN THAT, I -- I CANNOT

1743
01:38:27,402 --> 01:38:29,535
OF MANIPULATION, BUT [SIGHS]
FURTHER THAN THAT, I -- I CANNOT
COMMENT.

1744
01:38:29,537 --> 01:38:32,171
FURTHER THAN THAT, I -- I CANNOT
COMMENT.
YOU'RE PERFECTLY NORMAL.

1745
01:38:32,173 --> 01:38:33,439
COMMENT.
YOU'RE PERFECTLY NORMAL.
[ CHUCKLES ]

1746
01:38:33,441 --> 01:38:41,915
FOR A MACHINE.
[ ROSSINI'S "BARBER OF SEVILLE"
PLAYING ]

1747
01:38:41,917 --> 01:38:43,883
[ ROSSINI'S "BARBER OF SEVILLE"
PLAYING ]
>> NOTHING TO SAY, FATHER?

1748
01:38:43,885 --> 01:38:52,325
>> IF YOU'RE RIGHT, THEN YOU'VE
SEEN THIS CONVERSATION ALREADY.
>> IT'S NOT PHYSICALLY POSSIBLE

1749
01:38:52,327 --> 01:38:53,359
SEEN THIS CONVERSATION ALREADY.
>> IT'S NOT PHYSICALLY POSSIBLE
FOR ME TO WATCH EVERY

1750
01:38:53,361 --> 01:38:56,195
>> IT'S NOT PHYSICALLY POSSIBLE
FOR ME TO WATCH EVERY
CONVERSATION, BUT...YES.

1751
01:38:56,197 --> 01:38:57,563
FOR ME TO WATCH EVERY
CONVERSATION, BUT...YES.
>> YOU KNOW PRECISELY WHAT I'M

1752
01:38:57,565 --> 01:38:59,832
CONVERSATION, BUT...YES.
>> YOU KNOW PRECISELY WHAT I'M
GOING TO SAY?

1753
01:38:59,834 --> 01:39:00,967
>> YOU KNOW PRECISELY WHAT I'M
GOING TO SAY?
>> YES.

1754
01:39:00,969 --> 01:39:08,975
>> [ INHALES DEEPLY ]
[ SIGHS ]
THEN TELL ME WHAT HAPPENS.

1755
01:39:08,977 --> 01:39:17,483
>> SO, HOW DO YOU FEEL?
>> LIKE THE LUCKIEST GIRL IN THE
WORLD.

1756
01:39:17,485 --> 01:39:18,184
>> LIKE THE LUCKIEST GIRL IN THE
WORLD.
>> [ CHUCKLES ]

1757
01:39:18,186 --> 01:39:19,519
WORLD.
>> [ CHUCKLES ]
YOU    <i>A</i>THE LUCKIEST GIRL IN THE

1758
01:39:19,521 --> 01:39:19,919
>> [ CHUCKLES ]
YOU    <i>A</i>THE LUCKIEST GIRL IN THE
WORLD.

1759
01:39:19,921 --> 01:39:20,853
YOU    <i>A</i>THE LUCKIEST GIRL IN THE
WORLD.
>> I <i>WAS.</i>

1760
01:39:20,855 --> 01:39:24,357
WORLD.
>> I <i>WAS.</i>
<i>>> [ CHUCKLES ]</i>

1761
01:39:24,359 --> 01:39:26,125
>> I <i>WAS.</i>
<i>>> [ CHUCKLES ]</i>
<i>>> WHAT ARE YOU THINKING?</i>

1762
01:39:26,127 --> 01:39:28,061
<i>>> [ CHUCKLES ]</i>
<i>>> WHAT ARE YOU THINKING?</i>
<i>>> YOU'RE GOING TO TELL ME THAT</i>

1763
01:39:28,063 --> 01:39:29,262
<i>>> WHAT ARE YOU THINKING?</i>
<i>>> YOU'RE GOING TO TELL ME THAT</i>
<i>YOU DON'T THINK I'LL EVER</i>

1764
01:39:29,264 --> 01:39:31,998
<i>>> YOU'RE GOING TO TELL ME THAT</i>
<i>YOU DON'T THINK I'LL EVER</i>
<i>PERFECT THE EQUATION, THAT FREE</i>

1765
01:39:32,000 --> 01:39:34,000
<i>YOU DON'T THINK I'LL EVER</i>
<i>PERFECT THE EQUATION, THAT FREE</i>
<i>WILL IS NOT AN ILLUSION, THAT</i>

1766
01:39:34,002 --> 01:39:36,869
<i>PERFECT THE EQUATION, THAT FREE</i>
<i>WILL IS NOT AN ILLUSION, THAT</i>
<i>CREATIVITY AND IMPROVISATION</i> <i>DO</i>

1767
01:39:36,871 --> 01:39:37,737
<i>WILL IS NOT AN ILLUSION, THAT</i>
<i>CREATIVITY AND IMPROVISATION</i> <i>DO</i>
<i>EXIST.</i>

1768
01:39:37,739 --> 01:39:39,906
<i>CREATIVITY AND IMPROVISATION</i> <i>DO</i>
<i>EXIST.</i>
<i>I -- I DISAGREE WITH YOU.</i>

1769
01:39:39,908 --> 01:39:41,808
<i>EXIST.</i>
<i>I -- I DISAGREE WITH YOU.</i>
<i>BUT [CHUCKLES] I'M NOT</i>

1770
01:39:41,810 --> 01:39:43,876
<i>I -- I DISAGREE WITH YOU.</i>
<i>BUT [CHUCKLES] I'M NOT</i>
<i>INTERESTED IN INDIVIDUAL</i>

1771
01:39:43,878 --> 01:39:45,745
<i>BUT [CHUCKLES] I'M NOT</i>
<i>INTERESTED IN INDIVIDUAL</i>
<i>DESTINIES.</i>

1772
01:39:45,747 --> 01:39:48,114
<i>INTERESTED IN INDIVIDUAL</i>
<i>DESTINIES.</i>
<i>WHAT I AM INTERESTED IN IS THE</i>

1773
01:39:48,116 --> 01:39:50,383
<i>DESTINIES.</i>
<i>WHAT I AM INTERESTED IN IS THE</i>
<i>UNIVERSAL...</i>

1774
01:39:50,385 --> 01:39:51,384
<i>WHAT I AM INTERESTED IN IS THE</i>
<i>UNIVERSAL...</i>
<i>SYMPHONY.</i>

1775
01:39:51,386 --> 01:39:52,852
<i>UNIVERSAL...</i>
<i>SYMPHONY.</i>
<i>>> YOU ALWAYS GOT WHATEVER IT</i>

1776
01:39:52,854 --> 01:39:54,087
<i>SYMPHONY.</i>
<i>>> YOU ALWAYS GOT WHATEVER IT</i>
<i>WAS YOU WANTED, DIDN'T YOU?</i>

1777
01:39:54,089 --> 01:39:54,687
<i>>> YOU ALWAYS GOT WHATEVER IT</i>
<i>WAS YOU WANTED, DIDN'T YOU?</i>
<i>>> MM-HMM.</i>

1778
01:39:54,689 --> 01:39:56,089
<i>WAS YOU WANTED, DIDN'T YOU?</i>
<i>>> MM-HMM.</i>
<i>>> AND WHAT WAS IT YOU WANTED</i>

1779
01:39:56,091 --> 01:39:57,523
<i>>> MM-HMM.</i>
<i>>> AND WHAT WAS IT YOU WANTED</i>
<i>MORE THAN ANYTHING ELSE IN THE</i>

1780
01:39:57,525 --> 01:39:57,957
<i>>> AND WHAT WAS IT YOU WANTED</i>
<i>MORE THAN ANYTHING ELSE IN THE</i>
<i>WORLD?</i>

1781
01:39:57,959 --> 01:40:00,626
<i>MORE THAN ANYTHING ELSE IN THE</i>
<i>WORLD?</i>
<i>>> FEELINGS. TO BE IN LOVE.</i>

1782
01:40:00,628 --> 01:40:07,600
<i>SO, WHAT ARE YOU SAYING -- THAT</i>
<i>NATURE CREATED YOU FOR ME,</i>
<i>SOMEONE TO GIVE ME WHAT I</i>

1783
01:40:07,602 --> 01:40:08,935
<i>NATURE CREATED YOU FOR ME,</i>
<i>SOMEONE TO GIVE ME WHAT I</i>
<i>WANTED?</i>

1784
01:40:08,937 --> 01:40:10,770
<i>SOMEONE TO GIVE ME WHAT I</i>
<i>WANTED?</i>
<i>>> I TELL YOU THAT WHEN THE</i>

1785
01:40:10,772 --> 01:40:13,206
<i>WANTED?</i>
<i>>> I TELL YOU THAT WHEN THE</i>
<i>EQUATION IS PERFECT, I WILL KNOW</i>

1786
01:40:13,208 --> 01:40:15,508
<i>>> I TELL YOU THAT WHEN THE</i>
<i>EQUATION IS PERFECT, I WILL KNOW</i>
<i>THE TRUE PATTERN.</i>

1787
01:40:15,510 --> 01:40:16,676
<i>EQUATION IS PERFECT, I WILL KNOW</i>
<i>THE TRUE PATTERN.</i>
<i>YOU ASK ME WHAT GOOD THAT WILL</i>

1788
01:40:16,678 --> 01:40:17,777
<i>THE TRUE PATTERN.</i>
<i>YOU ASK ME WHAT GOOD THAT WILL</i>
<i>DO.</i>

1789
01:40:17,779 --> 01:40:20,480
<i>YOU ASK ME WHAT GOOD THAT WILL</i>
<i>DO.</i>
<i>I TELL YOU, "KNOWLEDGE IS</i>

1790
01:40:20,482 --> 01:40:22,281
<i>DO.</i>
<i>I TELL YOU, "KNOWLEDGE IS</i>
<i>USELESS IF YOU ONLY KNOW</i>

1791
01:40:22,283 --> 01:40:26,652
<i>I TELL YOU, "KNOWLEDGE IS</i>
<i>USELESS IF YOU ONLY KNOW</i>
<i>PARTS -- THERE CAN BE NO TRUTH.</i>

1792
01:40:26,654 --> 01:40:28,321
<i>USELESS IF YOU ONLY KNOW</i>
<i>PARTS -- THERE CAN BE NO TRUTH.</i>
<i>EVERYONE ELSE WILL KNOW ONLY</i>

1793
01:40:28,323 --> 01:40:30,089
<i>PARTS -- THERE CAN BE NO TRUTH.</i>
<i>EVERYONE ELSE WILL KNOW ONLY</i>
<i>PIECES.</i>

1794
01:40:30,091 --> 01:40:32,759
<i>EVERYONE ELSE WILL KNOW ONLY</i>
<i>PIECES.</i>
<i>ONLY I WILL KNOW...</i>

1795
01:40:32,761 --> 01:40:34,127
<i>PIECES.</i>
<i>ONLY I WILL KNOW...</i>
<i>EVERYTHING."</i>

1796
01:40:34,129 --> 01:40:42,935
<i>>> THAT WOULD MEAN NEITHER OF US</i>
<i>HAD A CHOICE.</i>
<i>>> YOU ASK ME IF I DON'T MISS</i>

1797
01:40:42,937 --> 01:40:44,871
<i>HAD A CHOICE.</i>
<i>>> YOU ASK ME IF I DON'T MISS</i>
<i>SURPRISES.</i>

1798
01:40:44,873 --> 01:40:47,774
<i>>> YOU ASK ME IF I DON'T MISS</i>
<i>SURPRISES.</i>
<i>I TELL YOU THAT ALTHOUGH I MIGHT</i>

1799
01:40:47,776 --> 01:40:50,276
<i>SURPRISES.</i>
<i>I TELL YOU THAT ALTHOUGH I MIGHT</i>
<i>GET THE SCORE, THERE IS STILL</i>

1800
01:40:50,278 --> 01:40:52,278
<i>I TELL YOU THAT ALTHOUGH I MIGHT</i>
<i>GET THE SCORE, THERE IS STILL</i>
<i>THE JOY IN WATCHING THE</i>

1801
01:40:52,280 --> 01:40:54,013
<i>GET THE SCORE, THERE IS STILL</i>
<i>THE JOY IN WATCHING THE</i>
<i>PERFORMANCE.</i>

1802
01:40:54,015 --> 01:41:24,377
<i>>> THIS IS THE PART WHERE I SAY</i>
<i>GOODBYE, ISN'T IT?</i>
<i>>> YES.</i>

1803
01:41:24,379 --> 01:41:25,912
<i>GOODBYE, ISN'T IT?</i>
<i>>> YES.</i>
<i>>> HELLO.</i>

1804
01:41:25,914 --> 01:41:27,680
<i>>> YES.</i>
<i>>> HELLO.</i>
<i>>> [ SIGHS ]</i>

1805
01:41:27,682 --> 01:41:30,049
<i>>> HELLO.</i>
<i>>> [ SIGHS ]</i>
<i>H-HELLO.</i>

1806
01:41:30,051 --> 01:41:32,318
<i>>> [ SIGHS ]</i>
<i>H-HELLO.</i>
<i>>> GOODBYE.</i>

1807
01:41:32,320 --> 01:41:34,120
<i>H-HELLO.</i>
<i>>> GOODBYE.</i>
<i>>> GOODBYE.</i>

1808
01:41:34,122 --> 01:41:44,730
<i>>> IF YOU'RE RIGHT...</i>
<i>>> IF I'M RIGHT, IT MEANS THAT</i>
<i>WHATEVER GAVE US OUR MINUTE</i>

1809
01:41:44,732 --> 01:41:47,467
<i>>> IF I'M RIGHT, IT MEANS THAT</i>
<i>WHATEVER GAVE US OUR MINUTE</i>
<i>WASN'T LOVE...</i>

1810
01:41:47,469 --> 01:41:51,204
<i>WHATEVER GAVE US OUR MINUTE</i>
<i>WASN'T LOVE...</i>
<i>IT WAS FATE.</i>

1811
01:41:51,206 --> 01:41:53,206
<i>WASN'T LOVE...</i>
<i>IT WAS FATE.</i>
<i>IT MEANS I'M JUST HERE TO SERVE</i>

1812
01:41:53,208 --> 01:41:55,541
<i>IT WAS FATE.</i>
<i>IT MEANS I'M JUST HERE TO SERVE</i>
<i>A PURPOSE FOR YOU.</i>

1813
01:41:55,543 --> 01:41:56,976
<i>IT MEANS I'M JUST HERE TO SERVE</i>
<i>A PURPOSE FOR YOU.</i>
<i>IT MEANS EVERYTHING'S ALREADY</i>

1814
01:41:56,978 --> 01:41:57,877
<i>A PURPOSE FOR YOU.</i>
<i>IT MEANS EVERYTHING'S ALREADY</i>
<i>DECIDED.</i>

1815
01:41:57,879 --> 01:41:59,245
<i>IT MEANS EVERYTHING'S ALREADY</i>
<i>DECIDED.</i>
<i>THERE'S NO FREEDOM, NO</i>

1816
01:41:59,247 --> 01:42:00,680
<i>DECIDED.</i>
<i>THERE'S NO FREEDOM, NO</i>
<i>RESPONSIBILITY, AND KNOWLEDGE</i>

1817
01:42:00,682 --> 01:42:02,081
<i>THERE'S NO FREEDOM, NO</i>
<i>RESPONSIBILITY, AND KNOWLEDGE</i>
<i>ABSOLUTELY DOES NOT DETERMINE</i>

1818
01:42:02,083 --> 01:42:04,117
<i>RESPONSIBILITY, AND KNOWLEDGE</i>
<i>ABSOLUTELY DOES NOT DETERMINE</i>
<i>DESTINY.</i>

1819
01:42:04,119 --> 01:42:05,451
<i>ABSOLUTELY DOES NOT DETERMINE</i>
<i>DESTINY.</i>
<i>>> YES.</i>

1820
01:42:05,453 --> 01:42:14,393
<i>DOES IT MATTER?</i>
<i>[ CHUCKLES ]</i>
<i>>> [ CHUCKLES ]</i>

1821
01:42:14,395 --> 01:42:17,930
<i>[ CHUCKLES ]</i>
<i>>> [ CHUCKLES ]</i>
<i>NO. NOT TO ME.</i>

1822
01:42:17,932 --> 01:42:19,565
<i>>> [ CHUCKLES ]</i>
<i>NO. NOT TO ME.</i>
<i>>> ME NEITHER.</i>

1823
01:42:19,567 --> 01:42:22,135
<i>NO. NOT TO ME.</i>
<i>>> ME NEITHER.</i>
<i>>> [ CHUCKLES ]</i>

1824
01:42:22,137 --> 01:42:24,637
<i>>> ME NEITHER.</i>
<i>>> [ CHUCKLES ]</i>
<i>[ INDISTINCT CONVERSATIONS ]</i>

1825
01:42:24,639 --> 01:42:38,217
<i>[ SILENCE ]</i>

1826
01:42:38,219 --> 01:42:41,554
<i>>> THAT'S IT.</i>

1827
01:42:41,556 --> 01:42:54,233
<i>PERFECT.</i>
<i>OH.</i>
<i>I SEE.</i>